LT: Viltrox AF 26mm f/2.8 EVO FE Review – Excellent Image Resolution At The Center


Viltrox AF 26mm f/2.8 EVO FE: B&H Photo / Amazon

Lens Tips published its full review of the Viltrox AF 26mm f/2.8 EVO FE, which you can read here or check out the excerpt below:

Pros:

  • solid, mostly metal construction,
  • excellent image resolution at the center of the frame,
  • good image resolution at the edge of the APS-C sensor,
  • decent image resolution at the edge of the full-frame sensor,
  • negligible longitudinal chromatic aberration,
  • low lateral chromatic aberration,
  • very low astigmatism,
  • moderate vignetting on an APS-C/DX sensor,
  • 5-year warranty,
  • good value for money in terms of quality and capabilities.

Cons:

  • some issues with spherical aberration,
  • enormous vignetting on a full-frame sensor,
  • flare resistance leaves a lot to be desired,
  • pronounced focus breathing.

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Sony RIALTO 65 Medium Format Video Camera Announced

Sony RIALTO 65: B&H Photo

Sony Electronics to Launch RIALTO 65 Camera Extension System, Expanding the VENICE 2 Camera to the 65mm Format

Sony Electronics will launch the RIALTO 65 Camera Extension System (CBK-6510XS) for the VENICE 2 CineAlta camera, expected to be available in the first half of 2027. Equipped with a 65mm image sensor with a 1.5:1 aspect ratio[1], RIALTO 65 expands VENICE 2 to the 65mm format[2].

Among the largest image sensors used in commercially available cinema cameras[3], RIALTO 65 incorporates a sensor measuring 53.75 mm wide by 35.83 mm high, with a diagonal of approximately 64.60 mm. Taking advantage of the wide imaging area approximately 2.2 times larger than that of a 35mm full-frame image sensor, the system richly renders the presence of people, the sense of distance between subject and background, and spatial depth. This makes it possible to naturally emphasize the main subject even within an expansive field of view and create image expression that draws audiences into the image.

RIALTO 65 supports two modes to provide great flexibility while shooting: Extension Mode, in which the camera head is separated from the VENICE 2 body, as well as Studio Mode, in which the camera head is attached directly to the body. The system accommodates shooting situations that have been difficult with conventional large camera systems, including shooting in confined spaces and handheld shooting.

In addition, users can take advantage of the many benefits of the well-known VENICE 2 system, such as color science, internal recording in 16-bit X-OCN, established operability, and existing workflows. This expands shooting possibilities into new areas of expression while allowing users to continue using their existing VENICE 2 systems.

“We’re excited to explore the 65mm visual format in ways never done before with the new RIALTO 65 extension system,” said Yang Cheng, Senior Vice President, Imaging Solutions, Sony Electronics Inc. “As we grow our lineup of extension systems that enhance freedom and flexibility, we look forward to showcasing our commitment to the scope and deep expression of large format filmmaking by providing our VENICE 2 customers with more sensor options.”

Availability and Price
Product Name: RIALTO 65 Camera Extension System
Model Name: CBK-6510XS
Availability: Tentatively first half of 2027
Price: $80,000.00 USD MSRP / $113,800.00 CAD MSRP

Key Features of RIALTO 65
Rich Image Expression That Renders People and Space with a 65mm Sensor
RIALTO 65 is a compact and lightweight camera head measuring approximately 115 mm x 154 mm x 63 mm (W x H x D) and weighing approximately 3.3 lbs. The system supports 9.6K 1.5:1 Open Gate readout, enabling flexible framing that takes advantage of the sensor’s wide imaging area. It also supports a 9.6K 2.20:1 readout mode with a diagonal of approximately 59.04 mm, which accommodates a wider range of lenses [4]. Additional readout modes will be introduced through future software updates to the VENICE 2 body[5].

Users can select Base ISO from ISO 2500 or ISO 10000 according to the shooting environment and creative intent. At Base ISO 2500, RIALTO 65 delivers 15+ stops of latitude. In scenes with high contrast and under a wide range of lighting conditions, the system reproduces rich gradation from highlights to shadows, enabling image creation in line with the cinematographer’s intent.

Greater Freedom and Flexibility with Extension Mode and Studio Mode
Although it is a system that supports the 65mm format, this compact and lightweight camera head can be placed close to a subject or installed in confined spaces or at elevated positions, especially when using Extension Mode. Even in Studio mode, the camera is only slightly longer than the VENICE 2 8K/6K. These options provide flexibility in shooting positions and angles that have tended to be restricted with conventional 65mm format camera systems. When in Extension mode, the cable connecting the camera head and the VENICE 2 body is designed for ease of handling on set. It can be detached at both the camera-head end and the camera-body end, making setup and integration into equipment easier. The system supports 14.76 ft and 39.37 ft cables[6], allowing users to select a cable according to the shooting environment. In addition, camera tilt and roll information can be recorded as metadata and utilized in post-production workflows.

CineAlta Image Creation and the VENICE 2 Workflow
The VENICE 2 system combined with RIALTO 65 carries forward the color science developed for CineAlta which includes natural color reproduction, smooth skin-tone gradation, tonal expression with S-Log3, and the wide color gamut of S-Gamut3. Even in high-resolution shooting, the system balances image quality and efficient data operation with X-OCN.

Because the VENICE 2 body handles the primary functions, including recording, users can continue to use the AXS memory cards used with VENICE 2. This enables a smooth transition to shooting in the 65mm format while continuing to use existing operability, recording media assets, peripherals, and production workflows.

Practical Production Flexibility for Lens Selection, Anamorphic Shooting, and ND Operation
RIALTO 65 does not include a lens mount and is designed to accept third-party lens-mount adapters based on the needs of the production and the lens being used. Users can select from a variety of lenses, including lenses for the 65mm format. When using a lens and lens-mount adapter that supports communication with the camera, lens information such as focal length, focus position, and aperture value can be recorded as metadata. This information can be used in production processes such as editing, VFX, and virtual production.

When using anamorphic lenses, users can use de-squeeze display for multiple magnification ratios and the Zoom to Fit function to confirm the field of view and composition according to the lens being used.

The system also includes 11 types of drop-in ND (neutral density) filters equipped with electronic contacts. VENICE 2 automatically recognizes the density information of an ND filter inserted into RIALTO 65.

Optional Accessories

CBK-NDK6510 ND Filter Kit
This product is a set of 11 drop-in ND filters equivalent to those included with RIALTO 65. Individual filters of a specific density cannot be purchased separately.

Availability: Tentatively first half of 2027
Price: $8,000.00 USD MSPR / $11,380.00 CAD MSRP

CBK-12C6510 39.37 ft Cable
The included 14.76 ft cable can be replaced with an optional 39.37 ft cable. This allows the RIALTO 65 camera head to be installed farther away from the VENICE 2 body and accommodates a variety of shooting situations.

Availability: Tentatively first half of 2027
Price: $9,000.00 USD MSPR / $12,800.00 CAD MSRP

Main Specifications
For the main specifications and additional details of RIALTO 65, please visit the product website:
https://pro.sony/products/camera-adaptors/cbk-6510xs

Specifications described in this press release are current as of the announcement date and may differ from the final specifications.

[1] Sensor dimensions: 53.75 × 35.83 mm. The term “65mm” is derived from the 65mm cinema film format and refers to the image area class rather than an actual measurement of sensor size.

[2] Requires a VENICE 2 camera with RIALTO 65 dedicated firmware (Version 6.00 or later) installed.

[3] Among image sensors used in commercially available cinema cameras. Based on Sony research as of the announcement in October 2026.

[4] Third-party mount adapter required.

[5] Functions and specifications are subject to change without notice.

[6] 39.37 ft cable (CBK-12C6510) sold separately.

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Viltrox Launches AF 35mm F1.4 Pro


Viltrox AF 35mm f/1.4 Pro: B&H Photo / Amazon

Viltrox Launches AF 35mm F1.4 Pro FE/Z

A professional-grade large aperture lens with fast, quiet autofocus, and all-weather durability — Every Moment, Mastered.

Viltrox today announced its new AF 35mm F1.4 Pro FE/Z, a flagship lens designed for professional photographers and videographers. The lens delivers exceptional resolving power and edge-to-edge sharpness, preserving vivid textures and lifelike detail even under close inspection, heavy cropping, or large-scale enlargement.

Sharp Shots From Edge to Edge, Even Wide Open

The AF 35mm F1.4 Pro FE/Z combines a classic focal length with a professional-grade optical design featuring 16 elements in 11 groups; it’s capable of maintaining edge-to-edge sharpness even at its maximum F1.4 aperture.

Excellent distortion control helps render straight lines and natural architectural forms across the frame, which is especially valuable in wide-angle photography, where barrel distortion can make buildings, interiors, and objects near the edges of the frame appear curved or stretched.

The specialized glass addresses common optical challenges:

  • 2 UA (Ultra-Precision Aspherical) elements help reduce “onion-ring” bokeh, rendering backgrounds smoothly and naturally.
  • 3 ED elements effectively correct axial chromatic aberration, producing crisp images with minimal color fringing.
  • 4 HR elements balance portability with optical performance.

A Fast Lens That Can Get Up Close and Personal

Its F1.4 aperture enables a very shallow DoF while keeping subjects crisp and well separated from the background. Its eleven aperture blades create smooth, rounded bokeh highlights for a softer, more natural look. With a minimum focusing distance of just 0.3m, photographers can get closer to their subjects for striking close-ups with fine detail, while maintaining clear separation from the rich background blur.

Viltrox HyperVCM Focus System

The Viltrox HyperVCM Focus System is driven by high-thrust voice coil motors for swift, smooth, precise and ultra-quiet autofocusing. Paired with accurate face and eye detection, the lens delivers rapid, responsive tracking in dynamic shooting scenarios. Focus breathing is minimized to ensure smooth focus transitions during videography, while also supporting precise focus stacking for photography.

Built for All Conditions

The weather-sealed construction features a scratch- and wear-resistant matte black finish, complemented by high-grade rubber seals that help protect against dust, splashes, and moisture, helping ensure durability even in challenging outdoor environments. The front element incorporates a water- and smudge-resistant coating that helps prevent droplets and fingerprints from interfering with the shot while making the lens easier to clean.

A Complete F1.4 Trio for Every Perspective

The Viltrox Pro Series embodies the brand’s premium approach to prime lenses, combining advanced optical performance, fast apertures and refined construction with reliable autofocus and intuitive handling. Designed for photographers that demand superb image quality and a sophisticated shooting experience, the series brings together performance and everyday practicality, making it ideal for serious, long-term use.

With the introduction of the AF 35mm F1.4 Pro, the full-frame lineup now offers a complete trio of F1.4 prime lenses at 35mm, 50mm, and 85mm. The 35mm brings expansive environmental context to the frame, the 50mm delivers a natural, true-to-eye perspective, and the 85mm is made for portraits and expressive detail. Together, they cover three classic focal lengths within one cohesive system, with the entire set priced under US$2,000.

Pricing and Availability

Viltrox AF 35mm F1.4 Pro FE/Z MSRP: $829 / €859 / £739

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Godox TT350 II S Thinklite TTL Flash for Sony


Godox TT350 II S Thinklite TTL Flash for Sony:
B&H Photo / Amazon

Godox has announced the upgraded TT350II ThinkLite TTL, a compact yet powerful flash featuring a new menu interface, new focus assist features, and much more.

Taking after higher-end models, the TT350II features a built-in LED modeling light to assist focusing in low-light conditions. This feature can also be used to preview lighting angle and effect before taking the shot. More prominently featured is the updated HD color display, which presents key functions and settings clearly for easy operation.

Despite now giving users better low-light focus assistance and an updated display, this flash remains largely the same as its predecessor, and for good reason. Carried over from the original TT350, as well as every other flash in Godox’s lineup, is the brand’s signature 2.4 GHz Wireless X System for seamless control over multi-light setups. Additionally, it’s powered by two AA batteries, which keeps the overall size and weight down compared to larger models.

This flash also offers a wide range of shooting angles, featuring a vertical tilt range of -7 degrees to 120 degrees with 270 degrees of horizontal rotation. This range is essential when bouncing the light off of walls, ceilings, and reflectors. The TT350 can be further modified with an additional adapter ring, allowing quick switching between various modifiers, including color gels and dome diffusers.

Giving the TT350II even more practical applications are the many professional functions it offers. The flash supports a range of flash functions, from TTL auto flash to Manual Flash— even High Speed and Front Curtain Sync, depending on camera model. Whether you’re looking for an easy point-and-shoot style of shooting, or desire more control of your lighting, the TT350II from Godox is a great solution.

The TT350II ThinkLite TTL comes with a diffuser cover, mini stand, and cover, but can be kitted out with additional optional light shaping accessories via the aforementioned adapter ring. This flash will be available for Sony, Canon, Nikon, Fujifilm, and OM SYSTEM/Panasonic cameras. If you’d like to learn more about this portable, lightweight flash, check out the TT350II ThinkLite’s detailed product page.

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Zhongyi Optics AF 35mm f/1.4 Coming October 25th


The Zhongyi Optics AF 35mm F1.4 is expected to be announced for E-mount on October 25th for 2999 yuan or 449.08 USD.

  • AF 35mm F1.4 Z+
  • 2026.10.25
  • 2999 yuan

via asobinet

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Topaz Labs 50% Off Sale: Push Your Sony Alpha Stills and Video Further


Topaz Labs is currently running a massive 50% off promotion across its industry-leading AI photo and video enhancement suite. If you have been holding off on adding Topaz to your post-processing workflow—or need to renew or upgrade your existing tools—this is one of the steepest discounts they offer all year.

What’s Included in the 50% Off Sale

Topaz has evolved far beyond simple noise reduction, packing local GPU acceleration alongside cloud rendering options and next-generation generative recovery models:

Topaz Studio (50% Off — $34.50/mo, down from $69/mo): The all-in-one bundle that unlocks every Topaz application, unlimited local rendering, unlimited cloud image rendering, and 300 monthly cloud video credits.

  • Topaz Photo AI: Combines RAW Denoise, Sharpen, and Upscale into an automated “Autopilot” workflow that works as a standalone app or directly inside Lightroom Classic, Photoshop, and Capture One. Key features include Super Focus for recovering micro-details, Wonder 3 and creative upscaling models, Relight Image, Object Removal, and Face Recovery.
  • Topaz Video AI: Purpose-built for hybrid shooters and filmmakers looking to rescue high-ISO clips, stabilize handheld footage, or upscale timelines up to 16K. It features the Nyx low-light denoising model, Aion and Apollo for buttery-smooth slow-motion frame interpolation, Themis motion deblur, Hyperion SDR-to-HDR expansion, and the Starlight diffusion model for restoring heavily degraded footage.
  • Topaz Gigapixel: Dedicated up-to-6x image upscaling with specialized models (High Fidelity, Recover, Redefine, and Text & Shapes) designed for massive fine-art prints and heavy wildlife or sports crops.

Why It’s Worth Grabbing Now

Whether you are rescuing a fast-action shot taken at ISO 12,800, cropping in tight on distant wildlife when your telephoto lens couldn’t quite reach, or cleaning up noisy low-light video without turning skin textures into plastic, Topaz’s local AI models preserve genuine optical detail better than standard NLE and RAW editor sliders.

Grab the Topaz Labs 50% Off Deal Here before the promotion ends.

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