Laowa 24mm f/2 Zero-D Tilt-Shift Announced

By Louis Ferreira | Published: November 6, 2026

Laowa 24mm f/2 Zero-D Tilt-Shift: B&H Photo / Venus Optics

A New Perspective in Tilt-Shift Photography

Anhui, China — November 4, 2026 — Laowa officially announces the 24mm f/2 Zero-D Tilt-Shift, a full-frame tilt-shift lens built for demanding architectural and commercial photography. It combines a fast f/2 aperture, Laowa’s signature Zero-D (near-zero distortion) optics, ±12mm shift and ±10° tilt, and a large image circle that also serves GFX and XCD medium-format users. Alongside the launch, Laowa introduces the XCD mount for its 55mm and 100mm f/2.8 Tilt-Shift 1x Macro lenses, bringing more options to Hasselblad medium-format photographers.

Key Features

  • Fastest f/2 aperture in its tilt-shift class
  • ±12mm shift for perspective control and stitching
  • ±10° tilt for selective focus / Scheimpflug effects
  • Zero-D optical design — straight lines stay straight
  • Compact as a tilt-shift lens
  • Large Ø67mm image circle — full-frame + medium format
  • 13 elements in 10 groups (including ED and aspherical glass)
  • Manual focus; Ø77mm filter thread; all-metal build

Precise ±10° of Tilt and ±12mm of Shift

  • Shift Function: Offers up to ±12mm of shift on full-frame cameras, enabling precise perspective control and effortless vertical line correction. It allows photographers to capture ultra-wide panoramic images by stitching multiple shifted frames together.
  • Tilt Function: Offers up to ±10° of tilt adjustment, allowing photographers to manipulate the plane of focus for both practical and creative effects, including the distinctive miniature effect.

*The 24mm f/2 is engineered to balance its tilt and shift capabilities while maintaining a compact form factor. The available tilt and shift ranges may vary slightly depending on the camera mount, particularly when focusing at infinity. In general, applying more tilt reduces the available shift range, and vice versa.

Fast f/2 Maximum Aperture

With its ultra-large f/2 aperture, this is the fastest tilt-shift lens ever made for any format. The extra light-gathering capability expands the possibilities of tilt-shift photography beyond daylight, making it ideal for dimly lit interiors, blue-hour scenes, and night-sky photography.

Compact Form in Tilt-Shift Photography

Measuring Ø93mm × 119mm (Ø3.66″ × 4.69″) and weighing just 860g (1.90 lb), the 24mm f/2 Zero-D Tilt-Shift maintains a remarkably compact form factor for a lens of its class, making it a versatile choice for both studio and on-location photography.

Zero Distortion

Laowa’s signature Zero-D optical design minimises distortion at the source, keeping straight lines straight across the frame, from the centre to the edges, with no bowed doorframes or curved horizons to correct in post-production.

Bringing Tilt-Shift Photography to Medium Format

The 24mm f/2 Zero-D Tilt-Shift also supports GFX and XCD medium-format camera systems via compatible mounts, retaining its full ±10° tilt range and ±12mm of shift along both the X and Y axes. With its 24mm-equivalent field of view, it is one of the most affordable solutions in its category for GFX and XCD photographers.

XCD Mount Now Available for 55mm and 100mm f/2.8 Tilt-Shift 1x Macro

Expanding its medium-format lineup, Laowa introduces XCD mount versions of its existing 55mm and 100mm f/2.8 Tilt-Shift 1x Macro lenses. This expansion gives Hasselblad photographers greater flexibility in product photography, close-up work, and creative tilt-shift applications.

Pricing & Availability

The 24mm f/2 Zero-D Tilt-Shift lens, along with the 55mm and 100mm f/2.8 Tilt-Shift 1x Macro lenses, is available on the official Venus Optics website (venuslens.net) and through authorised global resellers starting November 5, 2026, at 14:00 GMT / 22:00 HKT / 6:00 PST.

US MSRP: USD 1,249 (pricing varies by region)

Technical Specifications

Product NameLaowa 24mm f/2 Zero-D Tilt-Shift
FormatFull Frame
Focal Length24mm
Aperture Rangef/2 – f/22
Angle of View84°
Lens Structure13 elements in 10 groups
Aperture Blades14
Min. Focus Distance25cm / 9.84 inch
Shift±12mm
Tilt±10°
Mount Rotation360°
Max. Magnification0.194X
Filter ThreadØ77mm
DimensionsØ93mm × 119mm / Ø3.66″ × 4.69″
Weight860g / 1.90 lb
MountsSony E / Nikon Z / Canon RF / L Mount / GFX / XCD

*Incompatible camera bodies: Panasonic S52 / S52X / S1M2 / S1M2E / S1R2

Posted in 3rd Party Lens| Tagged , , , | 4 Comments

Sony Released An Approx. 50-Effective Megapixel CMOS Image Sensor for Mobile Applications

By Louis Ferreira | Published: November 5, 2026

Sony Semiconductor Solutions to Release Approx. 50-Effective Megapixel CMOS Image Sensor for Mobile Applications
With Superb Low-Light Performance and 4K HDR Video Recording
Delivering top-tier technology honed in the LYTIA high-end series

Sony Semiconductor Solutions Corporation

Sony Semiconductor Solutions Corporation (Sony) today announced the upcoming release of the LYTIA 720, an approximately 50-effective megapixel*1 image sensor for mobile applications that delivers industry-leading*2 low-light performance and supports 4K 60 fps HDR video recording.Designed for use on the main camera of mobile devices, the new sensor inherits technologies developed for Sony’s LYTIA high-end series. Sony’s proprietary low-noise circuit technology reduces random noise in dark environments by approximately 50% compared to a conventional product*3 while achieving a dynamic range of 100 dB through HDR compositing technology. This contributes to high-quality still images and videos in dark environments, high-contrast scenes, and a wide range of other shooting conditions. By optimizing AD conversion circuits, the new sensor supports 4K 60 fps video recording with all-pixel autofocus while HDR is enabled.The new sensor offers high imaging performance in a 1/1.56-type size, which is being widely adopted in the smartphone market. Sony aims to deliver high-quality imaging experiences to more users.*1  Based on the image sensor effective pixel specification method.
*2  Among CMOS image sensors for mobile applications. According to Sony’s research (as of the announcement on October 28, 2026).
*3  Compared with LYTIA 700, a 1/1.56-type approximately 50-effective megapixel CMOS image sensor.

LYTIA 720 CMOS image sensor

Model nameMass-production shipping date (planned)

LYTIA 720 1/1.56-type (diagonal 10.24 mm) approximately 50-effective megapixel*1 stacked CMOS image sensor

Early November 2026

Main Features
■Proprietary UHCG circuit technology delivers industry-leading*2 low-light performance
Ultra High Conversion Gain (UHCG) circuit technology that achieves high charge-to-voltage conversion efficiency suppresses image grain caused by noise in dark environments. It also reduces random noise by approximately 50% compared to a conventional product,*3 delivering the industry-leading*2 low-light performance and high-quality imaging with reduced noise in dark scenes.

Left: Conventional model LYTIA 700　Right: New model LYTIA 720
LYTIA 720 delivers brighter images while maintaining similar noise levels.
(Captured in low-light conditions at 2 lux)

■Optimized AD conversion circuits enable 4K 60 fps HDR video recording with all-pixel autofocus
The optimized circuit design reduces the time required for AD conversion, enabling 4K 60 fps HDR video recording with all-pixel autofocus while lowering sensor power consumption. This is the first 1/1.56-type LYTIA product with a 1.0 μm pixel size to support this feature. Additionally, using single-frame HDR technology for 4K 60 fps HDR video recording suppresses motion artifacts while maintaining sufficient exposure time for low-noise imaging.

Left：DCG-HDR OFF　Right: DCG-HDR ON
4K HDR video recording enables natural-looking footage with reduced highlight blowout,
even in high-contrast scenes

■Hybrid Frame-HDR technology delivers a 100 dB dynamic range
Hybrid Frame-HDR (HF-HDR) is an HDR technology that combines Dual Conversion Gain-HDR (DCG-HDR) with frames recorded at short exposures. DCG-HDR imaging data, which covers low- to medium-brightness ranges with a single exposure, is merged with high-brightness range imaging data that was obtained through a short exposure in post-processing thereby expanding the dynamic range. HF-HDR technology, combined with UHCG circuit technology, delivers a dynamic range of 100 dB. This enables imaging that more closely resembles what the human eye perceives, with reduced loss of detail in shadows and highlight blowouts even in high-contrast scenes.

Key Specifications
Model name

LYTIA 720

Image size

1/1.56-type (10.24 mm diagonal)

Effective pixels

Approx. 50 megapixels

Unit cell size

1.0 μm（H）×1.0 μm（V）

Color filter

Quad Bayer Coding

 

Frame rate (with all-pixel autofocus)

50 Megapixels (4:3)

30 fps

12.5 Megapixels (4:3)

90 fps
30 fps （DCG-HDR）

4K2K (16:9)

120 fps
60 fps （DCG-HDR）

Power supplyAnalog

2.8 v/1.8 v

Digital

1.1 v

Interface

1.8 v or 1.2 v

Output interface

MIPI C-PHY 2/3 trio, Max. 4.5 Gsps/trio
MIPI D-PHY 2/4 lane, Max. 2.5 Gbps/lane

Posted in Press releases| 8 Comments

Sony Savings Return

By Louis Ferreira | Published: November 2, 2026


Sony Alpha 1 II (Save $200):
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Lenses
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Other Deals
Memory Card Savings
Power Banks
Storage
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Battery Banks
affordable options


New Apple M2/M3/M5 Ultra: B&H Photo / Amazon
New Apple M6: B&H Photo / Amazon
New Apple MBP: B&H Photo / Amazon
MacBook Pro Savings: B&H Photo

Airpod/Airpod Pro/Max Savings: B&H Photo / Amazon

Software Deals
Luminar Neo & Aurora HDR 2019 (Savings code FUJIADDICT)
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Posted in Deals| 29 Comments

LT: Viltrox AF 26mm f/2.8 EVO FE Review – Excellent Image Resolution At The Center

By Louis Ferreira | Published: November 1, 2026


Viltrox AF 26mm f/2.8 EVO FE: B&H Photo / Amazon

Lens Tips published its full review of the Viltrox AF 26mm f/2.8 EVO FE, which you can read here or check out the excerpt below:

Pros:

  • solid, mostly metal construction,
  • excellent image resolution at the center of the frame,
  • good image resolution at the edge of the APS-C sensor,
  • decent image resolution at the edge of the full-frame sensor,
  • negligible longitudinal chromatic aberration,
  • low lateral chromatic aberration,
  • very low astigmatism,
  • moderate vignetting on an APS-C/DX sensor,
  • 5-year warranty,
  • good value for money in terms of quality and capabilities.

Cons:

  • some issues with spherical aberration,
  • enormous vignetting on a full-frame sensor,
  • flare resistance leaves a lot to be desired,
  • pronounced focus breathing.

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Posted in 3rd Party Lens| Tagged , , , , | 16 Comments

Sony RIALTO 65 Medium Format Video Camera Announced

By Louis Ferreira | Published: October 30, 2026

Sony RIALTO 65: B&H Photo

Sony Electronics to Launch RIALTO 65 Camera Extension System, Expanding the VENICE 2 Camera to the 65mm Format

Sony Electronics will launch the RIALTO 65 Camera Extension System (CBK-6510XS) for the VENICE 2 CineAlta camera, expected to be available in the first half of 2027. Equipped with a 65mm image sensor with a 1.5:1 aspect ratio[1], RIALTO 65 expands VENICE 2 to the 65mm format[2].

Among the largest image sensors used in commercially available cinema cameras[3], RIALTO 65 incorporates a sensor measuring 53.75 mm wide by 35.83 mm high, with a diagonal of approximately 64.60 mm. Taking advantage of the wide imaging area approximately 2.2 times larger than that of a 35mm full-frame image sensor, the system richly renders the presence of people, the sense of distance between subject and background, and spatial depth. This makes it possible to naturally emphasize the main subject even within an expansive field of view and create image expression that draws audiences into the image.

RIALTO 65 supports two modes to provide great flexibility while shooting: Extension Mode, in which the camera head is separated from the VENICE 2 body, as well as Studio Mode, in which the camera head is attached directly to the body. The system accommodates shooting situations that have been difficult with conventional large camera systems, including shooting in confined spaces and handheld shooting.

In addition, users can take advantage of the many benefits of the well-known VENICE 2 system, such as color science, internal recording in 16-bit X-OCN, established operability, and existing workflows. This expands shooting possibilities into new areas of expression while allowing users to continue using their existing VENICE 2 systems.

“We’re excited to explore the 65mm visual format in ways never done before with the new RIALTO 65 extension system,” said Yang Cheng, Senior Vice President, Imaging Solutions, Sony Electronics Inc. “As we grow our lineup of extension systems that enhance freedom and flexibility, we look forward to showcasing our commitment to the scope and deep expression of large format filmmaking by providing our VENICE 2 customers with more sensor options.”

Availability and Price
Product Name: RIALTO 65 Camera Extension System
Model Name: CBK-6510XS
Availability: Tentatively first half of 2027
Price: $80,000.00 USD MSRP / $113,800.00 CAD MSRP

Key Features of RIALTO 65
Rich Image Expression That Renders People and Space with a 65mm Sensor
RIALTO 65 is a compact and lightweight camera head measuring approximately 115 mm x 154 mm x 63 mm (W x H x D) and weighing approximately 3.3 lbs. The system supports 9.6K 1.5:1 Open Gate readout, enabling flexible framing that takes advantage of the sensor’s wide imaging area. It also supports a 9.6K 2.20:1 readout mode with a diagonal of approximately 59.04 mm, which accommodates a wider range of lenses [4]. Additional readout modes will be introduced through future software updates to the VENICE 2 body[5].

Users can select Base ISO from ISO 2500 or ISO 10000 according to the shooting environment and creative intent. At Base ISO 2500, RIALTO 65 delivers 15+ stops of latitude. In scenes with high contrast and under a wide range of lighting conditions, the system reproduces rich gradation from highlights to shadows, enabling image creation in line with the cinematographer’s intent.

Greater Freedom and Flexibility with Extension Mode and Studio Mode
Although it is a system that supports the 65mm format, this compact and lightweight camera head can be placed close to a subject or installed in confined spaces or at elevated positions, especially when using Extension Mode. Even in Studio mode, the camera is only slightly longer than the VENICE 2 8K/6K. These options provide flexibility in shooting positions and angles that have tended to be restricted with conventional 65mm format camera systems. When in Extension mode, the cable connecting the camera head and the VENICE 2 body is designed for ease of handling on set. It can be detached at both the camera-head end and the camera-body end, making setup and integration into equipment easier. The system supports 14.76 ft and 39.37 ft cables[6], allowing users to select a cable according to the shooting environment. In addition, camera tilt and roll information can be recorded as metadata and utilized in post-production workflows.

CineAlta Image Creation and the VENICE 2 Workflow
The VENICE 2 system combined with RIALTO 65 carries forward the color science developed for CineAlta which includes natural color reproduction, smooth skin-tone gradation, tonal expression with S-Log3, and the wide color gamut of S-Gamut3. Even in high-resolution shooting, the system balances image quality and efficient data operation with X-OCN.

Because the VENICE 2 body handles the primary functions, including recording, users can continue to use the AXS memory cards used with VENICE 2. This enables a smooth transition to shooting in the 65mm format while continuing to use existing operability, recording media assets, peripherals, and production workflows.

Practical Production Flexibility for Lens Selection, Anamorphic Shooting, and ND Operation
RIALTO 65 does not include a lens mount and is designed to accept third-party lens-mount adapters based on the needs of the production and the lens being used. Users can select from a variety of lenses, including lenses for the 65mm format. When using a lens and lens-mount adapter that supports communication with the camera, lens information such as focal length, focus position, and aperture value can be recorded as metadata. This information can be used in production processes such as editing, VFX, and virtual production.

When using anamorphic lenses, users can use de-squeeze display for multiple magnification ratios and the Zoom to Fit function to confirm the field of view and composition according to the lens being used.

The system also includes 11 types of drop-in ND (neutral density) filters equipped with electronic contacts. VENICE 2 automatically recognizes the density information of an ND filter inserted into RIALTO 65.

Optional Accessories

CBK-NDK6510 ND Filter Kit
This product is a set of 11 drop-in ND filters equivalent to those included with RIALTO 65. Individual filters of a specific density cannot be purchased separately.

Availability: Tentatively first half of 2027
Price: $8,000.00 USD MSPR / $11,380.00 CAD MSRP

CBK-12C6510 39.37 ft Cable
The included 14.76 ft cable can be replaced with an optional 39.37 ft cable. This allows the RIALTO 65 camera head to be installed farther away from the VENICE 2 body and accommodates a variety of shooting situations.

Availability: Tentatively first half of 2027
Price: $9,000.00 USD MSPR / $12,800.00 CAD MSRP

Main Specifications
For the main specifications and additional details of RIALTO 65, please visit the product website:
https://pro.sony/products/camera-adaptors/cbk-6510xs

Specifications described in this press release are current as of the announcement date and may differ from the final specifications.

[1] Sensor dimensions: 53.75 × 35.83 mm. The term “65mm” is derived from the 65mm cinema film format and refers to the image area class rather than an actual measurement of sensor size.

[2] Requires a VENICE 2 camera with RIALTO 65 dedicated firmware (Version 6.00 or later) installed.

[3] Among image sensors used in commercially available cinema cameras. Based on Sony research as of the announcement in October 2026.

[4] Third-party mount adapter required.

[5] Functions and specifications are subject to change without notice.

[6] 39.37 ft cable (CBK-12C6510) sold separately.

Posted in Video| Tagged , | 9 Comments

Viltrox Launches AF 35mm F1.4 Pro

By Louis Ferreira | Published: October 29, 2026


Viltrox AF 35mm f/1.4 Pro: B&H Photo / Amazon

Viltrox Launches AF 35mm F1.4 Pro FE/Z

A professional-grade large aperture lens with fast, quiet autofocus, and all-weather durability — Every Moment, Mastered.

Viltrox today announced its new AF 35mm F1.4 Pro FE/Z, a flagship lens designed for professional photographers and videographers. The lens delivers exceptional resolving power and edge-to-edge sharpness, preserving vivid textures and lifelike detail even under close inspection, heavy cropping, or large-scale enlargement.

Sharp Shots From Edge to Edge, Even Wide Open

The AF 35mm F1.4 Pro FE/Z combines a classic focal length with a professional-grade optical design featuring 16 elements in 11 groups; it’s capable of maintaining edge-to-edge sharpness even at its maximum F1.4 aperture.

Excellent distortion control helps render straight lines and natural architectural forms across the frame, which is especially valuable in wide-angle photography, where barrel distortion can make buildings, interiors, and objects near the edges of the frame appear curved or stretched.

The specialized glass addresses common optical challenges:

  • 2 UA (Ultra-Precision Aspherical) elements help reduce “onion-ring” bokeh, rendering backgrounds smoothly and naturally.
  • 3 ED elements effectively correct axial chromatic aberration, producing crisp images with minimal color fringing.
  • 4 HR elements balance portability with optical performance.

A Fast Lens That Can Get Up Close and Personal

Its F1.4 aperture enables a very shallow DoF while keeping subjects crisp and well separated from the background. Its eleven aperture blades create smooth, rounded bokeh highlights for a softer, more natural look. With a minimum focusing distance of just 0.3m, photographers can get closer to their subjects for striking close-ups with fine detail, while maintaining clear separation from the rich background blur.

Viltrox HyperVCM Focus System

The Viltrox HyperVCM Focus System is driven by high-thrust voice coil motors for swift, smooth, precise and ultra-quiet autofocusing. Paired with accurate face and eye detection, the lens delivers rapid, responsive tracking in dynamic shooting scenarios. Focus breathing is minimized to ensure smooth focus transitions during videography, while also supporting precise focus stacking for photography.

Built for All Conditions

The weather-sealed construction features a scratch- and wear-resistant matte black finish, complemented by high-grade rubber seals that help protect against dust, splashes, and moisture, helping ensure durability even in challenging outdoor environments. The front element incorporates a water- and smudge-resistant coating that helps prevent droplets and fingerprints from interfering with the shot while making the lens easier to clean.

A Complete F1.4 Trio for Every Perspective

The Viltrox Pro Series embodies the brand’s premium approach to prime lenses, combining advanced optical performance, fast apertures and refined construction with reliable autofocus and intuitive handling. Designed for photographers that demand superb image quality and a sophisticated shooting experience, the series brings together performance and everyday practicality, making it ideal for serious, long-term use.

With the introduction of the AF 35mm F1.4 Pro, the full-frame lineup now offers a complete trio of F1.4 prime lenses at 35mm, 50mm, and 85mm. The 35mm brings expansive environmental context to the frame, the 50mm delivers a natural, true-to-eye perspective, and the 85mm is made for portraits and expressive detail. Together, they cover three classic focal lengths within one cohesive system, with the entire set priced under US$2,000.

Pricing and Availability

Viltrox AF 35mm F1.4 Pro FE/Z MSRP: $829 / €859 / £739

Posted in 3rd Party Lens| Tagged , , | 5 Comments