Sony BURANO, FX6, VENICE 2, FR7, and a7SIII Firmware Updates Explained

Sony BURANO 8K: B&H Photo
Sony FX6: B&H Photo / Amazon / Adorama
Sony Venice 2: B&H Photo / Amazon
Sony FR7 Cinema Line PTZ Camera: B&H Photo
Sony a7SIII: B&H Photo / Amazon / Moment / Adorama

CineD released a video explaining the latest firmware updates for the Sony BURANO, FX6, VENICE 2, FR7, and a7SIII cameras. You can read about the updates below or watch the video above.

Sony Firmware Updates Breakdown (BSC Expo 2026)

Sony has announced a massive wave of firmware updates across its Cinema Line and Alpha series, including the FX6, BURANO, VENICE 2, FR7, and the enduring a7S III. Below are the key details from the interview with Sony’s Daniel at the BSC Expo.

Sony FX6 (Ver. 6.0)

  • “Big Six” Interface Ported: The FX6 is finally receiving the “Big Six” menu system, originally introduced on the VENICE and BURANO. This interface is designed to be cleaner and more intuitive for operators who may not use the camera daily. It provides immediate visual confirmation and quick adjustment of the six most critical settings: ISO, Shutter Speed, Frame Rate, etc.
  • Blackmagic RAW Support: A highly requested feature, Blackmagic RAW recording capability is confirmed to arrive with this firmware update in March 2026.

Sony BURANO (Ver. 3.0)

  • Anamorphic Expansion: Building on the 4:3 de-squeeze added in Version 2, Version 3 introduces a 6:5 de-squeeze aspect ratio. This specifically targets users of 2x anamorphic lenses, offering more flexibility in production workflows.
  • Unlocked Full-Frame High Speed:
    • Previously: The camera was limited to 60fps in Full-Frame 4K, forcing users to crop to Super 35 for higher frame rates.
    • New Capability: Sony has optimized the sensor readout speed via firmware. Users can now shoot 4K at up to 120fps in Full-Frame mode.
    • Aspect Ratio Update: High-speed recording (120fps) in Super 35 mode now supports 16:9 aspect ratio, whereas it was previously limited to 17:9.
  • Infrared (IR) Pollution Fix:
    • Sony acknowledged an issue with the original Optical Low Pass Filter (OLPF) where the infrared spectrum was not being cut effectively, causing color shifts (IR pollution) in environments with tungsten lighting or heavy daylight.
    • The Solution: New BURANO units ship with a corrected OLPF. Existing owners can contact Sony to have their OLPF replaced to fix this hardware limitation.

Sony VENICE 2 (Ver. 4.1) & VENICE 2 Mini

  • EL Zone System: The update integrates Ed Lachman’s “EL Zone” system. Unlike false color which uses IRE values, EL Zone maps exposure based on stops relative to 18% gray. This allows DPs to see exactly how many stops over or under key exposure specific areas of the image are.
  • VENICE 2 Mini Details:
    • Form Factor: A 550g compact head designed for tight spaces, reducing the footprint significantly compared to the standard block.
    • The Compromise vs. Rialto 2: The standard Rialto 2 extension system retains the camera’s internal 8-stop mechanical ND filter wheel. To achieve the VENICE 2 Mini’s size, the internal ND wheel was removed. Instead, it uses a manual filter tray system, meaning ND changes require physically swapping filters rather than a remote button press.
    • Compatibility: Like the Rialto, it supports cable runs up to 12 meters and uses the same 8K sensor block.

Sony FR7 (Ver. 4.0)

  • “Exoskeleton” AI Tracking: The autofocus and PTZ tracking have been upgraded to recognize human body structures (exoskeletons). If a subject turns their back to the camera, the FR7 will continue to track their body rather than losing the lock because it can’t see a face.
  • Sports Application: New algorithms allow the camera to track objects like a ball in sports broadcasting, rather than just locking onto players.
  • Virtual Production: Support for Open Track IO, an open-source protocol for camera tracking data.

Sony a7S III (Ver. 5.0)

  • Modernized Autofocus: The update brings the 5-year-old camera’s AF performance closer to current generation standards (like the a7R V or a9 III). This includes “Spot XL” focus areas and improved tracking behaviors.
  • C2PA Authenticity: The camera will now support C2PA certification. This cryptographically signs images (and potentially video) at the point of capture to prove they are authentic and have not been manipulated by AI. This is critical for photojournalists and documentary filmmakers needing to verify the “truth” of their footage.

New Product: “Oscelus” Tracking System

  • Markerless Tracking: A new virtual production tracking system that eliminates the need for physical QR codes or markers on ceilings/walls.
  • Resilience: It uses a 5-sensor array combining visual and infrared data
    • Occlusion: If a flag, boom mic, or operator blocks one sensor, the other four maintain the lock.
    • Lighting: It can track using the IR spectrum, making it effective in total darkness or widely varying lighting conditions where visual-only systems might fail.

Sony’s Statement on Quality Control

Addressed directly by Daniel (Sony Rep):

  • Acknowledgment: Sony is aware of the frustration caused by recent firmware updates that had to be pulled due to bugs.
  • Process Change: The engineering team is shifting their focus from just “new camera development” to “sustaining engineering.”
  • Extended QC: The Quality Control period for firmware has been extended from “a few weeks” to “closer to a month” to ensure stability before public release.

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Posted in Firmware updates, Video| 9 Comments

Sony FX3 II Rumor


Sony FX3A: B&H Photo / Amazon / Adorama

Photorumors received a rumor about an upcoming Sony FX3 II camera that might replace the Sony FX3. You can read the rumor below:

  • The Sony FX3 II has been delivered to select rental companies for testing. It inherits the FX3 body’s expandability and the FX2’s adjustable EVF. Visually, it resembles the FX2 with added color temperature sensors.
  • The FX3 II supports in-body image stabilisation settings for anamorphic lenses. The image stabilization rating is the highest in the FX series at 8.5 stops, and FX3 II retains a fully mechanical shutter instead of adopting the FX2’s electronic front-curtain mechanical shutter, which resulting in a body slightly thicker than the FX2 and FX3.
  • It uses a 33-megapixel partially stacked sensor and boosted by the BIONZ XR2 and enhanced active cooling system, with a UHD/DCI 4K at up to 60fps in full-frame / S35 mode, and UHD 4K 120fps in full-frame crop / S35 mode.
  • It supports full-frame 1.1x crop UHD4K 120p recording like the FX3, but with 6.2K oversampling. Only when shooting full-frame 4K at 120fps does the FX3 II fully leverage the 3.5x readout speed capability of its 33-megapixel sensor in video modes.
  • When paired with the XLR handle unit, the FX3 II supports 32-bit floating-point recording at 48kHz and incorporates an AGC circuit for extensive level control to prevent clipping. It supports up to 8 audio channels, facilitating multi-person recording and immersive sound capture.
  • Additionally, the FX3 II supports outputting timecode signals externally as a master camera and enables wireless synchronisation of timecode between multiple FX3 II units via the 6GHz channel (unavailable in certain countries).

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via Photorumors

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Sony Savings Sunday


Sony A1 (Save $500):
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Lenses
Sony 16-35mm f/4.0 PZ FE Save $100:
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Sony E 11mm f/1.8 Save $50:
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Sony E 15mm F1.4 G Save $100:
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Sony E PZ 10-20mm F4.0 G OSS Save $100:
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Sony E PZ 18-105mm f/4 G OSS Save $100:
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Tamron 17-28mm f/2.8 Di III RXD FE Save $150:
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Tamron 35mm F/2.8 Di III OSD M1:2 Save $50:
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Sigma Lenses
SIGMA 28-70mm f/2.8 DG DN Contemporary Save $100:
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Tamron 35-100mm f/2.8 DI III VXD Leaked


The Tamron 35-100mm f/2.8 DI III VXD has leaked online. The new lens will be priced at around $900, and it will start shipping in late March or early April.

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via Photorumors

Posted in 3rd Party Lens| Tagged , | 7 Comments

New Zeiss Otus ML 35mm f/1.4 Coming Soon


Zeiss will announce a new Zeiss Otus ML 35mm f/1.4 Apo Distagon lens for Nikon Z, Sony E, and Canon RF mounts on February 23rd or 24th for the CP+ show in Japan. This will be the third Zeiss Otus mirrorless lens.

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New Voigtlander SEPTON 40mm f/2 Aspherical Coming to E-mount

Voigtlander SEPTON 40mm f/2: B&H Photo

Cosina announced the new Voigtlander SEPTON 40mm f/2 Aspherical lens for Nikon Z and Sony E mount. The E-mount version will be released in March 2026.

  • Compatible mounts: Sony E, Nikon Z
  • Lens construction: 6 groups, 7 elements (including 1 aspherical lens and anomalous partial dispersion glass)
  • Focal length: 40mm
  • Aperture ratio: 1:2
  • Minimum aperture: F16
  • Aperture blades: 10
  • Minimum focusing distance: 0.3m
  • Maximum magnification: 1:5.3
  • Filter diameter: 52mm
  • External dimensions: Φ61.7 x 30.0 mm (for Sony E)
  • Weight: 165g (for Sony E),
  • Accessories: Dedicated screw-in hood

Compact design with a total length of 32mm
The overall length from the mount surface is a compact 32mm, making it easy to carry around and take in and out of a bag, and the 40mm angle of view, which can also be used as a semi-wide-angle lens, makes it suitable for everyday use.

Electronic contacts for communication with the body
The lens mount is equipped with electronic contacts, enabling electrical communication between the lens and body. The combination of an electrical communication-compatible body and the latest firmware*1 enables support for Exif information, in-body image stabilization (3-axis), and three types of focusing support functions (focusing by changing the focus point frame color, focusing by peaking, and focusing using the magnification button).

Manual focus for precise focusing
The all-metal helicoid unit is machined and adjusted with high precision, and the use of high-quality grease that generates just the right amount of torque ensures smooth focusing, allowing for subtle focus adjustments.

Dome-shaped metal hood included
The included dome-shaped metal screw-on hood maintains the lens’s compact size. The hood has a φ52mm thread on its outer periphery, so the same front cap can be used with or without the hood.


Via Photorumors

Posted in 3rd Party Lens| Tagged , , , | 8 Comments