Voigtlander Patent Uncovers Three F1.4 Portrait Primes for Sony E-Mount: 75mm, 85mm, and 100mm!

Voigtlander Patent Uncovers Three F1.4 Portrait Primes for Sony E-Mount: 75mm, 85mm, and 100mm!

Voigtlander is a name that commands respect for its unique blend of classic rendering, exceptional build quality, and dedication to the manual focus experience. For Sony Alpha shooters, they have consistently provided a sophisticated alternative to mainstream lenses. It seems the company is about to turn up the speed—dramatically.

We have just uncovered a very significant new patent filing, P2025108285, which discloses the optical designs for three new ultra-fast portrait prime lenses, all sharing a bright f/1.4 aperture.

The Trio of F1.4 Primes

This patent is a statement of intent. The three focal lengths included are among the most sought-after in the portrait world:

  • Voigtlander 75mm f/1.4 Nokton
  • Voigtlander 85mm f/1.4 Nokton
  • Voigtlander 100mm f/1.4 Nokton

For E-mount, this would be a complete and formidable portrait kit. Voigtlander currently offers a 75mm f/1.5 Nokton, which is highly regarded for its signature rendering. A move to f/1.4 is a major step, and adding an 85mm and 100mm would be a significant expansion of their line.

What This Means for Sony Shooters

These lenses, if brought to fruition, would occupy a distinct position. Here is why this trio is so exciting:

  1. A Unique F1.4 Alternative: While the E-mount ecosystem has many f/1.4 primes, they are almost universally autofocus, such as Sony’s own GM line or Sigma’s Art series. Voigtlander would offer a dedicated manual focus alternative with a unique optical “character.” This is less about perfect technical correction and more about “tasteful” rendering and creative control over depth of field.
  2. Voigtlander’s Mirrorless Philosophy: Unlike adapted vintage lenses, these are native manual focus designs for mirrorless. This typically means:
    • Modern Optical Formulas: High resolving power even at f/1.4.
    • Electronic Communication: The lenses will almost certainly include electronic contacts to transmit EXIF data and, crucially, to fully support in-body image stabilization (IBIS). This combination of stabilized manual focus and ultra-fast apertures is a compelling feature.
    • Precision Mechanical Design: Expect a silky focus helicoid, an integrated aperture ring (potentially with a “de-click” mechanism), and perhaps even unique portrait control features like adjustable spherical aberration.
  3. Filling a Portrait Gap: For many portrait photographers, a set of high-speed 75mm, 85mm, and 100mm primes is the ultimate setup. Having a matched set from a single manufacturer, particularly with such distinct rendering, is rare.

Context from CP+ 2026

It’s interesting to contextualize this with Voigtlander’s other recent activities, such as their announcement of three other unique lenses at CP+ 2026: a 35mm f/1.4 Nokton Classic (Z/RF), a 75mm f/2.8 Apo-Skopar (VM), and a 90mm f/4 Apo-Lanthar Close Focus (VM). While these are slower or adapted, they confirm the company’s commitment to diverse, niche portrait solutions. The patent for f/1.4 designs shows they are also aggressively developing for high-performance, native mirrorless use.

The Usual Caveat

A patent is not a product announcement. It is a glimpse into research and development. However, the completeness of this trio suggests a strategic goal. Given Voigtlander’s history of native support, we are optimistic.

Voigtlander lenses can be found on Amazon and B&H Photo

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via j-platpat

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Brightin Star 11mm f/2.8 II Full-Frame Fisheye


Brightin Star 11mm f/2.8 II: Amazon / B&H Photo

The second-generation Brightin Star 11mm f/2.8 II full-frame fisheye lens for Z/E/L/RF mount has been officially announced. It will be priced at around $249.99 initially and then go up to $269.99 after April 23rd.

Product Parameters

BrandBrightin Star
ModelMF 11mm F2.8II
Focal Length11mm
ApertureF2.8-F22
Compatible bayonetE/RF/Z/L
Field of View182°
Focusing ModeManual focus
Lens Size81mm*71mm
Lens Weight550g
Lens SpecificationAPS-C lens
Aperture Blade8
Applicable TypeMirrorless camera
Lens typeFish-eye lens



Via NikonRumors

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More Sony a7RVI Rumored Specs Surface


We already have some rumored specs for the Sony a7VI

  • Sony’s A7R VI is set to be released before November 2026, right before the Alpha 7S series
  • The Alpha 7R VI is currently undergoing testing on a small scale
  • BIONZ XR2 processor with 8.5 stops of image stabilisation
  • 30fps 14-bit RAW continuous shooting
  • RAW pre-capture
  • 60fps AE/AF
  • 16-frame high-resolution composite shooting
  • Up to 32-frame noise-reduced composite shooting
  • The grip has been redesigned, adopting the deeper handle found on the A1 II.
  • The screen’s maximum brightness is 50% higher than the A1 II.
  • The A7R VI uses a full-stacked sensor with 80M effective pixels
  • It’s seen as a big step up from the A7 V, and it’s in a similar position to the A7R III and A7 III at the time
  • No open gate, no RAW video, no 6K HEVCIt supports full-frame 10.9K oversampled 8K30p, APS-C 7.1K oversampled 4K60p, and full-frame 5.5K (pixel-binning) oversampled 4K120p video
  • For stills, it can take 30 fps, but there’s a hard limit on the number of frames.
  • The dynamic range is still better than the A7R V in mechanical shutter mode when using electronic shutter, and it has a 16+ stop dynamic range when enabling mechanical shutter.
  • The number of pixels on the screen is higher than the A7 V, but the electronic shutter speed is slightly faster. However, the electronic shutter speed is still only a third of the A1 II.

Now there are some more specs being reported on weibo

  • 67-megapixel partially stacked image sensor
  • 60fps readout rate
  • 10K/30p, 8K 60p, and 4K 120p video recording
  • high-speed autofocus
  • enhanced ultra-high-speed dynamic range
  • Third parties will be able to buy the sensor

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Sony Savings Sunday


Sony a7RV (Save $900):
B&H Photo / Amazon / Moment / Adorama
Sony a7RIV (Save $900):
B&H Photo / Amazon / Adorama
Sony a7IV (Save $300):
B&H Photo / Amazon / Adorama
Sony a7CII (Save $200):
B&H Photo / Amazon / Moment / Adorama
Sony a7SIII (Save $300):
B&H Photo / Amazon / Moment / Adorama


Tamron Lenses
Tamron 70-180mm f/2.8 Di III RXD FE G2 Save $100:
B&H Photo / Amazon / Adorama
Tamron 28-200mm f/2.8-5.6 Di III RXD Save $100
B&H Photo / Amazon
Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD Save $100
B&H Photo / Amazon
Tamron 50-400mm f/4.5-6.3 Di III VC VXD Save $100
B&H Photo / Amazon
Tamron 150-500mm f/5-6.7 Di III VC VXD Save $200
B&H Photo / Amazon

Tamron 20mm F/2.8 Di III OSD M1:2 Save $50:
B&H Photo / Amazon / Adorama
Tamron 24mm F/2.8 Di III OSD M1:2 Save $50:
B&H Photo / Amazon / Adorama
Tamron 35mm F/2.8 Di III OSD M1:2 Save $50:
B&H Photo / Amazon / Adorama

Sigma Lenses
SIGMA 28-70mm f/2.8 DG DN Contemporary Save $100:
B&H Photo / Amazon / Adorama

Other Deals
Memory Card Savings
Power Banks
Storage
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Battery Banks
affordable options



Apple M2 Ultra: B&H Photo / Amazon
Apple M3 Ultra: B&H Photo / Amazon
Apple M4:
B&H Photo / Amazon
New Apple M5: B&H Photo / Amazon
Apple Mac Pro:
 B&H Photo
New Apple iPad Pro and More: B&H Photo / Adorama
New Apple MBP: B&H Photo / Amazon
MacBook Pro (Savings still available): B&H Photo

Airpod/Airpod Pro/Max Savings: B&H Photo / Amazon

Software Deals
Luminar Neo & Aurora HDR 2019 (Savings code FUJIADDICT)
ON1 Photo RAW 2025
ON1 PhotoKeyword AI
ON1 Sky Swap AI
ON1 Photo Resizer AI
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ON1 HDR
Picktorial
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Capture One

Posted in Deals| 19 Comments

LT: Sigma 35mm F1.2 DG II Art Review: Cons – Vignetting


Sigma 35mm F1.2 DG II | Art: B&H Photo / Amazon / Adorama

Lens Tips posted its full Sigma 35mm F1.2 DG II Art, which you can read here or check out the excerpt below:

Pros:

  • solid, weather-sealed casing,
  • excellent image quality in the frame centre,
  • good image quality on the edge of the APS-C sensor,
  • good image quality on the edge of full frame,
  • negligible longitudinal chromatic aberration,
  • low lateral chromatic aberration,
  • slight distortion,
  • good coma control,
  • very low astigmatism,
  • moderate vignetting on the APS-C sensor,
  • perfect correction of focus breathing,
  • silent, quick, and accurate autofocus.

Cons:

  • very high vignetting on full frame.

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CP+ 2026: Tamron’s Keiya Nishimura on the 35-100mm f/2.8, iOS Lens Utility, Chinese Competition, Canon RF Full-Frame, and 10 New Lenses for 2026


Tamron’s Keiya Nishimura (Product Development) was interviewed by Phototrend at CP+ 2026. You can find a translated summary of the entire interview below or check out the French interview here.

1. The New 35-100mm f/2.8 Di III VXD: Design & Philosophy

  • Achieving Compactness at f/2.8: The 35-100mm f/2.8 weighs just 565g with a constant f/2.8 aperture. Tamron achieved this through extensive simulations and over ten design iterations, optimising glass selection and group distribution — particularly through the use of GM (glass-moulded) aspherical elements.
  • A Different Purpose Than the 35-150mm: Although both lenses share a portrait-zoom concept, they serve different use cases. The 35-150mm f/2-2.8 prioritises maximum versatility and image quality, while the new 35-100mm is designed around mobility and everyday usability for travel and reportage.
  • Ideal Pairing with the 20-40mm f/2.8: Tamron positions the 35-100mm as the perfect companion to the compact 20-40mm f/2.8 Di III VXD, creating a lightweight and high-performance two-lens kit.
  • A Possible 35-150mm G2? If Tamron decides to develop a second-generation 35-150mm, it would certainly be more compact — but it could never be as small as the 35-100mm due to technical constraints.

2. Tamron Lens Utility (TLU) & Tamron Link: iOS at Last

  • iOS Support Finally Here: By solving the long-standing iOS compatibility challenge with the new Tamron Link wireless system, Tamron can now bring the Lens Utility to a much wider audience and continue expanding its feature set.
  • Video-Centric Pro Features in v5.0: The latest update introduces advanced video tools including IRIS markers, Ring Stopper, and Focus Time Lapse. While aimed at advanced users, the update also includes beginner-friendly functions.
  • Modest Adoption, But Big Ambitions: Current user numbers remain modest, but Tamron sees enormous potential in the video market. The Tamron Link system offers unique value that no other lens manufacturer currently provides.
  • Future Vision: Tamron plans to continuously enrich the TLU so that it becomes a decisive factor in the lens purchase decision — going beyond just optics and mechanics.
  • Compatibility Note: All Tamron lenses with a USB-C port are compatible with Tamron Link, except the 28-75mm f/2.8 G2 (Z-mount) and the 35-150mm f/2-2.8 (E-mount). Firmware updates for these two lenses are expected in Spring 2026.

3. Chinese Competition: Viltrox, 7Artisans, TTArtisan

  • Zoom Focus as a Strategic Choice: Tamron’s current priority is compact zooms, where they believe they excel. They have not abandoned the prime lens market, but recognise it is already saturated and must carefully allocate R&D resources.
  • Impressed by Chinese Competitors: Nishimura acknowledged that emerging Chinese manufacturers like Viltrox are genuinely impressive — not just for their aggressive pricing, but for their performance and rapid development cycles.
  • Expecting Zooms from Chinese Brands: While Chinese competitors currently focus on prime lenses, Tamron expects them to expand into zooms. Tamron plans to leverage decades of accumulated expertise to respond with products that inspire enthusiasm.

4. Canon RF Full-Frame: Status Unknown

  • APS-C Only for Now: Tamron has launched two Canon RF-mount lenses, but both are APS-C only (the 11-20mm f/2.8 and the 18-300mm f/3.5-6.3).
  • Full-Frame RF Under Consideration: Nishimura could not disclose specific plans for full-frame RF lenses but acknowledged strong demand and confirmed Tamron is studying the feasibility of new projects.

5. Product Roadmap: 10 Launches Planned for Fiscal 2026

  • Aggressive Launch Calendar: Tamron plans 10 product launches for fiscal year 2026 — nearly double the six launched in 2025.
  • Filling Gaps in the Lineup: The roadmap is aimed at addressing segments where Tamron is currently absent. Full-frame remains the core focus, but APS-C remains a priority as it continues to be a dynamic market.
  • No Public Roadmaps — By Design: Unlike some competitors, Tamron deliberately avoids publishing lens roadmaps because their products are designed to be unique and surprising at launch. Nishimura pointed out that Tamron has historically been a pioneer — citing the original compact 28-200mm all-in-one zoom in 1992 — and that competitors typically follow Tamron’s innovations.

6. Optical Technology & Computational Corrections

  • Next-Gen R&D on All Fronts: Tamron’s R&D teams are working on breakthrough technologies across optics, mechanics, and electronics, including innovations that will speed up the development process itself.
  • TLU as a Technology Platform: Future innovations will extend beyond glass and mechanics, with additional capabilities channelled through the Tamron Lens Utility software.
  • Balanced Approach to Digital Corrections: Tamron integrates digital corrections (distortion, vignetting, chromatic aberration) throughout the design process. This helps keep lenses compact and lightweight. However, certain optical aberrations — axial chromatic aberration and coma — cannot be fully corrected digitally and must be addressed through optical design.
  • Bodies Getting Smarter Helps Lenses Get Smaller: As camera body processing power improves, more aberrations can be handled digitally, allowing Tamron to remove optical elements and produce even more compact lens designs.
  • 28-70mm f/2 Patent: A recent patent revealed a compact 28-70mm f/2 zoom. Nishimura declined to comment on whether it is in active development, but stated that Tamron continuously evolves its roadmap based on market feedback.

7. Third-Party Limitations & Body Compatibility

  • Burst Rate Restrictions: Some features, such as the 120fps burst mode on Sony E-mount bodies, remain unavailable with Tamron lenses. Nishimura stated only that Tamron makes the most of the capabilities that camera manufacturers make available to them.

8. Sales Performance by Mount

  • Sony E-Mount Leads: Sony E-mount products remain Tamron’s best sellers and primary revenue driver.
  • Nikon Z Growing Fast: Nikon Z-mount is growing rapidly and Tamron must keep pace with that momentum.
  • Best-Seller on Z-Mount: The 28-75mm f/2.8 Di III VXD G2 is Tamron’s top seller in Nikon Z-mount, with telephoto lenses also performing well in certain markets.
  • Competitive Landscape Matters Most: More than user demographics, Nishimura believes it is the presence and availability of competing lenses on each mount that most influences Tamron’s sales performance.
  • Fujifilm and Canon Not Neglected: Although Sony E and Nikon Z take priority, Tamron confirmed it cannot afford to ignore Fujifilm X-mount and Canon RF.

9. Market Outlook: Maturity and Opportunity

  • Mirrorless Lens Market Maturing: Tamron recognises that the interchangeable lens market for mirrorless is reaching maturity, with volumes up only 3% in 2025 and value roughly flat.
  • Growth Through Innovation: Tamron believes significant growth opportunities remain for manufacturers who can address emerging needs — hybrid photo/video use cases, the demand for lighter gear, and new forms of creative expression.
  • User-Centric Development: Tamron emphasises that it is constantly listening to users rather than simply producing standard focal lengths, which is why it develops unique optics and features.

10. The CP+ Booth: “Back to the Future” and 75 Years of Tamron

  • Annual Booth Design Contest: Tamron runs a competition each year to select the best partner agency for its CP+ booth design. This year’s agency had direct contacts with Universal Studios, resulting in the “Back to the Future” theme — following last year’s Godzilla collaboration.
  • The Meaning Behind the Theme: 2026 marks Tamron’s 75th anniversary. The “Back to the Future” concept reflects the company’s slogan — “Focus on the Future” — looking back on 75 years of history while keeping its eyes firmly on what lies ahead.

Tamron lenses can be purchased from B&H Photo and Amazon.

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Posted in Sony Interview| Tagged | 2 Comments