Details Continue to Trickle in For Sony’s Upcoming Lenses


We have heard that the Are coming soon,

FE 600mm f6.3 GM OSS around $3,800 (995g, 108 x 263mm)
FE 400mm f4.5 GM OSS $2,699 – $2,899 (994g, 108 x 242mm)
and an 8-14mm f3.5 around $1,499

but we are still waiting to hear about the following lenses that we leaked alongside the above lenses.

28mm G
40mm G

The source of the original leak has also dropped more details

The Sony 600mm F6.3 features a minimum focus distance of approximately 2.5 meters, significantly closer than its rivals.

via X

Posted in Sony lenses| Tagged , , , | 1 Comment

Sigma 20-60mm f/2.8-4 DG Contemporary Announced


Sigma 20-60mm f/2.8-4 DG Contemporary:
B&H Photo / Amazon / Adorama

Launch schedule of Sigma 20–60mm F2.8–4 DG | Contemporary

Kanagawa, Japan – Sigma Corporation (Headquarters: Kawasaki-shi, Kanagawa, CEO: Kazuto Yamaki) is pleased to announce the “Sigma 20-60mm F2.8-4 DG | Contemporary,” a standard zoom lens for full-frame cameras, covering an ultra-wide 20mm to a standard 60mm.

Designed to deliver both a wide-angle perspective and exceptional portability, this lens packs uncompromising sharpness and impressive close-up capabilities into a palm-sized design.

This new lens option from Sigma is designed to maximize the mobility of full-frame systems, and will be available on Wednesday, September 30, 2026.
*1 The figure is for L-Mount.

Launch:September 30th, 2026
Product name:Sigma 20-60mm F2.8-4 DG | Contemporary
Available mounts:L-Mount, Sony E-mount
Supplied accessories:Lens Hood LH706-04, Front Cap LCF-67 IV, Rear Cap LCR III, Pouch

* Product appearance and specifications are subject to change.
* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

KEY FEATURES
・Combining a dynamic 20mm perspective with exceptional agility
・Uncompromising optical performance
・Reliability for effortless shooting

Combining a dynamic 20mm perspective with exceptional agility

20-60mm: Freedom to compose
From an expansive 20mm ultra-wide to a natural 60mm perspective, this lens delivers a wide range of expression in a versatile zoom. Capture everything from sweeping landscapes to everyday snapshots and portraits─without changing lenses.
With a maximum aperture of F2.8 at 20mm, you can shoot confidently in low light environments such as indoors and nightscapes, while keeping ISO low.

Bringing 20mm into your everyday
Weighing just 385g *1, this 3x zoom achieves an incredibly compact design─remarkable for an ultra-wide lens starting at F2.8. Its slim form fits easily into any bag, making it ideal for everything from daily snapshots and travel to hiking and video creation. Experience full-frame rendering performance with unprecedented portability.
*1 The figure is for L-Mount.

Uncompromising optical performance

Consistent high optical performance across the entire zoom range
While prioritizing improved potability, no compromises have been made in image quality. The optical design─featuring 15 elements in 13 groups, including three aspherical lenses and three SLD glass elements─delivers consistent sharpness throughout the entire zoom range. From everyday scenes to breathtaking travel moments, it renders every detail with striking clarity.

Macro capabilities for versatile expression
Impressive close-up capability expands shooting versatility.
With a minimum focusing distance of 15.8 cm at 28mm and a maximum magnification ratio of 1:2.3 at 35mm, this lens delivers richly detailed close-up images approaching half-macro performance.
Even at the 60mm telephoto end, it maintains a high magnification of 1:2.9─ensuring a seamless shooting experience across the zoom range, allowing full focus on composition without concern for subject distance.

Designed to minimize flare and ghosting
Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.

Reliability for effortless shooting

Fast and quiet autofocusing with HLA system
A linear motor HLA (High-response Linear Actuator) is employed for the AF actuator, delivering high-speed autofocus with high-precision drive to capture decisive moments.
It also offers outstanding tracking performance for fast-moving subjects, even at high frame rates. Engineered for modern hybrid shooting, it ensures seamless performance across stills and video.

Minimal focus breathing
The lens is designed to minimize changes in the angle of view caused by focusing, enabling smooth, natural-looking focus pulls when recording video.

Dust- and splash-resistant structure 1 / water- and oil-repellent coating
In addition to a dust- and splash-resistant structure 1, the frontmost surface of the lens has a water- and oil-repellent coating applied, allowing photographers to shoot without concern even in harsh outdoor environments.
1 The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction.

Video Reviews/Previews/Hands-on/etc…

 

Posted in 3rd Party Lens| Tagged , | 2 Comments

Sigma 85mm F1.2 DG | Art Announced


Sigma 85mm F1.2 DG | Art:
B&H Photo / Amazon / Adorama

Launch schedule of Sigma 85mm F1.2 DG | Art

Kanagawa, Japan – Sigma Corporation (Headquarters: Kawasaki-shi, Kanagawa, CEO: Kazuto Yamaki) is pleased to announce the a large-aperture medium-telephoto lens for full-frame cameras that combines unparalleled rendering power with a compact, lightweight design.

At 85mm, a focal length widely regarded as ideal for portrait photography, the lens achieves Sigma’s brightest-ever F1.2 aperture while also delivering outstanding portability, and will be available beginning September 30th, 2026.

Launch:September 30th, 2026
Product name:Sigma 85mm F1.2 DG | Art
Available mounts:L-Mount, Sony E-mount
Supplied accessories:Lens Hood LH878-08, Front Cap LCF-82 IV, Rear Cap LCR III, Pouch

* Product appearance and specifications are subject to change.
* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

KEY FEATURES
・Uncompromising resolution and beautiful bokeh to make the most of F1.2
・Overwhelming mobility that breaks the conventions of an 85mm F1.2
・A full range of functions and build quality that meet the demands of professional use
・Rounding out the F1.2 lineup across wide-angle, standard, and medium-telephoto focal lengths

Uncompromising resolution and beautiful bokeh to make the most of F1.2

Overwhelming resolving power
In addition to two SLD glass elements, glass with high anomalous dispersion is used to suppress the axial chromatic aberration inherent to large-aperture lenses to the utmost limit. Aspherical lens elements further thoroughly correct spherical aberration and sagittal coma flare. The lens boasts reliably high resolving power from the maximum aperture, fully bringing out the rendering that only F1.2 can offer. It captures every detail of the subject’s expression and texture, taking the quality of both photographs and video to a higher level.

Beautiful bokeh that makes the subject stand out
The combination of a large-aperture F1.2 and a medium-telephoto 85mm delivers an extremely shallow depth of field and beautiful, rich bokeh. The adoption of a 13-blade diaphragm maintains a near-circular bokeh even when the aperture is stopped down. Natural bokeh rendering that suppresses color bleeding and double-line bokeh makes the subject stand out impressively, bringing overwhelming three-dimensionality and immersion to portraits and video work.

Designed to minimize flare and ghosting
Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.

Overwhelming mobility that breaks the conventions of an 85mm F1.2

The smallest and lightest in its class for an 85mm F1.2
By effectively arranging aspherical lens elements within the focus groups, the number of lens elements making up the focus unit has been significantly reduced. Despite incorporating a complex floating mechanism, a precise mechanical design pared down to the absolute minimum has achieved the smallest and lightest weight in its class for an 85mm F1.2*1 at 905g*2. It can be used comfortably even during long shoots or in situations that demand mobility, dramatically enhancing agility on set.
*1. As an AF 85mm F1.2 interchangeable lens for full-frame mirrorless cameras. (As of September 2026 by SIGMA)
*2. These figures are for L-Mount.

Fast and quiet autofocusing with dual HLA
The fast and quiet AF driven by the dual HLA (High-response Linear Actuator) delivers reliable tracking performance for both stills and video. Even with the shallow depth of field of the maximum F1.2 aperture, it captures the subject accurately, enabling smooth and precise shooting in any scene.

The pride of a creative tool: the high build quality of the Art line
By constructing the lens from high-precision parts made of lightweight, high-strength materials such as TSC*1, it offers the rigidity and durability of the Art line without compromising portability, along with the build quality to serve as a reliable photographic tool over the long term.
*1. TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts, which contributes to high quality product manufacturing.

A full range of functions and build quality that meet the demands of professional use

Designed to minimize focus breathing
Optimization of the focus group arrangement and aspherical shape significantly suppresses focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.

Various shooting assist functions
The lens is equipped with an AFL button in two locations, which can be assigned to a range of functions via the menu on selected cameras. In addition to the aperture ring, the lens is equipped with an aperture ring lock switch*1 and a click switch to turn the click on and off.
*1 If you turn it on in position A, the aperture ring will be locked in position A. If you turn it on in a position other than A, it will be locked in the range from open to minimum aperture, and it will not be possible to turn it to position A.

Dust- and splash-resistant structure *1 / water- and oil-repellent coating
In addition to a dust- and splash-resistant structure *1, the frontmost surface of the lens has a water- and oil-repellent coating applied, allowing photographers to shoot without concern even in harsh outdoor environments.
*1 The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction.

Rounding out the F1.2 lineup across wide-angle, standard, and medium-telephoto focal lengths

With the arrival of this product, the Sigma F1.2 Art Series is finally complete with three lenses, together with the 35mm F1.2 DG II | Art and the 50mm F1.2 DG DN | Art.
Outstanding optical performance that delivers high resolving power across the entire focus range from the maximum aperture. Fast, high-precision AF made possible by dual HLA. And a compact, lightweight body that ranks among the best in its class.
Backed by the advanced design and manufacturing technology Sigma has cultivated over the years, the overwhelming presence and spatial depth created by these three uncompromising lenses render your work all the more striking.

  • Sigma 35mm F1.2 DG II | Art
    Further improved optical performance and operability condensed into a compact, lightweight body
  • Sigma 50mm F1.2 DG DN | Art
    The ultimate Art F1.2 that transforms everything it captures, and even the shooting experience itself, into something special
  • Sigma 85mm F1.2 DG | Art
    Overwhelming rendering power and unprecedented mobility

Video Reviews/Previews/Hands-on/etc…

Official Videos Read More »

Posted in 3rd Party Lens| Tagged , | Leave a comment

Sony Electronics Introduces Its First Fisheye Zoom G Lens Sony 8-14mm f/3.5 Fisheye G (SEL814G)


Sony 8-14mm f/3.5 Fisheye G:
B&H Photo / Amazon / Adorama

Sony Electronics Introduces Its First Fisheye Zoom G Lens

Sony Electronics introduces the 8-14mm f/3.5 Fisheye G (SEL814G), the company’s first fisheye zoom G Lens™ for full-frame Alpha™ E-mount cameras.

The 8mm to 14mm zoom range covers circular fisheye at 8mm through diagonal fisheye at 14mm. Built for landscapes, architecture, sports, and video production, the lens pairs a compact, lightweight body with G Lens resolution, fast and precise autofocus, and refined operability for stills and movies. In a dual-lens configuration with the VENICE Extension System Mini1 it also supports spatial content production.

The 8-14mm f/3.5 Fisheye G brings new creative fisheye perspectives to Sony’s E-mount lineup for photographers, cinematographers, and content creators.

“Our first fisheye zoom runs circular through diagonal across 8 to 14 millimeters, so you can find your perspective standing right in front of the subject. We held it to G Lens resolution through the whole range, to provide an exciting, high-quality creative tool. And at 314 grams, you can carry it all day,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics.

Key Features of the 8-14mm f/3.5 Fisheye G

Fisheye zoom coverage from circular to diagonal fisheye

The 8mm to 14mm range delivers a broad set of fisheye perspectives in one compact lens. At 8mm it shoots circular fisheye with a 180-degree angle of view projected as a circular image on a full-frame sensor. At 14mm it shoots diagonal fisheye across the full frame with a 180-degree diagonal angle of view. You can match the angle of view and composition to the subject and creative intent, across landscapes, architecture, sports, and video production.

High-resolution G Lens performance across the zoom range

An optical design with ED (Extra-low Dispersion) glass and aspherical elements suppresses chromatic and other aberrations across the image area, holding high resolution throughout the zoom range. A minimum focusing distance of 0.15m and maximum magnification of 0.22x at the telephoto end enable dramatic close-up fisheye perspectives for stills and movies.

Compact, lightweight design for high mobility and spatial content production

The lens measures approximately 63.1 mm in maximum diameter and 82.8 mm in length and weighs approximately 314 g, giving it mobility for handheld, gimbal, and rig-based shooting. An inner zoom mechanism minimizes shifts in the center of gravity while zooming. Using two sets of the VENICE Extension System Mini and this lens, side by side, positions the optical axes approximately 64 mm apart, close to the average interpupillary distance of human eyes supporting spatial content production, including VR, with a natural sense of depth and distance.

Autofocus performance and operability for stills and movies

The lens delivers fast, precise autofocus and Linear Response MF while suppressing focus breathing and operating quietly for movie production. Controls include a focus mode switch, zoom lock switch, and an aperture ring with switchable click stops. A dust- and moisture-resistant design2 and a fluorine coating on the front element support use in outdoor environments.

Showcase Information

The 8-14mm f/3.5 Fisheye G will be exhibited at the Sony booth at IBC 2026 in Amsterdam, Netherlands, beginning Friday, Sept. 11, local time.

Notes

1VENICE Extension System Mini sold separately.

2Not guaranteed to be 100% dust and moisture proof.

“Sony,” “Alpha,” “G Lens,” and all associated logos are trademarks or registered trademarks of Sony Group Corporation or its affiliates. All other trademarks are trademarks of their respective owners. Images included in this release may be removed without prior notice due to rights or other considerations.

Video Reviews/Previews/Hands-on/etc…

Official Videos Read More »

Posted in Sony lenses| Tagged , | Leave a comment

OL: Sirui Aurora 35mm f/1.4 Review – A Value Recommendation


Sirui Aurora 35mm f/1.4: B&H Photo / Amazon

Optical Limits posted its full review of the Sirui Aurora 35mm f/1.4, and it is a solid lens for the price. You can read the full review here or an excerpt below:

“The Sirui Aurora 35mm f/1.4 is very competitively priced, and given the optical and mechanical qualities, it’s certainly a value recommendation.”

Pros

  1. Nicely sharp even at f/1.4 and at close focus distances
  2. Impressive build quality
  3. Attractively priced

Cons

  1. No built-in autocorrection profile
  2. The AF is somewhat slow

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus, our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in 3rd Party Lens| Tagged , , , | 6 Comments

New Sony FE 600mm f/6.3 GM OSS, FE 400mm f/4.5 GM OSS, and FE 8-14mm f/3.5 Coming Soon


Sony will announce some new lenses soon, according to a poster on fredmiranda’ forms. The details are below:

FE 600mm f6.3 GM OSS around $3,800 (995g, 108 x 263mm)
FE 400mm f4.5 GM OSS $2,699 – $2,899 (994g, 108 x 242mm)
and an 8-14mm f3.5 around $1,499

These lenses should be the lightest of their kind when they are announced, so stay tuned.

via fredmiranda

Posted in Sony lenses| Tagged , , , | 1 Comment