Sony a7RIII Star Eater Free According to First Report

The Sony a7RIII is star eater free! I can’t wait for astrophotography season because I try to shoot every new moon. You can download the RAW files to see for yourself from the post:

Very Excited to share this side by side comparison of the A7RIII (full production model) shooting Astrophotography at 3.2″ and 10″ at ISO 12,800 utilizing the Sony 16-35mm GM lens. As you can see in the side by side comparison, with ALL noise reduction turned off in the main menu, you can easily see that all stars are present and accounted for when blown up at 100% resolution. The star-eater is no more.

Download RAW images here:https://www.dropbox.com/…/ejyad8…/AAApFpv-kmRWfslWZ0-69awRa…

Password: star

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Sony a7RIII: B&H Photo / Amazon / Adorama
Sony 24-105mm: B&H Photo / Amazon / Adorama

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Imaging Resource: One More Lengthy Sony Interview Recap


Sony continues their lengthy interview tour with Image Resource. You can find the key points below or read the full interview here.

  • Three executives from Sony took part in this interview Hiroyuki Matsushita, Yasuyuki Nagata and Hirokuni Miyai.
  • Sony isn’t willing to say how long they have been working on the Sony a9.
  • All Sony will reveal about R&D is that they are continuously creating new things and at some point, they end up in a product.
  • Further, it’s hard to be specific because cameras now perform multiple tasks and Sony tries to get as much into a camera as they can to satisfy customer needs before launch. EG AF/FPS/Video/Resolution/camera-ness… etc…
  • Some customers wanted more resolution with the a7RIII, but many wanted more battery life, while others wanted faster AF and better high ISO. So there was no fixed plan for the a7RIII when the a7RII was launched.
  • Sony releases cameras and then waits to see what customers will want form the next camera before piecing together their technology.
  • Technology and customer usage intent has moved faster than Sony intended so their “quick” release schedule is just keeping up with demand.
  • The fast movement of tech and demand makes it hard to plan 5-10 years out for their product roadmap also, but technological advancement is more predictable than customer demand.
  • The new a9 body wasn’t used for the a7RIII because a larger variety of photographers use the a7RIII and the a7RIII fits their hands better than the a9. Male, Female, Seniors, Young….
  • a7RIII shutter is bigger than the a7RII shutter even though there is less room in the body thanks to the new bigger battery. It only worked because they were able to shrink the electronics so much.
  • The new a7RIII shutter is bigger so that it has room for the shutter break to work and slow it down before hitting the bottom to prevent shutter shock. The break lowers vibration dramatically.
  • Some tech like the new shutter is done because it makes sense and not because customers asked for it.
  • Sony claims they used a UHS-II and UHS-I slot to maintain compatibility with older formats like memory stick.
  • Sony thinks XQD is best used for professional video cameras and access is limited.
  • a7RIII has more appeal than the a9 because it’s balanced.
  • APS-C and one-inch sensors will have their dynamic range improve again very soon thanks to the tech in the a7RIII.
  • Sony could also decide to increase the megapixel count of APS-C cameras and keep the current dynamic range levels with their current technology.
  • Following customer demand is more important than technological advancement at this point in camera sales. The more enthusiasts and professionals join their system the better they will be able to figure this aspect out.
  • Sony doesn’t just listen to customers. They observe them and see what they want first hand.
  • Image quality has become a non-issue for most photographers, which is why intelligent autofocus has become a central area of improvement for Sony.
  • The processor development team exists within the camera group at Sony and processing has become central to camera design.
  • The only part not designed in the imaging group is the Sensor.
  • Stacked sensors require specially designed processors.
  • 23 E-mount lenses released in just 4 years.
  • Sony attributes their lens and work volume to genius engineers and lots of coffee, but they won’t reveal how many people they have working on these tasks.
  • Full frame mirrorless isn’t the only area growing.
  • The advantages of mirrorless continue to grow as DSLR’s stagnate.
  • RX/APS-C/Full Frame Sony cameras are all designed by the same group of people. Even their video cameras are designed under the same division so lots of technology is shared.
  • Sony is working on professional services throughout the world, but they are building out the US first.
  • You don’t just sell cameras to consumers or professionals. When you sell to professionals it helps sell to consumers and there is a net affect that Sony calls a “Halo Effect.”
  • Targeting professionals helps to set your standards high from an engineering perspective and it is the best way to make better products.
  • Targeting professional also gets your a higher volume of rich feedback that can be used when designing future cameras.
  • Sony thinks of photos and video when designing lenses and how they focus. There is no negative trade off to designing lenses for both tasks.

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Last Chance To Save on Luminar 2018 and Receive The Pre-order Bonuses


Only 48 hours left to take advantage of the Luminar 2018 pre-order pricing and free bonuses deal.

Pre-Order Pricing:

  • Current users of Luminar may upgrade at a special pre-order price of $39($49 MSRP)
  • New users can purchase Luminar 2018 at a special pre-order price of $59($69 MSRP)
  • A collection of bonuses will also be included with every purchase.
  • Beta testers are eligible to receive an additional $10 discount

Pre-Order Bonuses:

  • A Pack of signature presets and textures from pro photographer Nicolesy
  • An Exclusive pack of Cinematic LUTs
  • 1-year Power plan from SmugMug ($72 value). For new accounts only

Additional information on the Luminar 2018 software can be found here or you can just preorder here.

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Easy Cover For Sony α9

Japan Hobby Tool released “Easy cover SONY α9 for” on November 14th.The suggested retail price is 4,740 yen by tax. Prepare black and camouflage. Silicon cover to protect the camera from dust, dirt, shocks. It is manufactured according to the shape of the camera, and a tilt LCD monitor can also be used. Notches were provided in the logo part of “α9” and “SONY”. A liquid crystal protective film and a cloth are attached. Easy covering is first with 35 mm full size α 9. Also, in the past, Yellow for Nikon and red for Canon have disappeared this time. α9 is a mirrorless camera of Sony equipped with a 35 mm full size sensor. It features an effective 24.2 megapixel sensor and features high-speed continuous shooting of up to 20 frames per second. Release is May. The actual price is around 540,000 yen including tax.

Easy Cover For Sony α9: B&H Photo / Adorama

via DC.Watch

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DPReview First Look at Sony a7RIII Pixel Shift Technology and It Looks Useful


DPReview gives us our first look at the Sony a7RIII’s pixel shift technology and the results are kind of interesting. A zoomed out view of the photo doesn’t show a significant difference, a 100% view of distant objects shows a pretty dramatic improvement in sharpness, while objects closer to the camera improve a little depending on subject matter. Further, DPReview states that Sony’s latest lenses can resolve the most detail with this technology so it will I am curious if there will be a go-to lens for fans of this tech.

In the Studio scene, the results change somewhat as moire disappears and additional detail is resolved, that even the 100MP Phase One can’t resolve. The technology also removes color aliasing that can be seen in the newsprint. In general, there is more detail everywhere as you pixel peep around the studio scene.

In DPReviews Words “Landscape, cityscape and architecture photographers will absolutely love this new feature paired with the already excellent sensor in the a7R III – as long as they steer clear of (or clone out) moving objects in the scene. The increase in resolution and decrease in aliasing Pixel Shift brings is obvious in both our studio scene and real world result. It’s frankly dramatic in the latter.”

The potential benefit of pixel shift technology is definitely there for some photographers, but I am unsure how much it will matter for many until it can deal with some limited motion. It’s nice to have these kinds of features in a camera, but the inability to deal with motion and tripod requirement will prevent many from using it more than a hand full of times.

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Sony a7RIII: B&H Photo / Amazon / Adorama
Sony 24-105mm: B&H Photo / Amazon / Adorama
Rotolight NEO 2: B&H Photo / Amazon / Adorama

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Sony a7RIII 82 Shot Buffer Depth, Unboxing, Canon Lenses, Hands-on, Editing and More

Jason Lanier gives us our first good look at the Sony a7RIII’s buffer and it is quite impressive. He uses the a7RIII continuously without filling the buffer for 82 shots shooting compressed RAW and the buffer cleared in 24 seconds. Like the Sony a9 the camera can still shoot while the buffer is being cleared and it seems to remain quite responsive. Further his Rotolight NEO 2 managed to keep up with the Sony a7RIII shooting at 10fps and each shot was properly exposed and sharp.

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Sony a7RIII: B&H Photo / Amazon / Adorama
Sony 24-105mm: B&H Photo / Amazon / Adorama
Rotolight NEO 2: B&H Photo / Amazon / Adorama

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