Sony Camera Tips You Might Not Know and Sony Monitor & Control App

Sony a7V: B&H Photo / Amazon / Adorama

Jason Vong posted a Sony settings tutorial to help photographers with some settings that might be unclear. There is a summary of the video below, along with links to where they occur in the video.

Tip 1: Eliminating Blurry Photos in Aperture Priority

Many users struggle with blurry photos in Aperture Priority mode because the camera often selects a shutter speed that is too slow to freeze motion.

  • The Problem: In auto modes, the camera prioritizes the lowest ISO for exposure, which can result in shutter speeds like 1/30s—too slow for moving subjects [01:41].
  • The Target: For most street photography or general action, aim for a minimum shutter speed of 1/125s to 1/250s [01:47].
  • The Fix (ISO Auto Min. SS): This setting forces the camera to maintain a minimum shutter speed by raising the ISO instead of slowing down the shutter [03:12].
    • Menu 2.0 (Newer Cameras): Exposure/Color → Exposure → ISO Auto Min. SS.
    • Menu 1.0 (Older Cameras): Camera Tab 1 → ISO Setting → ISO Auto Min. SS.
    • How it works: If the scene is too dark, the camera raises ISO to keep your shutter speed at the set minimum. If the scene is very bright, it will automatically raise the shutter speed above your minimum to maintain proper exposure [03:23].

Tip 2: Mastering Outdoor Visibility

Using the rear LCD in bright daylight can be nearly impossible without the right display setting.

  • Sunny Weather Mode: This overrides standard brightness to make the screen much more visible in direct sunlight [04:44].
  • Location: Found in the Setup (Yellow Briefcase) tab under Monitor Brightness in both Menu 1.0 and 2.0 systems.
  • Usage: Select “Sunny Weather” to instantly boost the backlight for easier composition without needing to rely solely on the viewfinder [04:44].

Tip 3: Advanced Desktop Monitoring & Control

Sony has released a desktop version of their Monitor & Control app, allowing for professional-grade monitoring without expensive capture cards [05:19].

  • Core Capabilities: Unlike standard live streaming, this allows you to change settings (Aperture, ISO, Picture Profiles), view histograms, and trigger recording directly from your computer [05:35].
  • Multi-Camera Support: The app can monitor up to 20 Sony cameras simultaneously, making it ideal for podcasts, weddings, or church setups [06:14].
  • Free vs. Paid Versions:
    • Free: Includes basic recording triggers and setting adjustments; works on Desktop, iPhone, and iPad [07:20].
    • Paid: Unlocks 20-camera monitoring, higher-resolution previews, snapshots, and more presets [07:42].
  • Connection Tips:
    • Wireless: Connect the camera and computer to the same Wi-Fi (5GHz recommended) [06:44].
    • Wired (Recommended): Use a direct USB-C to USB-C cable for the most stable connection, or use a USB-C to Ethernet adapter for multi-cam setups [07:55].
  • Setup Instructions:
    1. Go to Network (Green Tab) → Access Point Set → Connect to your Wi-Fi [06:49].
    2. Ensure Wi-Fi Connect is ON.
    3. Find Remote Shoot Function, turn it ON, and keep the “Access Authentication” info open for the password [06:57].
    4. Open the app on your Mac and enter the credentials [07:09].
  • Compatibility Note: The desktop app is currently Mac-only and compatible with select newer Sony models (e.g., A7 IV, A7S III, A1, FX series) [08:32].

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus, our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in Sony a7V| 1 Comment

Schneider Kreuznach × LK Samyang Interview With Kim Dubin Samyang’s Product and Planning Manager


Phototrend posted a lengthy interview with Kim Dubin Samyang’s product and planning manager at CP+2026. You can read the full interview on Phototrend or check out the translated, summarized interview below:

Strategic Overview & Development Philosophy

  • User-Driven Innovation: Samyang is using these 3D prototypes to gather feedback from users and media before finalizing production.
  • The “f/2” Standard: The company is exploring f/2 as the next performance standard for zoom lenses to differentiate itself from the saturated f/2.8 market.
  • New AF Technology: The manufacturer is moving toward a new linear Voice Coil Motor (VCM) for autofocus to improve video tracking and speed, replacing older stepper motors.
  • Optical Stabilization: Samyang is actively developing its own proprietary OIS system, which is currently being tested on 135mm f/1.8 prototypes.
  • Mount Strategy: While primarily focused on Sony FE, they are technically prepared to adapt designs like the 24-60mm to Canon RF and Nikon Z once licensing is secured.

Detailed Lens Prototypes

Samyang AF 20-50mm f/2 FE

  • Concept: Designed to provide a wider-than-average starting point (20mm) with a very bright f/2 aperture.
  • Physicality: Expected to be significantly larger and heavier than the current 24-60mm f/2.8 due to the fast aperture.
  • Timeline: Still in early development; launch not expected before 2028 or 2029 to avoid competing with their own recently released 24-60mm.

Samyang AF 28-85mm f/2-2.8 FE

  • Evolution: Originally envisioned with a constant f/2 aperture, but changed to a variable f/2-2.8 to keep the size manageable.
  • Features: Will not feature internal stabilization (unstabilized) and will be slightly larger than the 24-60mm f/2.8.
  • Market Position: Intended to compete with Tamron’s 28-75mm and Sigma’s 28-70mm f/2.8 zooms.
  • Timeline: Potential release in late 2027 or spring 2028 depending on user reception.

Samyang AF 28-135mm f/2.8 FE

  • Production Status: Reportedly already in production (first showcased as a prototype at IBC 2025).
  • Technology: Will feature the new linear VCM autofocus motor for superior video performance and fast-action tracking.
  • Versatility: Positioned as a more versatile “king of versatility” compared to competitors like the Sigma 28-105mm or Tamron 35-100mm.
  • Timeline: Planned for release in late 2026 at the earliest.

Samyang AF 300mm f/4 FE OIS

  • Key Innovation: Likely to be Samyang’s first lens with Optical Image Stabilization (OIS).
  • Workaround Feature: Samyang is considering an internal 1.4x teleconverter (converting it to a 420mm f/5.6) to bypass licensing restrictions that prevent them from selling external teleconverters.
  • Controls: The prototype shows numerous physical control switches on the lens barrel.

Samyang AF 200mm f/1.8 FE OIS

  • Performance: A high-end prime lens aimed at professional sports and portrait photographers.
  • Challenges: Samyang acknowledges that production will be very costly due to the complex optics and the new OIS system.
  • Market Goal: The objective is to demonstrate Samyang’s technical capabilities against established Japanese brands and emerging Chinese competitors.

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in 3rd Party Lens| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | 16 Comments

New Schneider Kreuznach × LK Samyang AF: 20-50mm f/2, 28-85mm f/2, 200mm f/1.8, 28-135mm f/2.8, 60-180mm f/2.8, and 300mm f/4 at CP+ 2026

Schneider Kreuznach × LK Samyang showed off four prototype lenses at CP+ 2026 the 20-50mm f/2, 28-85mm f/2, 200mm f/1.8, and 300mm f/4. Schneider Kreuznach × LK Samyang lenses are sold under the Rokinon or Samyang name in America. It would be nice if they used the Schneider Kreuznach name they purchased. 
Schneider Kreuznach × LK Samyang 20-50mm f/2 FE

  • Focal length & aperture: 20-50 mm f/2 (constant)
  • Mount: Sony E (FE)
  • Key points: Brighter and wider than the existing AF 24-60 mm f/2.8; expected to be bulkier and heavier
  • Status: Very early development (possible 2028–2029 launch to avoid cannibalising the 24-60 mm)
  • No further specs (elements/groups, size, weight, etc.) available yet


Schneider Kreuznach × LK Samyang 28-85mm f/2-2.8 FE

  • Focal length & aperture: 28-85 mm f/2-2.8 (variable aperture; originally planned constant f/2 but adjusted for size)
  • Mount: Sony E (FE)
  • Key points: Slightly larger than the new AF 24-60 mm f/2.8; no built-in stabilisation
  • Status: Early concept; possible late-2027 or spring-2028 release if feedback is positive
  • No further specs released


Schneider Kreuznach × LK Samyang 28-135mm f/2.8

  • Focal length & aperture: 28-135 mm f/2.8 (constant)
  • Mount: Sony E (FE)
  • Key points: New linear VCM autofocus motor (faster and quieter than previous stepper motors, ideal for video/action); more versatile range than competing 28-105/35-100 mm f/2.8 zooms
  • Status: Already in production; prototype shown at IBC 2025; earliest release late 2026
  • No detailed optical formula, size or weight figures yet

 Schneider Kreuznach × LK Samyang AF 60-180mm f/2.8

  • Focal length & aperture: 60-180 mm f/2.8 (constant)
  • Mount: Sony E (FE)
  • 77mm filter thread
  • Minimum focus distance: 0.35–0.78m (depending on zoom position)
  • Controls seen: AF/MF switch, customizable function button, zoom lock switch
  • Sometime in the second half of 2026
  • No detailed optical formula, size or weight figures yet


Schneider Kreuznach × LK Samyang 200mm f/1.8 FE OIS

  • Focal length & aperture: 200 mm f/1.8
  • Mount: Sony E (FE)
  • Key points: Bright prime with integrated OIS; technological showcase to compete with Laowa/Sigma 200 mm f/2 options
  • Status: Early development (only one of the two telephoto primes may eventually be produced to avoid internal competition)
  • No further specs released


Schneider Kreuznach × LK Samyang
300mm f/4 FE OIS

  • Focal length & aperture: 300 mm f/4
  • Mount: Sony E (FE)
  • Key points: First Samyang lens with optical image stabilisation (OIS); built-in 1.4× teleconverter (becomes 420 mm f/5.6); multiple custom controls; positioned as a lighter/cheaper wildlife/sports alternative to 70-200 mm f/2.8 zooms
  • Status: Early development; competitive pricing targeted
  • No further specs available

via photorumors, phototrend

Posted in 3rd Party Lens| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | 19 Comments

CP+ 2026: Sigma CEO Kazuto Yamaki on Unprecedented Lens Demand, APS-C, AI, and Market Trends


Sigma 35mm F1.4 DG II ART: B&H Photo / Amazon / Adorama
Sigma 15mm f1.4 DC DN Contemporary:
B&H Photo / Amazon / Adorama
Sigma 28-105mm T3 FF Cine Zoom Lens with AF:
B&H Photo / Amazon

Sigma CEO Mr. Kazuto Yamaki was interviewed by Phototrend at CP+ 2026. You can find a translated summary of the entire interview below or check out the French interview here.

1. Company Overview, Operations & Production Strategy

  • High Output Pace: In 2025, Sigma launched eight lenses and one camera body. Despite this rapid pace—usually associated with industry giants like Canon, Nikon, or Sony—Sigma did not significantly increase its number of engineers.
  • Exceptional Retention & Collaboration: The company recruits just a few people annually but has an incredibly low turnover rate of less than 1%, which includes engineers, factory workers, and sales personnel. Sigma maintains its strong development capabilities through this high retention of personnel alongside continuous discussion and improvement among the team.
  • Survival Through Innovation: As demand for SLR cameras plummeted between 2022 and 2023, the company realized it needed innovative and attractive products to survive. Since then, it has thoroughly discussed its strategy and responded through the exceptional efforts of its engineers.

2. Sigma fp Camera: Reception & Feedback

  • Surpassing Expectations: A year ago, Kazuto Yamaki was “quite worried” prior to the Sigma fp announcement, expecting up to 40% negative feedback. Instead, the overall response in terms of usage and sales has been very positive.
  • User Experience: While some users are initially perplexed by the fp’s unconventional user interface, they grow to appreciate and enjoy it once they get used to it. Some customers even noted that the camera changed their personal shooting style.
  • Constructive Criticisms: The main critiques are centered around missing features, namely the lack of an electronic viewfinder (EVF) and the absence of in-body image stabilization (IBIS).
  • Supply & Demand: Sales remain stable. Although Sigma has been operating at full capacity and shipping continuously since the beginning, backorders still exceed their production capabilities.

3. Unprecedented Market Demand & Sales Trends

  • 300-600mm f/4 DG OS Sports: Highly acclaimed by motorsport photographers, this lens has received excellent feedback for its field power and optical performance. Yamaki initially anticipated very low demand and adjusted production accordingly. However, massive market demand forced Sigma to increase production capacity twice within a single week.
  • 200mm f/2 DG OS Sports: Despite being a highly specialized lens with expected low demand, orders heavily surpassed Sigma’s forecasts.
  • 17-40mm f/1.8 DC Art (APS-C): Demand for this lens wildly exceeded expectations to the point where Sigma is still unable to fulfill all backorders.
  • Changing Market Dynamics: Yamaki notes that forecasting demand has become extremely difficult as the market has changed dramatically. The gap between explosively popular products and unpopular products is widening. While the exact reason is unclear, he suspects social media may be a significant factor.

4. The L-Mount Alliance & Canon RF Mount

  • Expanding the Ecosystem: Regarding third-party manufacturers like Viltrox joining the L-Mount Alliance, Yamaki believes that offering users more choices inherently makes the system stronger and better.
  • Caution with New Entries: Sigma stresses the need for extreme caution when welcoming new companies into the alliance to guarantee perfect compatibility between different brands’ cameras and lenses.
  • Canon RF Mount: When pressed if Sigma is any closer to releasing full-frame lenses for the Canon RF mount than they were in February 2025, Yamaki stated, “I am still not able to comment on this issue. I apologize.”

5. Competition: Third-Party Brands & First-Party Offerings

  • First-Party Affordability: It remains unclear why first-party manufacturers intend to work on low-priced lenses, but Yamaki views Canon and Nikon’s recent push to release more affordable f/1.2 and f/1.4 lenses as an attractive and positive trend for young people. He highlighted the Canon 45mm f/1.2 as a particularly attractive product at a reasonable price.
  • Rise of Viltrox: Yamaki is highly impressed by Viltrox’s progress, noting their improved quality and rapid product launch speeds. He admits Sigma has things to learn from their swift decision-making and execution.
  • The Analog Advantage: Despite digital tech making it easier to copy designs, Yamaki emphasizes a significant difference in performance and quality remains between Sigma and budget competitors. Because lenses are essentially analog devices, accumulated experience and minor refinements make the difference.
  • Long-Term Quality: Sigma focuses on quality and performance aspects that may not show up in a simple lab test, but become highly evident to users over long periods of real-world use across diverse situations.
  • Visual Context for the 85mm f/1.2: (Editorial Note) Phototrend posted images within the article of the 85mm f/1.2 specifically to give readers an idea of the physical size of the newly announced lens.

6. Lens Design, Innovation, and Artificial Intelligence

  • The f/1.2 Challenge: Achieving both high optical performance and compactness/light weight in an f/1.2 autofocus full-frame mirrorless lens is extremely complex. Thanks to proprietary technology, Sigma was able to successfully create multiple f/1.2 lenses (35mm, 50mm, and 85mm).
  • 35mm f/1.4 DG II Art: 13 years after the original 35mm f/1.4 Art lens (2012) changed Sigma’s global perception, the Version II was created. It was made possible by new technologies unavailable in 2012, specifically the HLA linear motor and special aspherical glass lenses, making it possible to improve performance.
  • “Version II” Roadmap Strategy: Sigma will only develop a second-generation lens if they expect a clear and significant improvement in performance. If the difference is small, no update is performed. For instance, the 2018 85mm f/1.4 DG DN Art is already highly refined, meaning it does not currently warrant an update.
  • AI in Lens Development: Yamaki believes AI can be used to a certain extent, but unique knowledge and experience are essential for the highest quality. There is potential for AI to be combined with Sigma’s proprietary knowledge, and this is something they are currently discussing internally. However, at present, the emphasis remains on traditional face-to-face development.

7. The Role of APS-C Format

  • The Value of APS-C: While full-frame is the mainstream, Yamaki champions the APS-C format for its optimal balance of quality, performance, size, and price, giving it a very promising future.
  • Compact Advantages: APS-C allows for remarkably compact lens designs that are impossible in full-frame, such as their recent 16-300mm lens (24-450mm equivalent).
  • L-Mount APS-C Lenses: Sigma halted production of L-mount versions of their APS-C lenses (like the newly presented 15mm f/1.4 DC Contemporary) due to extremely low demand—largely because an L-mount APS-C camera doesn’t exist. If Sigma, Panasonic, or Leica produces one, Sigma will gladly manufacture the lenses again. Yamaki agreed that a smaller, APS-C version of the Sigma fp could be a good idea.

8. Environmental Responsibility & Sigma Aizu Farm Corporation

  • A New Venture: Sigma has surprisingly ventured into rice farming by creating the “Sigma Aizu Farm Corporation.” The project is deeply personal to Yamaki, inspired by his father’s love for the Aizu region’s beautiful rice fields.
  • Preserving the “Satoyama”: Japan’s rapidly aging population means many farmers are retiring without younger generations to take over, leaving fields abandoned. Sigma’s goal is to protect the “satoyama” (the traditional landscape bridging cities and mountains) and combat the issue of abandoned farmland.
  • Environmental & Ecological Impact: The conservation of these rice paddies is vital for preventing floods and landslides, maintaining local ecosystems (protecting habitats for small fish and frogs), and controlling pests by preventing insects and wild animals from coming down from the mountains.
  • Employing Retiring Workers & Lending Machinery: For the time being, Sigma will cooperate with elderly farmers. In the future, retiring factory workers will take over the work. Since some factory workers already know how to farm, when they reach the age of 60 or 65, Sigma can suggest they work in the rice fields instead. The necessary resources are already there, and Sigma will lend them machinery such as tractors and combine harvesters.
  • Community Pride: This initiative helps secure employment, maintains local pride, and contributes to mental stability. Seeing only abandoned rice fields could cause residents to lose confidence and pride in their hometown.
  • Maintaining Focus: Yamaki is not concerned about a loss of focus due to business dispersion. The farming is managed by employees, allowing him to remain almost 100% focused on Sigma’s core camera and lens operations.

Sigma Lenses can be purchased from B&H Photo and Amazon.

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in 3rd Party Lens, Sony Interview| Tagged | 15 Comments

Tokina Teases “One Lens Like No Other” at CP+ 2026



Tokia had a lens on display at CP+ 2026 that they consider to be “One Lens Like No Other.” There aren’t a lot of details about this lens, but the photo of the night sky was taken with the lens under development.

  • The new lens appears to be a wide-angle, fixed-focal-length, large-aperture lens, given the picture of the night sky in the background.
  • The lens is currently under development – what was on display was a prototype/engineering release.
  • No technical specifications or other details were provided.
  • This lens is supposed to show the power of the next generation of Tokina lenses

Several Tokina lenses are currently on sale at B&H Photo.

via Photorumors

Posted in 3rd Party Lens| Tagged , , | 11 Comments

Sony Savings Sunday


Sony A1 (Save $500):
B&H Photo / Amazon / Moment / Adorama
Sony a7RV (Save $900):
B&H Photo / Amazon / Moment / Adorama
Sony a7RIV (Save $400):
B&H Photo / Amazon / Adorama
Sony a7IV (Save $300):
B&H Photo / Amazon / Adorama
Sony a7CR (Save $200):
B&H Photo / Amazon / Moment / Adorama
Sony a7CII (Save $200):
B&H Photo / Amazon / Moment / Adorama
Sony a7SIII (Save $300):
B&H Photo / Amazon / Moment / Adorama
Sony a6400 (Save $250):
B&H Photo / Amazon / Adorama
Sony FX30 (Save $300):
B&H Photo / Amazon / Adorama
Sony ZV-E10II (Save $200):
B&H Photo / Amazon / Adorama
Sony ZV-E10 (Save $100):
B&H Photo / Amazon / Adorama
Sony ZV-1F (Save $100):
B&H Photo / Amazon / Adorama

Lenses
Sony 16-35mm f/4.0 PZ FE Save $100:
B&H Photo / Amazon / Adorama
Sony Zeiss Vario-Tessar T* FE 24-70mm f/4 ZA OSS Save $200:
B&H Photo / Amazon / Adorama
Sony FE 24-240mm f/3.5-6.3 OSS Save $100:
B&H Photo / Amazon / Adorama
Sony FE 70-300mm f/4.5-5.6 G OSS Save $100:
B&H Photo / Amazon / Adorama
Sony 200-600mm FE Save $100:
B&H Photo / Amazon / Adorama

Sony FE 20mm f/1.8 G Save $100:
B&H Photo / Amazon / Adorama
Sony FE 24mm f/2.8 G Save $50:
B&H Photo / Amazon / Adorama
Sony FE 35mm f/1.8 Save $100:
B&H Photo / Amazon / Adorama
Sony FE 40mm f/2.5 G Save $50:
B&H Photo / Amazon / Adorama
Sony Zeiss Sonnar T* FE 55mm f/1.8 Save $100:
B&H Photo / Amazon / Adorama
Sony FE 50mm f/2.5 G Save $50:
B&H Photo / Amazon / Adorama
Sony FE 85mm F1.8 Save $50:
B&H Photo / Amazon / Adorama

Sony E 11mm f/1.8 Save $50:
B&H Photo / Amazon / Adorama
Sony E 15mm F1.4 G Save $100:
B&H Photo / Amazon / Adorama
Sony E 16-55mm F2.8 G Save $100:
B&H Photo / Amazon / Adorama
Sony E 35mm f/1.8 OSS Save $50:
B&H Photo / Amazon / Adorama
Sony E 70-350mm f/4.5-6.3 G OSS Save $100:
B&H Photo / Amazon / Adorama

Sony E PZ 10-20mm F4.0 G OSS Save $100:
B&H Photo / Amazon / Adorama
Sony E PZ 18-105mm f/4 G OSS Save $100:
B&H Photo /Amazon/Adorama


Tamron Lenses
Tamron 17-28mm f/2.8 Di III RXD FE Save $150:
B&H Photo /  Amazon / Adorama
Tamron 17-50mm f/4 Di III VXD Save $100:
B&H Photo / Amazon / Adorama
Tamron 28-75mm f/2.8 Di III VXD G2 Save $200:
B&H Photo / Amazon / Adorama

Tamron 20mm F/2.8 Di III OSD M1:2 Save $50:
B&H Photo / Amazon / Adorama
Tamron 24mm F/2.8 Di III OSD M1:2 Save $50:
B&H Photo / Amazon / Adorama
Tamron 35mm F/2.8 Di III OSD M1:2 Save $50:
B&H Photo / Amazon / Adorama

Sigma Lenses
SIGMA 28-70mm f/2.8 DG DN Contemporary Save $100:
B&H Photo / Amazon / Adorama

Other Deals
Memory Card Savings
Power Banks
Storage
Smallrig

Battery Banks
affordable options


New Apple M2/M3 Ultra: B&H Photo / Amazon
New Apple M4: 
B&H Photo / Amazon
New Apple M5: B&H Photo / Amazon
New Apple Mac Pro:
 B&H Photo
New Apple iPad Pro and More: B&H Photo / Adorama
New Apple MBP: B&H Photo / Amazon
MacBook Pro (Savings still available): B&H Photo

Airpod/Airpod Pro/Max Savings: B&H Photo / Amazon

Software Deals
Luminar Neo & Aurora HDR 2019 (Savings code FUJIADDICT)
ON1 Photo RAW 2025
ON1 PhotoKeyword AI
ON1 Sky Swap AI
ON1 Photo Resizer AI
ON1 NoNoise AI
ON1 Portrait AI
ON1 HDR
Picktorial
TopazLabs
Capture One

Posted in Deals| 6 Comments