Atomos Announces Ninja RAW


Atmos Ninja RAW: B&H Photo / Amazon

Atomos Announces Ninja RAW
ProRes RAW recording and precision monitoring in an affordable and compact 5-inch form factor.

CP+, Yokohama, Japan – 26th February 2026: Atomos today announces the launch of Ninja RAW, a 5-inch HDR monitor-recorder designed to give filmmakers, content creators, and broadcasters an uncompromising and affordable tool for high-quality acquisition and precise on-set monitoring. This latest addition to the next-gen Ninja range can be seen on the Nextorage booth (booth number 22) at the CP+ exhibition in Japan.

At the heart of Ninja RAW is a stunning 1500-nit, super-bright 5-inch HDR touchscreen, delivering exceptional visibility in both studio and outdoor environments. Built for professional workflows, Ninja RAW records over HDMI directly from the camera sensor in Apple ProRes and ProRes RAW to CFexpress Type B media or external USB-C storage, providing fast, reliable capture with maximum image quality and post-production flexibility.

“Ninja RAW is our most affordable, next-generation monitor-recorder, designed for creators who demand uncompromising image quality, absolute control, and complete mobility,” said Peter Barber, CEO of Atomos. “By combining a super-bright HDR display, direct ProRes RAW recording, and professional monitoring tools in a compact and portable form factor, Ninja RAW gives filmmakers the power to capture exactly what their cameras see, wherever the story takes them.”

Ninja RAW supports a wide range of professional codecs, including ProRes RAW, ProRes RAW HQ, ProRes LT, ProRes 422, and ProRes 422 HQ, ensuring perfect integration with all leading NLEs such as DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro, and Avid Media Composer.

Designed to be a monitor, recorder and production hub, Ninja RAW offers USB-C camera control over key parameters including start/stop, ISO, shutter, aperture, and white balance for supported cameras. A comprehensive suite of monitoring tools is built in, featuring EL Zone™ false color, waveform, focus peaking, vectorscope, and more, allowing crews to make confident exposure and focus decisions on set.

Exclusive creative tools further enhance on-set efficiency, including Onion Skin overlay, enabling frame-to-frame comparison and precise shot alignment for VFX, animation, and continuity-critical work.

Connectivity and workflow flexibility are expanded with dual USB-C ports for external storage or optional network adaptors (sold separately), while the unit’s rugged, production-ready design ensures reliability in demanding real-world environments.

Despite its professional power, Ninja RAW remains highly portable. It can be powered by NP-F batteries, USB-C power banks, or a DC adaptor, making it ideal for everything from studio shoots to run-and-gun field production.

With its combination of cutting-edge ProRes RAW recording, advanced monitoring, camera control, and a compact, ultra-bright form factor, Atomos Ninja RAW sets a new standard for mobile, high-performance monitor-recorders.

Key Features of Ninja RAW

  • Super-bright, 1500nit, 5-inch HDR touchscreen display 
  • Record up to 6Kp30 RAW over HDMI 
  • Record in Apple ProResProRes RAW, or H.265  direct from the camera sensor to CFexpress Type B media or external USB-C storage 
  • Supports ProRes RAW, ProRes RAW HQ, ProRes LT, 422 & 422 HQ 
  • File-compatible with all leading NLEs, incl. DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro, Avid Media Composer 
  • Camera control – manage start/stop, ISO, shutter, aperture, white balance and touch to focus over USB-C on supported cameras 
  • Full suite of professional monitoring tools, including EL Zone™ false color, focus peaking, waveform & more
  • Includes unique tools like Onion Skin overlay to compare frames or align shots 
  • 2 x USB-C ports for external storage*, or network adaptor* (*sold separately) 
  • Rugged and reliable – built for real-world production environments 
  • Super mobile – runs on NP-F batteries, USB-C power banks, or DC adaptor 

Availability

Ninja RAW is available now from Atomos resellers worldwide, and from the Atomos web store. It is priced at USD $699 / EUR 699, excluding local sales taxes and tariffs. In Japan, Ninja RAW costs ¥117,040, including sales taxes.

To learn more, visit the Atomos website at www.atomos.com.

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Viltrox 35mm f/1.8 and 55mm f/1.8 EVO Lenses Will Have An APO Design


Vitrox has two upcoming APO lenses the Viltrox 35mm f/1.8 EVO and Viltrox 55mm f/1.8 EVO. Both will come with a 58mm filter threads, close-focusing distances of 0.34m and 0.43m, respectively, and will be available for Sony E, Nikon Z, and Leica L mounts. An apochromatic lens (APO) has better correction of chromatic and spherical aberration than the much more common achromat lenses.

Check the official website for updates.

Additional pictures of the new lenses:

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Sigma Announces Development of Sigma 85mm F1.2 DG | Art Lens


Sigma Announces Development of 85mm F1.2 DG | Art Lens — To Exhibit at CP+ 2026
Kanagawa, Japan, February 26, 2026 – Sigma Corporation (Headquarters: Kawasaki-shi, Kanagawa; CEO: Kazuto Yamaki) is pleased to announce the development of the Sigma 85mm F1.2 DG | Art, a large-aperture medium-telephoto lens designed for full-frame mirrorless cameras.

The lens will be exhibited at the Sigma booth during CP+ 2026, which will be held from February 26 to March 1, 2026 in Yokohama, Japan.

Available mounts: L-Mount & Sony E-mount

Launch: September 2026
* Product appearance and specifications are subject to change.
* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

The Sigma 85mm F1.2 DG | Art is a large-aperture. medium-telephoto lens designed for full-frame mirrorless cameras. With the latest optical design, the lens delivers exceptional resolution even at maximum aperture, enabling striking portrait photography with the distinctive depth of fi eld unique to F1.2.

Featuring a compact, lightweight design and fast, precise autofocus driven by dual HLA (High-response Linear Actuator) system, the lens offers reliable performance for professional applications.

With the addition of this lens, Sigma’s lineup of F1.2 prime lenses is now complete, joining the Sigma 35mm F1.2 DG II | Art and Sigma 50mm F1.2 DG DN | Art.

Sigma Lenses can be purchased from B&H Photo and Amazon.

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Sigma 28-105mm T3 FF AF Cine Zoom


Sigma 28-105mm T3 FF Cine Zoom Lens with AF:
B&H Photo / Amazon

Launch schedule of
AF Cine Line 28-105mm T3 FF
Sigma Corporation is pleased to announce the release dates for the AF Cine Line 28-105mm T3 FF as part of Sigma’s Cine Lens series.
・Advanced optical design and outstanding rendering performance
・Professional-grade mechanical design and operability
・AF system with excellent tracking capability and near-silent operation

Launch: April 16th, 2026
Available mounts: L-Mount, Sony E-mount
Supplied accessories: Front Cap LCF-82 IV, Rear Cap LCR III, Lens Support Foot SF-91

* Product appearance and specifications are subject to change.
* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

#Sigma #Sigma28105mmT3FF #SigmaAFCineLine #SigmaCineLens

Bringing innovation to the film production scene:
The second lens joins the Sigma AF Cine Line
The 28-105mm T3 FF is the second lens in Sigma’s AF Cine Line, an autofocus cinema lens series that brings innovation to the film production scene. Covering a focal range from 28mm to 105mm at a constant T3, this versatile lens is designed to meet the demands of a wide variety of projects.

Building on the optical system of Sigma’s Art lenses, the AF Cine Line offers exceptional rendering performance, along with high-precision autofocus with excellent tracking capability, combined with the ergonomics required for professional cinema production.
This allows it to handle multiple shooting styles and on-set environments that were previously challenging with traditional still lenses or cine lenses.

The AF Cine Line, which embodies Sigma’s latest technology, expands the possibilities of visual expression and brings new possibilities to future film production.

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ZEISS Otus ML 35mm f/1.4 Announced


ZEISS Otus ML 35mm f/1.4: B&H Photo / Amazon / Adorama

ZEISS Expands Otus ML Lineup with the New 1.4/35
A new storytelling lens for mirrorless cameras, bringing the distinctive ZEISS look to Sony1 E, Canon2 RF and Nikon3 Z Mount.

Oberkochen, Germany | 24 February 2026 | ZEISS Photonics & Optics
ZEISS is expanding its Otus ML lens family with the introduction of the new ZEISS Otus ML 1.4/35. This manual-focus lens is designed for photographers who live to tell visual stories with deliberate narratives, from street and travel to documentary work. Inspired by the legendary Otus lineage, the ML generation brings ZEISS’ renowned optical excellence and mechanical precision to the latest mirrorless systems, with mounts available for Sony1 E, Canon2 RF and Nikon3 Z.

The ZEISS Otus ML series continues to deliver natural color rendition, exceptional sharpness, and signatured micro contrast. A fast f/1.4 aperture provides accurate depth of field control, directing the viewer’s attention with clarity while producing a soft, elegant bokeh that separates subjects from the background. An advanced aspherical Distagon lens design minimizes distortion and chromatic aberrations, further enhancing image fidelity. Combined with the legendary ZEISS T* coating, reflections are reduced, flare is minimised, and both contrast and color accuracy are elevated.

Manual focus as a creative tool
Manual focusing with the ZEISS Otus ML series is not just a technique, it is an artistic process. Photographers can make precise adjustments that ensure each shot is captured with intention. True to the ZEISS legacy of precision optics, the Otus ML 1.4/35 features millimetre-accurate control. The tech becomes invisible, giving you more creativity to tell the stories that matter.

Building on the 1.4/50 and 1.4/85, the new ZEISS Otus ML 1.4/35 expands a compelling range of storytelling tools for photographers who create across different genres. From vibrant street scenes to immersive documentary environments, this focal length offers the perfect balance: wide enough to set the scene, yet tight enough to isolate key subjects.

Optical excellence for the finest details
Engineered for exceptional performance even at f/1.4, the ZEISS Otus ML lenses reveal remarkable detail and texture, especially in low-light environments where the human eye begins to struggle. Distortion and chromatic aberrations are effectively reduced, resulting in sharper images and cleaner color transitions.

The ZEISS T* anti-reflective coating further ensures clarity by reducing stray light and ghosting, enabling photographers to maintain full control across challenging lighting conditions.

The distinctive ZEISS Look: Vivid. Sharp. Nearly three-dimensional
Otus ML lenses deliver the unmistakable ZEISS visual language. Their combination of true color reproduction, outstanding sharpness, and unparalleled micro-contrast creates images with an almost three-dimensional character. Subjects stand out with powerful presence, separated smoothly from the background by a beautifully rendered bokeh shaped through a 10-blade aperture.

This shallow depth of field when shot on fast aperture not only enhances storytelling but guides the viewer’s eye to what truly matters.

Precision engineering, purpose-built for mirrorless systems
The ZEISS Otus ML series carries forward the craftsmanship of the legendary Otus family, known worldwide as best-in-class manual prime lenses. The new ML design features a smooth metal focus ring with helicoid mechanism, providing a precise rotation range that enhances focusing accuracy. An aperture de-click option allows seamless and quiet transitions, ideal for both photography and videography.

Built with a full-metal construction, the lenses deliver exceptional durability and a premium tactile feel. Optimized for modern mirrorless cameras, they offer a uniquely connected shooting experience. Clearly marked yellow scales ensure quick, accurate adjustments in any environment.

A legacy reimagined
ZEISS’ heritage in optical design, decades of pioneering research, innovation, and precision engineering, forms the foundation of the Otus ML line. The distinctive quality of the classic Otus family has been carried to Otus ML for the needs of the modern mirrorless era, combining tradition with cutting-edge performance.

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Sigma 35mm F1.4 DG II ART and Sigma 15mm f1.4 DC DN Contemporary Announced


Sigma 35mm F1.4 DG II ART: B&H Photo / Amazon / Adorama

  • Full-Frame | f/1.4 to f/16
  • 14% Smaller, 20% Lighter + Improved IQ
  • Dual HLA-Driven High-Speed AF Motor
  • Floating Focus System
  • Aspherical and SLD Glass Elements
  • Advanced Amorphous Coating
  • AFL Buttons, Focus Mode Switch
  • Manual Aperture Ring & De-Click Switch
  • Splash-Resistant Design & Front Coating

Sigma 15mm f1.4 DC DN Contemporary: B&H Photo / Amazon / Adorama

  • APS-C | f/1.4 to f/16
  • 22.5mm (Full-Frame Equivalent)
  • Compact, Fast Wide-Angle Prime
  • Stepping Motor AF System
  • Manual Aperture Ring
  • FLD, SLD, and Aspherical Elements
  • Rounded 9-Blade Diaphragm
  • Splash-Resistant Design & Front Coating

Sigma 35mm F1.4 DG II ART Video Reviews/Hands-on/Previews/etc…

Sigma 15mm f1.4 DC DN Contemporary Video Reviews/Hands-on/Previews/etc…

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