Sony Formally Announces Impressive New Medium Format Sensors


Sony announced new medium format sensor with some impressive specs on their website today and it looks like medium format technology is starting to catch up to full frame in many ways. The IMX461 will likely be found in a future Fujifilm GFX camera, while the IMX411 will likely be seen in a Hasselblad sometime soon. Both sensors are able to shoot 4k 30p at 12bit, but the more interesting specs are the 8k 18fps at 12-bit and 8k 16fps at 12-bit features.

Sony has built a lot of high-speed sensors for cameras lately and it looks like their medium format sensors are getting some form of high-speed shooting mode at 8k. 18fps and 16fps are too slow to be useful to videographers, but they could be very useful to photographers. Maybe Sony will even incorporate the IMX411 into their own medium format camera in the distant future.

Via FujiAddict, Sony

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Samyang Lens Station For E-mount Officially Announced


Lens Station
Lens Station is a device to customize lens performance and update firmware of Samyang autofocus lens series. Please download ‘Lens Manager’ software to update the firmware or calibrate focus, aperture and manual focusing sensitivity.

[Download Lens Manager]


[Download User Manual]

Product details

Lens Manager

Samyang AF 50mm f/1.4 FE: B&H Photo / Amazon / Adorama
Samyang AF 35mm f/2.8 FE: B&H Photo / Amazon / Adorama
Samyang AF 35mm f/1.4 FE: B&H Photo / Amazon / Adorama
Samyang AF 14mm f/2.8 FE: B&H Photo / Amazon / Adorama

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Sony a7RIII vs Nikon D850 vs Sony a7RII


image courtesy of imaging-resource

There has been a lot of talk about the Sony a7RIII vs Nikon D850 when in the dynamic range department, but does Nikon have the glass to compete with Sony? The above 100 ISO image from imaging-resource’s Sony A7R III First Shots are here seems to indicate that the Sony a7RIII has an edge over the Nikon D850 when resolving detail. IR’s article has a few more comparisons, but the above image is probably the most blatant. The other images IR has on their site show that by ISO 6400 the Sony a7RIII also has a pretty substantial noise advantage, with the Nikon D850 looking muddy in my eyes. What do you think? Take a look here.

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Sony a7RIII: B&H Photo / Amazon / Adorama
Sony 24-105mm: B&H Photo / Amazon / Adorama

Posted in Sony a7R II, Sony a7RIII| Tagged | 5 Comments

Behind The Scenes: Building the Sony a9


As I said earlier today Sony is giving a lot of interviews and here is a look behind the scenes with amateurphotographer about the Sony a9. Below you will find key points from this lengthy interview.

  • “Sony is a relatively recent player in the interchangeable-lens camera market. It began by acquiring Konica Minolta in 2006, with its first genuinely homegrown DSLR being the Alpha 700 in 2007. But the most significant milestones in its progress have been the introduction of the mirrorless E-mount in 2010, followed by the full-frame Alpha 7 system in 2013.”
  • “Sony now claims to be the market leader in terms of mirrorless camera sales in Europe, and second for sales of full-frame cameras behind Canon (at least before the launch of the Nikon D850).”
  • Even though Sony has been innovative, they haven’t managed to spark loyalty like Fujifilm, which did so by delivering major firmware revisions that greatly improved camera functionality.
  • Sony is great at delivering advanced cameras, but not necessarily great at understanding photographers needs.
  • Sony Toyko works out all of the camera engineering challenges and works closely with the sensor experts in Kumamoto to deliver their vision.
  • The a9 is meant for sports and action.
  • Sony wanted to build a camera capable of shooting at 20 frames per second with a zero-blackout viewfinder while taking focus and exposure readings, and viewing the live view feed at 60fps, which required a completely new design.
  • To dial in the Sony a9’s AF “Sony worked closely with professional sports photographers, running through multiple cycles of assessing images shot with prototype cameras, analyzing any focus errors and then rapidly addressing them with new firmware in time for a new round of testing.”
  • The Sony a9 design should become the sports/action photographer camera of choice because it can constantly track subjects in motion, while DSLR’s can only track when the mirror in specific positions.
  • The Sony a9 isn’t perfect, but their first attempt is already superior to Canon/Nikon’s offering in many ways. In a generation or two, they will likely far surpass them in every way.
  • Sony still doesn’t seem to understand the potential advantage of a larger body, while their lens division makes optics as large as necessary.
  • Sony is still noncommittal about releasing firmware updates to improve their cameras after release.
  • Sony has been focusing on FE lenses over APS-C and A-mount because full frame owners tend to be more demanding of their lens collections and purchase more glass.
  • We will definitely see long lenses for the Sony a9 in the near future.
  • Sony doesn’t consider their APS-C lens selection to be complete yet
  • The possibility of new A-mount lenses is remote.
  • We won’t see Sony medium format anytime soon.
  • Kumamoto produces four million image sensors every single day.
  • It can take up to 6 months for the silicon wafers entering the Kumamoto factory to leave as a sensor.
  • Sony’s new stacked sensor in the Sony a9 is the most expensive sensor to produce at this time, which is why the Sony a9 costs so much.
  • The Kumamoto plant still shows signs the earthquake.
  • If there is an earthquake in the future Kumamoto should only be offline 2 months.
  • Sony cameras are still designed in Japan but highly skilled labor is significantly cheaper in Thailand which is why they moved pro camera and lens assemble there.
  • Sony is driven by the advancement of technology over all else and they need a little photography DNA to fully address the needs of photographers.
  • The drive for advancement lead to the a9 and the ability to create photos that couldn’t be captured before and this drive could be fine-tuned by trusting the photography community a little.

via  amateurphotographer

 

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Sigma 16mm f/1.4 DC DN Contemporary Preorders Now Available


If you’re looking for quality Sony E-mount glass for your APS-C camera the Sigma 16mm f/1.4 DC DN Contemporary is now available for preorder from B&H Photo and Adorama.

PRODUCT HIGHLIGHTS

  • E-Mount Lens/APS-C Format
  • 24mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • 3 FLD, 2 SLD, and 2 Aspherical Elements
  • Super Multi-Layer Coating
  • Stepping AF Motor
  • Rounded 9-Blade Diaphragm
  • Weather-Sealed TSC Construction

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ON1 Photo RAW 2018 Released Today


ON1 Photo RAW 2018 or Mac and Windows is now final and officially available to download now. ON1 has grown quite a bit and is one of the many companies trying to take companies away from Adobe Lightroom. They even have a migration tool, but it is a little basic. The new version includes several key updates and enhancements:

  • ON1 HDR – Create stunning HDR photos that merge all tonality from a bracket of photos in a fraction of the time (test results have shown up to seven times faster than other HDR apps).  Automatically aligns photos and removes ghosting from motion between exposures. Includes full non-destructive editing with natural results and can be turned up to 11 for a surreal look.
  • Pano Stitching – Combine multiple photos into a single panoramic or matrix photo. Automatically aligns photos, even if they are not shot on a tripod, and blends them together seamlessly. An option to embed panoramic metadata for Facebook panning is also available.
  • Global Mask Editing Tools – These include new mask Density and Feather sliders to allow for changing the density or opacity of masks as well as blur masks for softening.
  • Luminosity Mask Updates – Adjust the levels of a mask to increase the contrast or brightness as well as set a tonal window to only affect a certain zone.  These updates allow users to target just the area they want, based on the photo.
  • Color Range Masks – Create a mask from a color range selection.
  • Blur and Chisel Mask Tools – In ON1 Effects, the Blur and Chisel mask tools are now included. The blur tool is perfect for softening or feathering a mask selectively. The Chisel tool lets the user push or pull the edge selectively, to remove halos. All of these new masking options are re-editable and non-destructive.
  • Versions — Versions are virtual copies of the same photo. Each version created can include non-destructive settings, including crop, retouching and adjustments. Versions work just like any other photo without taking up more space on your computer. 
  • Updated UI — Clean and modern UI where your photo is the center of attention. Custom name filters and layers to easier keep track of work. Also select your own UI accent color.
  • Paint with Color Brush — Painting with color can be a solid color, perfect for skin smoothing and making annotation layers, or paint with just the color and leave the underlying luminosity in place to change the color of objects like eyes.
  • Selectively Add or Remove Noise — Brush away noise in areas like skies or add noise for an artistic effect.
  • Improved Highlight Recovery –– The algorithms for highlight recovery have been improved.
  • ON1 Photo for Mobile — Take the best shots with you on the go with the free ON1 Photo for Mobile app. It’s a great way to share portfolios. It can also sync new photos taken on phones back to the desktop so those photos are ready for editing.
  • Additional Camera & Lens Support — Added support for the Nikon D850, Olympus EM-10 III, Panasonic DMC-G85, preliminary support for Sony a7R III, plus a ton of new lenses.

Price and Availability:

ON1 Photo RAW 2018 is available for download as a free 30-day trial from the ON1 website. Previous owners of any ON1 app (or ON1 plug-in) can upgrade for $99.99. Those who don’t own an ON1 app can order for $119.99. ON1 Photo RAW 2018 is also bundled with some excellent bonus materials which include: Three ON1 Photo RAW 2018 Courses by Product Director Dan Harlacher, and all of their 2017 and 2018 Loyalty Rewards. ON1 Photo RAW 2018 works with both Mac and Windows and includes activation on up to five computers.

ON1 Photo RAW 2018 screenshots and videos: Read More »

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