Sony a6100 Brochure


The Sony a6100 brochure is now available.

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Sony a6600: B&H Photo / Amazon / Adorama
Sony a6100: B&H Photo / Amazon / Adorama
E 16-55mm F2.8 G: B&H Photo / Amazon / Adorama
E 70-350mm F4.5-6.3 G OSS: B&H Photo / Amazon / Adorama

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Sony α6100 and α6600 Launch Event Started


Can’t embed the launch stream so you can find it here.

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Sony a6600: B&H Photo / Amazon / Adorama
Sony a6100: B&H Photo / Amazon / Adorama
E 16-55mm F2.8 G: B&H Photo / Amazon / Adorama
E 70-350mm F4.5-6.3 G OSS: B&H Photo / Amazon / Adorama

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Sony’s α6100 and α6600 Announcement Happening at 10:00 EST With Two NEW APS-C Zooms


It looks like all the “leaked” names ended up being wrong because Nokishita confirmed that the cameras coming at 10:00 EST today will be the Sony a6600 and a6100. So far they have only leaked the a6600 brochure, which you can read in this post. Sony will also announce two lenses today the E 16-55mm F2.8 G (SEL1655G) and E 70-350mm F4.5-6.3 G OSS (SEL70350G).

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Sony a6600: B&H Photo / Amazon / Adorama
Sony a6100: B&H Photo / Amazon / Adorama
E 16-55mm F2.8 G: B&H Photo / Amazon / Adorama
E 70-350mm F4.5-6.3 G OSS: B&H Photo / Amazon / Adorama

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Samyang 18mm f/2.8 Teaster

Samyang is now teasing the Samyang 18mm f/2.8 on their social media accounts. The official announcement should be later this week.

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Sony Launch Event Tomorrow At 10:00AM EST: Most likely APS-C Cameras


Sony’s press even tomorrow will most likely be for the a6200/a6700/a7000 or whatever Sony decides to call their new APS-C cameras. So far there has just been a lot of hype about how great these cameras will be, but I would say expect something that’s a step up and a step below the a6400.

We might see how serious Sony is about APS-C tomorrow or we might finally get the Sony a7SIII announcement, but I think this will be their APS-C event. I will try to carry the live stream here, but if I cant I will be live blogging the announcement.

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via Sony Alpha Universe

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CameraLabs: Sony a7RIV In-Depth Review

Godran finished his Sony a7RIV review and it a long one. Overall he sounds impressed by the value and below you can find excerpts from the video:

  • New Weather sealing
  • The new exposure composition lock is nice
  • The buttons are larger and feel better
  • Would like backlit buttons
  • Moving the back scroll wheel to the top feels better to Gordon
  • More room between lens mount and grip which is welcome
  • UHS-II for both slots is nice and should have been the case before
  • The new smart hot shoe is useful with the new shotgun mic
  • Hopes the new hot shoe is on other cameras
  • Samer wired connectivity as before
  • Still Bluetooth and wifi, but wifi now has 5ghz too
  • Z battery is great still
  • Sony has one of the longest battery lives around
  • The grip lets you use two Z batteries
  • The 5.76MP OLED EVF looks amazing in use
  • The back screen is still very much the same and only angles up or down
  • Would like it to angle out or flip
  • The touch interface is still poor and hasn’t been improved
  • Playback doesn’t let you swipe or zoom
  • Interval timer built-in
  • Larger denser AF than ever before with 567PDAF over 74% fo the frame in a square area
  • Crop mode has 325PDAF points covering the entire frame with 27MP images
  • -3EV AF
  • Real-time eye AF for humans and animals
  • AF is so good that you can trust it to automatically work unlike others
  • Eye AF works in movies and should have been available in other models
  • 10FPS for 68 frames
  • Continuous eye AF works very well
  • Can be used for sports/action/wildlife without an issue
  • The interface is like the a7RIII
  • Specs the same as a7RIII
  • Super 35 is the best way to use if to video like the previous camera
  • 4k up to 30p
  • The camera uses 6k of data instead of 5k like the previous
  • 4k super 35 24p is 1.6x crop and 1.8x crop for 30p
  • 1080p up to 60p and 120p with sound and AF
  • Sony has very flexible slow motion
  • No 10-bit or 60p etc…
  • Best phase-detection around for video
  • The new 61MP BSI Full Frame sensor leapfrogs its rivals
  • The camera still uses basically the same IBIS that gives 5.5 stops of stabilization
  • Great for very large prints and crops
  • When comparing the old and new model Gordon found that there is a visible increase in detail up till 400 ISO where there is more noise
  • By 1600ISO there is almost no difference between the a7RIII and a7RIV and by the highest value you could argue the a7RIII is better
  • You should shoot the a7RIV at below 400ISO to fully benefit
  • a7RIV JPEG engine does a good job keeping images clean up to 1600ISO
  • The upgraded pixel shift can give you a lot more resolution
  • Pixel shift photos still need special software
  • You don’t get quadruple the detail with pixel shift, but it’s good for archiving still subjects
  • Subject and technique matter a lot
  • Nonobvious things move in pixel shift like foliage in the breeze so it’s best to use indoors
  • Should be able to process pixel shift images in the camera
  • When pixel shift works you won’t get 240MP, but there is certainly more than 61MP for the right subjects
  • The a7RIV is an impressive body that brings a lot of speed and handling to tempt D850 owners
  • The body tweaks are welcome
  • Still frustrated with the touch screen and video not being upgraded
  • The new mic is great for video shooters
  • If you want video the LUMIX S bodies are better
  • Overall he recommends it, but if 42MP is enough then look for a deal on the Sony a7RIV

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Sony a7RIV: B&H Photo / Amazon / Adorama
Sony RX100VIII: B&H Photo / Amazon / Adorama
Sony VG-C4EM grip: B&H Photo / Amazon / Adorama
XLR-K3M Mic Input: B&H Photo / Amazon / Adorama
ECM-B1M Digital Audio Shotgun Microphone:
B&H Photo / Amazon / Adorama

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