Thypoch enters autofocus market with Voyager 24-50mm f/2.8 for Sony E-mount


Thypoch Voyager 24-50mm f/2.8: B&H Photo / Amazon

Thypoch enters autofocus market with Voyager 24-50mm f/2.8 for Sony E-mount
The first full-frame autofocus zoom developed by a Chinese optical brand, in a constant f/2.8 internal-zoom design

Shenzhen, China, May 14, 2026. Thypoch today announced the Voyager 24-50mm f/2.8, the first full-frame autofocus zoom developed by a Chinese optical brand and Thypoch’s first AF lens. Built for Sony E-mount mirrorless cameras, the Voyager uses an internal zoom mechanism that holds physical length fixed across the focal range, with a constant f/2.8 aperture from 24mm through 50mm.

Three Primes in One Lens
A photographer working with primes typically carries 24mm, 35mm, and 50mm. Those three focal lengths cover the working distances that define documentary, reportage, environmental portrait, street, and event photography. The 24mm captures a full scene when there isn’t room to step back. The 35mm sees roughly the way the eye sees, which is why it remains the working perspective of reportage and documentary photography. The 50mm isolates a subject without flattening the space around it.


The 24-50mm range was chosen as a balance of size, design, and price point. It covers the focal lengths working photographers reach for daily. The Voyager fits an internal zoom mechanism, holds f/2.8 across the range, and stays compact enough to live on the camera all day.

The Voyager is designed to deliver image quality comparable to a dedicated prime across the zoom range, whether the working perspective is the breadth of 24mm, the reportage view of 35mm, or the subject isolation of 50mm. The result is one lens that does the work of three primes, in the size and weight of one.

Fixed Length, Constant Aperture
A fixed-length zoom that holds f/2.8 across the range removes two of the most common interruptions in fast-paced shooting: rebalancing a gimbal between focal lengths, and recalculating exposure as the aperture shifts.

The Voyager’s internal zoom mechanism keeps the barrel length constant from 24mm to 50mm. The center of gravity stays in place during a take. The fixed barrel is also more mechanically stable in the hand than an extending zoom, which translates to a steadier grip during handheld work.


The f/2.8 maximum aperture is held throughout the zoom range. From dim interiors and twilight streets to backlit portraits, f/2.8 delivers the brightness and subject separation that working photographers need when light is scarce. Exposure stays consistent across focal lengths. The lens stays out of the way of the shot.

The fixed barrel also eliminates lens creep when the camera is stowed, and removes the extending external moving parts that complicate weather sealing on conventional zooms.

A First for Chinese Optical Engineering
The Voyager is the first full-frame autofocus zoom developed by a Chinese optical brand. Combining autofocus, full-frame image coverage, and zoom architecture in a single lens requires coordinated development across optical design, mechanical engineering, AF systems, and electronics.

The Voyager’s autofocus system is designed for fast and quiet operation. Thypoch built the AF unit to stay out of the way of the shot, with response speed intended to keep pace with documentary, street, and event shooting, and quiet operation suited to video work and sound-sensitive environments. The lens features native Sony E-mount autofocus, with support for eye AF, AF-C tracking, and in-camera and lens-side AF/MF switching.

The lens has been tested with current-generation Sony Alpha bodies including the ZV-E1, A7C2, A7CR, A7IV, A7V, A7RIV, A7RV, A7SIII, A9III, and FX3.

Built for Bokeh
Rendering character is where Thypoch has built its reputation, and the Voyager carries that priority into autofocus. The optical design uses 16 elements in 13 groups, including 2 ASPH (aspherical) elements, 3 ED (extra-low dispersion) elements, and 3 HRI (high refractive index) elements. The formula is designed to control aberrations across the frame at all focal lengths.

The 10-blade rounded aperture holds its circular shape across most of the working aperture range, producing rounded out-of-focus highlights at mid apertures and sunstar rendering at smaller apertures.

Optical, Not Digital
The Voyager’s out-of-focus rendering is built into the glass, not added in software. Optical bokeh behaves naturally at the edges of the frame, around specular highlights, and in the transition zones that digital blur tends to flatten. The result is depth that holds up at full resolution and on close inspection.

The transition from sharp focus to background blur happens gradually, the way a lens with character renders rather than the way a lens that’s merely sharp does. Subjects sit forward in the frame with weight and presence, separated from the background without the harsh cutoff that flattens an image.

Sealed at Every Joint
Weather sealing is the difference between a lens that works in the conditions a photographer actually shoots in and a lens that has to be protected from them. The Voyager is built with sealed construction at the lens mount, focus ring, zoom ring, and front element. The internal zoom design contributes to sealing integrity by removing the extending external barrel that creates the most common point of moisture ingress on conventional zooms.

The lens is developed for dust and moisture resistance. Whether the shooting environment is coastal mist or a sudden urban downpour, the Voyager is built to keep working. Paired with Sony’s own weather-sealed Alpha bodies, the lens completes a sealed shooting system rather than introducing a weak point in it.

Cinema Zoom Heritage
The Voyager is Thypoch’s first autofocus lens. Its zoom architecture draws on the parent group’s experience in cinema zoom lens engineering, which includes constant-aperture and internal-zoom designs across multiple cine lens families. Cinema zooms are the discipline in which constant aperture and fixed barrel length were first solved as engineering problems. The Voyager applies that discipline to a stills-format AF lens.

Key Specifications
· Focal length: 24-50mm
· Maximum aperture: f/2.8 constant
· Optical formula: 16 elements in 13 groups (2 ASPH, 3 ED, 3 HRI)
· Aperture blades: 10 (rounded)
· Minimum focus distance: 0.3m across the zoom range
· Maximum magnification: 0.216x
· Filter thread: φ67mm
· Weight: 432g
· Length: 92.88mm
· Maximum diameter: φ73.6mm
· Mount: Sony E
· Weather rating: Dust and moisture resistance

Posted in 3rd Party Lens| Tagged , , , | Leave a comment

Sony A7RVI and Sony FE 100-400mm f/4.5 GM OSS Announced and Preorders Began

 

Sony A7RVI: B&H Photo / Amazon / Adorama
Sony FE 100-400mm f/4.5 GM OSS : B&H Photo / Amazon / Adorama

Sony officially announced the Sony A7RVI and Sony FE 100-400mm f/4.5 GM OSS today. You can learn more about the camera and lens below.

Sony A7RVI Key Features
  • 66.8MP FF Stacked Exmor RS BSI Sensor
  • 30 fps Shooting with AF/AE & Pre-Capture
  • AI-Based Real-time Recognition AF+
  • 8K 30/4K 120 10-Bit Video + Dual Gain
  • 16-Stop Dynamic Range + AI-Based AWB
  • 8.5-Stop IBIS + Composite Raw Shooting
  • 9.44m-Dot EVF with 120 fps Refresh Rate
  • 3.2″ 2.1m-Dot 4-Axis Touchscreen LCD
  • Illuminated Buttons + New Battery & Grip
  • Dual CFexpress Type A/SD Card Slots

Sony FE 100-400mm f/4.5 GM OSS Key Features

  • Full-Frame | Constant f/4.5 Max Aperture
  • Portable, Reliable Super-Telephoto Zoom
  • Four XD Linear AF Motors, Floating Focus
  • Internal Zoom and Internal Focus Design
  • OSS with Panning & Moving Subject Modes
  • Super ED, ED XA, and XA Glass Elements
  • Nano AR Coating II and Fluorine Coating
  • Aperture De-Click and Lock Switches
  • Dust and Moisture-Resistant Construction
  • Rounded 11-Blade Diaphragm

Video Reviews/Hands-on/Previews/Etc…

Official

Posted in Sony a7RVI| Tagged , | 9 Comments

Brightin Star 7.5mm f/2.8 IV APS-C Ultra-Wide Fisheye


Brightin Star 7.5mm f/2.8 IV: B&H Photo

Brightin Star announced a new 7.5mm f/2.8 IV APS-C ultra-wide fisheye lens in black and silver. The new model is light at 274g, with a 190° field of view, and is rear-filter-ready. The intro price is $139.99 (regular price: $159.99). The introductory period is May 11 – May 21.

Press:
An ultrawide fisheye with an included ND filter for mirrorless APS-C cameras, the Brightin Star 7.5mm f/2.8 Fisheye Lens is ideal for landscapes, astrophotography, and experimental portrait photographers. A built-in rear filter thread for the included ND filter allows you to turn standard scenes into stunning long exposures by smoothing water, blurring crowds, and more. The 190° field of view and bright f/2.8 maximum aperture allow you to capture exaggerated wide scenes and interesting close-ups in a wide range of lighting conditions. Thanks to the five-blade iris, light sources can create 10-point starbursts, adding additional character to your images.

Due to the manual design of this lens, ensure you have enabled “release without lens” in your camera’s settings.

Optical Performance

  • Ultra-wide fisheye lens provides an 11.3mm full-frame equivalent focal length to APS-C mirrorless cameras.
  • Fisheye design renders a 190° angle of view to produce a distinct visual appeal characterized by dramatic distortion and a creative depiction of space.
  • Bright f/2.8 maximum aperture suits working in a variety of lighting conditions and contributes to the sleek form factor.
  • 5-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Design

  • Built-in rear filter thread for included ND filter allows long exposures.
  • Manual focus design permits working with subjects as close as 5.9″ away.
  • Mechanical aperture adjustment with de-clicked aperture ring for smooth adjustment.
  • Built-in lens hood helps to prevent stray light from causing flares.
Key Features
  • APS-C | f/2.8 to f/16
  • 11.3mm (Full-Frame Equivalent)
  • Includes Rear Thread ND Filter
  • Manual Focus Design | 5.9″ Close Focus
  • 190° Fisheye Angle of View
  • 5-Blade Iris | Smooth Bokeh
  • De-Clicked Aperture
  • Built-In Lens Hood



via Photorumors

Posted in 3rd Party Lens| Tagged , , | 2 Comments

Sony a7RVI Coming With A New 2600mAh Battery?


How2fly is reporting that the new Sony a7RVI is coming with a new 2600mAh battery. The current Sony NPFZ100 battery is 2280mAh and has plenty of power for most users’ needs.

The new battery for the Sony A7R6 is incompatible with older Sony cameras, as the positions of its electrical contacts have changed. The battery has a capacity of over 2600 mAh.

Sony might maintain the same form factor as the Z series of batteries, like Fujifilm did when they released the NP-W126S, which will give older cameras a boost.

via X

Posted in Sony a7RVI| 15 Comments

Sony Savings Sunday


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Battery Banks
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Apple Mac Pro:
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Posted in Deals| 3 Comments

MAP Camera 2026 April Rankings – Fujifilm Takes 1st, 9th, and 10th


Sony took MAP Cameras’ top sales spot and 9th/10th in April, followed by Fujifilm holding 4 spots, Canon holding one spot, and Nikon being absent.

New Digital Camera Ranking for April
RankManufacturerProduct namecategory
1st placeSONYα7VMirrorless camera
2nd placeFUJIFILMX100VICompact digital camera
3rd placeFUJIFILMX-T30 IIIMirrorless camera
4th placeCanonPowerShot SX740 HSCompact digital camera
5th placeFUJIFILMX-E5Mirrorless camera
6th placeDJIOsmo Pocket 4Digital movie camera 
7th placeFUJIFILMX-M5Mirrorless camera
8th placeRICOHGR IVCompact digital camera
9th placeSONYα6700Mirrorless camera
10th placeSONYα7C IIMirrorless camera

MAP Cameras’ take

The top spot goes to the ‘SONY α7V’. This marks its fifth consecutive month at number one since its release in December 2025. Impressive! Once again, it holds the top position with a significant lead over the second-place finisher.

While the vast majority of buyers are upgrading from previous α7 series cameras, there are also quite a few switching from other manufacturers. Sony’s new model boasts specifications that are far too high to be called a standard model, and its AF performance, in particular, consistently leads the way in evolution. The extensive lens lineup is also one of the reasons for the switch. And, of course, there’s the abundant supply. Anyone who regularly checks this ranking will understand just how strong a benefit it is to be able to get one whenever you want. In addition, we’re seeing a noticeable number of purchases from overseas customers in stores. Sony cameras released in Japan only have Japanese menus and cannot display other languages, but many people are still purchasing them knowing this. Perhaps the price is so attractive that they don’t mind a few difficulties. There’s absolutely no sign of its momentum slowing down. It will be interesting to see how far this winning streak will continue.

Sony cameras dominate the rankings, with the α6700 at 9th place and the α7C II at 10th. The α6700 has now been in the rankings for four consecutive months since January 2026.
There are many possible reasons for this, including the resurgence in popularity of Sony cameras following the release of the α7V, the effects of ongoing cashback campaigns, and significant price reductions. However, in a Sony company where full-frame sensors are the mainstream, the resurgence in popularity of APS-C size sensor cameras is welcome news. Let’s hope it stays in the rankings.

Conversely, the α7C II has dropped from 4th place last time. It seems to have plummeted quite a bit. We had analyzed that its good cost performance would make it popular again in contrast to the high price of the new α7V, but what do you think…? A cashback campaign is currently underway, but looking at the results of the subsequent used camera rankings, it seems that, like the α7IV, the trend has shifted to purchasing used cameras.

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Posted in Press releases| 5 Comments