Optical Limits: Viltrox PFU RBMH 20mm f/1.8 ASPH Review


The Viltrox 20mm f/1.8 ASPH has decent performance for its price along with excellent build quality. To get the most out of it you will need to stop it down and the lens does not have weather sealing. You can read optical limits full review here or you can read the conclusion below.

The Viltrox PFU RBMH 20mm f/1.8 ASPH enters a rather crowded space but it has a couple of differentiators that set it apart from the rest of the gang. There is, of course, the fast maximum aperture of f/1.8. The image quality is perfectly fine in the image center whereas the borders are quite soft. This may or may not be important depending on the target application. If you are into shallow depth-of-field photography, this isn’t really an issue for instance whereas for astro photography this isn’t ideal. If you stop down, the quality improves quite a bit and it’s really good at medium aperture settings. Lateral CAs are low and you don’t have to worry about image distortions either. The vignetting is on the high side though. The quality of the bokeh (out-of-focus blur) is pretty good for a lens in this class.

The build quality is excellent thanks to a tightly assembled, all-metal-construction. The price you have to pay for the solid body is the high weight and it isn’t a small lens either. Weather-sealing is not provided but that’s no surprise at this price point. If you are into videos, you will love the dampened control rings and yes, it has a step-less aperture ring – but no stepped mode. On the downside, it’s a fully manual lens with no coupling so if you can’t live without AF, a camera-controlled aperture and EXIF data, this lens is not for you. The Viltrox lens comes with two different lens hoods – one that is optimized for the job and a 2nd one that accepts conventional, albeit large filters (82mm). It’s a smart approach to have the choice without having to rely on aftermarket solutions. The quality of the lens cap could be better though.

Another differentiator is, of course, the price. At just under 400USD/EUR, it is not only very affordable, but it is also almost a steal considering the large aperture.

Viltrox PFU RBMH 20mm f/1.8 ASPH: B&H Photo / Amazon / Adorama

Posted in 3rd Party Lens| Tagged , , | Leave a comment

Voigtlander 35mm f/1.2 and 40mm f/1.2 Now Available on Amazon


The Voigtlander 35mm f/1.2 and 40mm f/1.2 are now available on Amazon. They were announced a few months ago here.

Be sure to follow us on FacebookTwitterInstagramYoutube

Plus our owners’ groups
Sony a9 Owners Group
Sony a7 Owners Group

Posted in 3rd Party Lens| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Optical Limits: Sigma 56mm f/1.4 DC DN Contemporary Review – an excellent example for how mirrorless lenses should be


If you’re a Sigma fan the Sigma 56mm f/1.4 DC DN Contemporary won’t disappoint with the optical limits saying “an excellent example for how mirrorless lenses should be.” Below you can read Optical Limits conclusion or you can read the full review here.

The Sigma 56mm f/1.4 DC DN Contemporary is an excellent example for how mirrorless lenses should be. It’s small and well built with a focus on the optical characteristics where it counts the most while compromising on secondary aspects that can be corrected without too many headaches. Namely the sharpness is very good at f/1.4 and downright superb between f/2 and f/8. The laternal CAs are very low. This can’t be said about the original distortion which is on the high side for a prime lens. Vignetting is also very pronounced at f/1.4. However, these two aspects are mostly corrected with image auto-correction either in-camera (with JPGs) or in RAW converters. A strength of the lens is the quality of the bokeh with nicely rendered out-of-focus highlights and a smooth blur in the focus transition zones. Bokeh fringing is present at large aperture but that’s rather normal for such a lens.

The overall build quality is very good. The lens body is made of metal and the big, rubberized focus ring is both smooth as well as very grippy. It also has basic sealing of some kind. On the downside, manual focusing is way too coarse to be useful at shorter focus distances. The AF is about average for a modern mirrorless lens – thus it’s quite fast, noiseless and accurate. You won’t use it for action photography though.

The sum of its qualities combined with the very reasonable price tag make the Sigma 56mm f/1.4 DC DN Contemporary an obvious choice in its class. Therefore – highly recommended!

Sigma 56mm f/1.4 DC DN Contemporary: B&H Photo / Amazon / Adorama

Posted in 3rd Party Lens| Tagged , , , , , , , , , , | Leave a comment

LEE85 System – Available 1st August 2020!


LEE85 System – Available from 1st August 2020!
We are delighted to announce that its new LEE85 Filter System will be available through our global dealer networks (B&H Photo / Amazon / Adorama) from 1st August 2020.

First announced in March, the LEE85 Filter System is centered around a lightweight, compact, precision-engineered filter holder designed for landscape, cityscape and other photographers working with smaller form new technology compact system cameras, allowing them to travel light without compromising quality or versatility.

via FujiAddict

Posted in Accessories, Press releases| Tagged , , , , | Leave a comment

DPRTV: Sony 12-24mm f/2.8 GM Review

DPRTV released their review of the Sony 12-24mm f/2.8 GM. Below is a summary of the above video:

  • The worlds first f/2.8 full-frame zoom to go down to 12mm
  • Quite lightweight for the speed 847g or 1/2 Nikkor Noct
  • Easy to carry and balances well
  • Rugged build and good weather sealing
  • No front filter thread so you have to use cut gel filters on the back and they give you a template to cut them accurately
  • One of the fun things about wide angles is how it pushes everything away
  • Very well corrected in-camera so you won’t have to worry about fixing distortion
  • Great wide open at f/2.8
  • Very good center sharpness even handheld in non-optimal conditions
  • Great sun stars from 12-24mm
  • Very advanced formula with 4 ASPH elements and 3 XA (Extreme Aspherical) element, which is the most ever and the largest XA element Sony has ever put in a lens
  • Chromatic Aberration and LoCA, not a problem
  • You can get nice shallow depth of field up close
  • Good Bokeh wide open or even stopped down but might get busy in the background
  • Little lost of contrast with flare
  • 4 XDM linear motors driving the elements so AF is fast
  • This lens can keep up with an a9
  • The minimal focus distance is 0.28 meters
  • Resolution at 12mm to 24mm is very good, but there is a little softness in the corners until f/5.6
  • For video close to being parfocal, but there is a little breathing
  • GM are typically fantastic and this is no exception
  • Amazing that is is the same size and weight as other manufactures 14-24mm
  • Blown away that f/2.8 and 12mm is useful
  • The only catch is this lens is expensive!

Be sure to follow us on FacebookTwitterInstagramYoutube

Plus our owners’ groups
Sony a9 Owners Group
Sony a7 Owners Group

Sony FE 12-24mm f/2.8 GM: B&H Photo / Amazon / Adorama

Posted in Sony lenses| Tagged , , , , , | Leave a comment

New H.266/VVC Codec Reduces 8k/4k Data Requirements by 50% and Might Debut in Sony a7SIII


Fraunhofer HHI is proud to present the new state-of-the-art in global video coding: H.266/VVC brings video transmission to new speeds
After devoting several years to its research and standardization, Fraunhofer HHI (together with partners from industry including Apple, Ericsson, Intel, Huawei, Microsoft, Qualcomm, and Sony) is celebrating the release and official adoption of the new global video coding standard H.266/Versatile Video Coding (VVC). This new standard offers improved compression, which reduces data requirements by around 50% of the bit rate relative to the previous standard H.265/High Efficiency Video Coding (HEVC) without compromising visual quality. In other words, H.266/VVC offers faster video transmission for equal perceptual quality. Overall, H.266/VVC provides efficient transmission and storage of all video resolutions from SD to HD up to 4K and 8K, while supporting high dynamic range video and omnidirectional 360° video.

Today, compressed video data make up 80% of global Internet traffic. H.266/VVC represents the pinnacle of (at least) four generations of international standards for video coding.SAThe previous standards H.264/Advanced Video Coding (AVC) and H.265/HEVC, which were produced with substantial contributions from Fraunhofer HHI, remain active in more than 10 billion end devices, processing over 90% of the total global volume of video bits. Both previous standards were also recognized by collectively three Emmy Engineering Awards for contributing substantially to the progress of television technology. Read More »

Posted in Press releases, Sony a7SIII| Tagged , , | Leave a comment