ZEISS Otus ML 35mm f/1.4 Announced


ZEISS Otus ML 35mm f/1.4: B&H Photo / Amazon / Adorama

ZEISS Expands Otus ML Lineup with the New 1.4/35
A new storytelling lens for mirrorless cameras, bringing the distinctive ZEISS look to Sony1 E, Canon2 RF and Nikon3 Z Mount.

Oberkochen, Germany | 24 February 2026 | ZEISS Photonics & Optics
ZEISS is expanding its Otus ML lens family with the introduction of the new ZEISS Otus ML 1.4/35. This manual-focus lens is designed for photographers who live to tell visual stories with deliberate narratives, from street and travel to documentary work. Inspired by the legendary Otus lineage, the ML generation brings ZEISS’ renowned optical excellence and mechanical precision to the latest mirrorless systems, with mounts available for Sony1 E, Canon2 RF and Nikon3 Z.

The ZEISS Otus ML series continues to deliver natural color rendition, exceptional sharpness, and signatured micro contrast. A fast f/1.4 aperture provides accurate depth of field control, directing the viewer’s attention with clarity while producing a soft, elegant bokeh that separates subjects from the background. An advanced aspherical Distagon lens design minimizes distortion and chromatic aberrations, further enhancing image fidelity. Combined with the legendary ZEISS T* coating, reflections are reduced, flare is minimised, and both contrast and color accuracy are elevated.

Manual focus as a creative tool
Manual focusing with the ZEISS Otus ML series is not just a technique, it is an artistic process. Photographers can make precise adjustments that ensure each shot is captured with intention. True to the ZEISS legacy of precision optics, the Otus ML 1.4/35 features millimetre-accurate control. The tech becomes invisible, giving you more creativity to tell the stories that matter.

Building on the 1.4/50 and 1.4/85, the new ZEISS Otus ML 1.4/35 expands a compelling range of storytelling tools for photographers who create across different genres. From vibrant street scenes to immersive documentary environments, this focal length offers the perfect balance: wide enough to set the scene, yet tight enough to isolate key subjects.

Optical excellence for the finest details
Engineered for exceptional performance even at f/1.4, the ZEISS Otus ML lenses reveal remarkable detail and texture, especially in low-light environments where the human eye begins to struggle. Distortion and chromatic aberrations are effectively reduced, resulting in sharper images and cleaner color transitions.

The ZEISS T* anti-reflective coating further ensures clarity by reducing stray light and ghosting, enabling photographers to maintain full control across challenging lighting conditions.

The distinctive ZEISS Look: Vivid. Sharp. Nearly three-dimensional
Otus ML lenses deliver the unmistakable ZEISS visual language. Their combination of true color reproduction, outstanding sharpness, and unparalleled micro-contrast creates images with an almost three-dimensional character. Subjects stand out with powerful presence, separated smoothly from the background by a beautifully rendered bokeh shaped through a 10-blade aperture.

This shallow depth of field when shot on fast aperture not only enhances storytelling but guides the viewer’s eye to what truly matters.

Precision engineering, purpose-built for mirrorless systems
The ZEISS Otus ML series carries forward the craftsmanship of the legendary Otus family, known worldwide as best-in-class manual prime lenses. The new ML design features a smooth metal focus ring with helicoid mechanism, providing a precise rotation range that enhances focusing accuracy. An aperture de-click option allows seamless and quiet transitions, ideal for both photography and videography.

Built with a full-metal construction, the lenses deliver exceptional durability and a premium tactile feel. Optimized for modern mirrorless cameras, they offer a uniquely connected shooting experience. Clearly marked yellow scales ensure quick, accurate adjustments in any environment.

A legacy reimagined
ZEISS’ heritage in optical design, decades of pioneering research, innovation, and precision engineering, forms the foundation of the Otus ML line. The distinctive quality of the classic Otus family has been carried to Otus ML for the needs of the modern mirrorless era, combining tradition with cutting-edge performance.

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Sigma 35mm F1.4 DG II ART and Sigma 15mm f1.4 DC DN Contemporary Announced


Sigma 35mm F1.4 DG II ART: B&H Photo / Amazon / Adorama

  • Full-Frame | f/1.4 to f/16
  • 14% Smaller, 20% Lighter + Improved IQ
  • Dual HLA-Driven High-Speed AF Motor
  • Floating Focus System
  • Aspherical and SLD Glass Elements
  • Advanced Amorphous Coating
  • AFL Buttons, Focus Mode Switch
  • Manual Aperture Ring & De-Click Switch
  • Splash-Resistant Design & Front Coating

Sigma 15mm f1.4 DC DN Contemporary: B&H Photo / Amazon / Adorama

  • APS-C | f/1.4 to f/16
  • 22.5mm (Full-Frame Equivalent)
  • Compact, Fast Wide-Angle Prime
  • Stepping Motor AF System
  • Manual Aperture Ring
  • FLD, SLD, and Aspherical Elements
  • Rounded 9-Blade Diaphragm
  • Splash-Resistant Design & Front Coating

Sigma 35mm F1.4 DG II ART Video Reviews/Hands-on/Previews/etc…

Sigma 15mm f1.4 DC DN Contemporary Video Reviews/Hands-on/Previews/etc…

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Voigtlander SEPTON 40mm f/2 Aspherical Now Available To Order


Voigtlander SEPTON 40mm f/2 Aspherical: 
B&H Photo / Amazon

Cosina announced the new Voigtlander SEPTON 40mm f/2 Aspherical lens for Nikon Z and Sony E mount. The E-mount version will be released in March 2026.

  • Compatible mounts: Sony E, Nikon Z
  • Lens construction: 6 groups, 7 elements (including 1 aspherical lens and anomalous partial dispersion glass)
  • Focal length: 40mm
  • Aperture ratio: 1:2
  • Minimum aperture: F16
  • Aperture blades: 10
  • Minimum focusing distance: 0.3m
  • Maximum magnification: 1:5.3
  • Filter diameter: 52mm
  • External dimensions: Φ61.7 x 30.0 mm (for Sony E)
  • Weight: 165g (for Sony E),
  • Accessories: Dedicated screw-in hood

Compact design with a total length of 32mm
The overall length from the mount surface is a compact 32mm, making it easy to carry around and take in and out of a bag, and the 40mm angle of view, which can also be used as a semi-wide-angle lens, makes it suitable for everyday use.

Electronic contacts for communication with the body
The lens mount is equipped with electronic contacts, enabling electrical communication between the lens and body. The combination of an electrical communication-compatible body and the latest firmware*1 enables support for Exif information, in-body image stabilization (3-axis), and three types of focusing support functions (focusing by changing the focus point frame color, focusing by peaking, and focusing using the magnification button).

Manual focus for precise focusing
The all-metal helicoid unit is machined and adjusted with high precision, and the use of high-quality grease that generates just the right amount of torque ensures smooth focusing, allowing for subtle focus adjustments.

Dome-shaped metal hood included
The included dome-shaped metal screw-on hood maintains the lens’s compact size. The hood has a φ52mm thread on its outer periphery, so the same front cap can be used with or without the hood.

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Sigma 35mm F1.4 DG II ART and Sigma 15mm f1.4 DC DN Contemporary Confirmed by How2Fly

How2fly leaked the first photos of the Sigma 15mm f1.4 DC DN Contemporary APS-C and the Sigma 35mm F1.4 DG II ART Full Frame, confirming our rumor here. The 15mm lens weighs 220 grams, and the 35mm lens weighs 525g. The lenses will be announced on February 26th. Another lens that we might see announced at the event is a Sigma 50-100mm f/1.8.

Sigma 15mm f/1.4 DC | Contemporary key features:

  • 13 elements in 11 groups
  • 9 aperture blades
  • Weight: only 220g, length: 64.8mm (Sony E-mount)
  • 50% lighter than the 16mm F1.4 DC DN, filter diameter reduced from 67mm to only 58mm
  • Optimized for video shooting (minimal focus breathing)
  • Supports E, RF, and X mounts
  • 220 grams

Sigma 35mm f/1.4 DG II | ART key features:

  • 15 elements in 12 groups
  • 11 aperture blades
  • E-mount version: only 525g, L-mount version: 530g
  • Minimum focusing distance: 28cm
  • Maximum magnification: 1:5.4
  • Dual HLA high-speed motors
  • Optimized focus breathing
  • 525 grams

Sigma Lenses can be purchased from B&H Photo and Amazon.

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LT: Viltrox AF 35mm f/1.2 LAB FE Review – An Outstandingly Sharp Lens With Very High Image Quality


Viltrox 35mm f/1.2 LAB: B&H Photo / Amazon / Adorama

Lenstips published its full review of the Viltrox 35mm f/1.2 LAB FE, which you can read in full here or check out an excerpt from the review below:

Pros:

  • solid barrel, mostly made of metal,
  • excellent image resolution in the frame centre,
  • very good image resolution on the edge of the APS-C sensor,
  • good image resolution on the edge of full frame,
  • slight longitudinal chromatic aberration,
  • low lateral chromatic aberration,
  • lack of any serious problems with spherical aberration,
  • good coma correction,
  • slight vignetting on the APS-C sensor,
  • quiet and efficient autofocus,
  • sensible look of out-of-focus areas,
  • 5-year warranty period,
  • good price/quality and price/performance ratio.

Cons:

  • unpleasant moustache distortion,
  • very high vignetting on full frame,
  • distinct focus breathing.

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Trump’s Tariffs Held Unconstitutional


Trump’s tariffs have finally been held UNCONSTITUTIONAL by the Supreme Court, which means we will probably see photography equipment prices come back down in the near future unless retailers decide they are going to keep the difference. Similarly, people should be refunded what they paid, but there is no good way for the government to do this, so Trump will likely keep the $200+ billion he took from United States taxpayers over the last year. The opinion is a bit of a mess, but below is a good summary of the court’s holding.

“For those who think it important for the Nation to impose more tariffs, I understand that today’s decision will be dis-appointing. All I can offer them is that most major decisions affecting the rights and responsibilities of the American people (including the duty to pay taxes and tariffs) are funneled through the legislative process for a reason. Yes, legislating can be hard and take time. And, yes, it can be tempting to bypass Congress when some pressing problem arises. But the deliberative nature of the legislative process was the whole point of its design. Through that process, the Nation can tap the combined wisdom of the people’s elected representatives, not just that of one faction or man. There, deliberation tempers impulse, and compromise hammers disagreements into workable solutions. And because laws must earn such broad support to survive the legislative pro-cess, they tend to endure, allowing ordinary people to plan their lives in ways they cannot when the rules shift from day to day. In all, the legislative process helps ensure each of us has a stake in the laws that govern us and in the Nation’s future. For some today, the weight of those virtues is apparent. For others, it may not seem so obvious. But if history is any guide, the tables will turn and the day will come when those disappointed by today’s result will appreciate the legislative process for the bulwark of liberty it is.” – Justice Neil Gorsuch

The fact that Congress holds the power of the purse is taught to elementary school children in America, and all of this could have been avoided if the administration hadn’t tried to grab power. It will probably take months to lower prices, just as it took months to raise them, but new products that haven’t started shipping yet should be priced more competitively going forward.

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