Sony UWP-D Wireless Microphone Series Announced


Sony UWP-D Wireless Microphone Series
B&H Photo / Amazon

Sony Electronics Launches New UWP-D Wireless Microphone Series for Sound as Good as Your Content

The URX-P41D Two-Channel Portable Receiver Supports Multi Interface Shoe with Digital Audio Interface
Sony Electronics has announced a new URX-P41D two-channel portable receiver, supporting MI (Multi Interface) shoe with Digital Audio Interface. The URX-P41D, boasts all the key features included in the 4th Generation UWP-D Series, such as improved high sound quality from Digital Audio Processing, NFC Sync for quick and easy set-up from Receiver to Transmitter and functions such as Auto Gain mode and Output level control, making the job of recording sound even easier.

As part of the market leading UWP-D Series, the URX-P41D will work with all UWP-D transmitters (backwards compatible with previous generations) and will be available as a stand-alone receiver and as part of a new kit, the UWP-D27, which will include two UTX-B40 Bodypack Transmitters.

The URX-P41D is ideal for many users ranging from broadcast and news productions, to run and gun style interviews, or documentaries and series productions, using Sony’s XDCAM™ camcorders, Alpha™ interchangeable lens cameras and select Cinema Line cameras[1].

Key new features include:

Digital audio interface to improve sound quality

  • Sony’s Digital Audio Processing, which uses DSP (digital signal processing) for digital companding, improves sound quality by optimizing a time-constant range between the transmitter and receiver, making the reproduction of sound more accurate. It provides superb transient response performance which for enables clear and crisp audio for interview style recording.
  • Using the SMAD-P5 MI shoe adaptor enables direct digital audio recording and delivers high sound quality with low noise by skipping the D/A and A/D process. This interface is compatible with a wide range of Sony’s XDCAM camcorders, Alpha interchangeable lens cameras and Cinema Line cameras. It also integrates seamlessly with Sony’s camcorders and displays audio information on the viewfinder for enhanced usability in the field.

“NFC SYNC” function to allow quick and easy channel setting

  • Simple and quick channel setting for reliable RF transmission when time pressure is high is becoming crucial. Delivering enhanced usability, the unique “NFC SYNC” feature is designed for easy and fast frequency setting. By simply holding the NFC SYNC button on the receiver for a few seconds, it automatically scans the appropriate frequency. Thereafter, just touching the receiver to the transmitter will sync the channel for optimum speed and efficiency.
  • A new ‘all band’ scanning feature utilizing the NFC pairing function makes quickly finding the two best channels easy, regardless of location. Additionally, sequential pairing simplifies the process further by assigning each frequency to two transmitters in one function.

Compact form factor, with improved ergonomics

  • By reducing the size of the receiver from previous generations, the URX-P41D can sit on top of the camera or ILC attached to the MI shoe or cold shoe allowing for improved balance on the camera.

External Microphone Input and Three-channel mixing function

  • The External Microphone Input for an additional wired microphone widens the sound capture options. Three-channel audio recording is available by using a Sony lavalier microphone through the external microphone input. Furthermore, four-channel audio recording is also possible when using a stereo microphone through the external microphone input.

Stable RF reception[2]

  • The URX-P41D can reduce interruptions in reception (RF signal dropout), by utilizing a space diversity reception system, which achieves highly stable reception because of its two receiving antennas. The angle of the antennas on the portable receiver can also be adjusted, which helps to further eliminate signal dropout.

Functions to improve performance when on location

  • Auto gain mode and Output level control brings the user peace of mind that the audio levels are correct when out in the field. Auto gain will help to prevent any unwanted distortion and Output level control (when using XLR cable) allows the user to increase the output level where necessary.

The URX-P41D and UWP-D27 will be available beginning in April 2022 for a suggested list price of $679.99 and $1,229.99, respectively.  All UWP-D series models can be found at https://pro.sony/uwpd.

[1] Please visit Sony’s website to check compatibility between SMAD-P5 and applicable camcorders and cameras for Digital Output through the MI Shoe

[2] Higher stability, true diversity reception in single channel operation mode.

Posted in Accessories| Tagged , , | 8 Comments

Samyang AF 24-70mm f/2.8 FE Firmware Update V2 Adds Linear MF Control


Samyang AF 24-70mm f/2.8 FE:
B&H Photo / Amazon / Adorama
Samyang Lens Station:
B&H Photo / Amazon / Adorama

Samyang/Rokinon has added a new Linear MF Control to the Samyang AF 24-70mm f/2.8 FE in firmware version 2. You will need a lens station to do the frimware update which you can download here and you can view the update details below:

Version2
Date2022-03-28
Details– Added custom mode function optimized for Cine Kit (Linear MF Control)
– Improved autofocus performance on video mode on Sony α7SⅡ

Follow SonyAddict on Facebook, Twitter, Instagram, and YouTube

Plus our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in 3rd Party Lens, Firmware updates| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

ON1 Resize AI


ON1 Resize AI
ON1, creators of ON1 Photo RAW & a line of professional photo editing software for photographers, announce a new application for increasing image resolution, ON1 Resize AI, coming this April. Its predecessor ON1 Resize (formerly Genuine Fractals), has been the industry standard for photo enlargements for over 20 years.

ON1 Resize AI, the next-generation photo enlargement software, promises to give photographers even better results and the highest quality photo enlargements using state-of-the-art AI technology. This all-new super-resolution technology will allow customers and any photographer to enlarge photos while quickly maintaining and recovering an incredible amount of detail and sharpness.

“It’s simply amazing. We’ve been working on this project for quite a while, and everyone will be flat out amazed at how big they can make their photos. I’m still in awe of the results I can get using ON1 Resize AI,” says Dan Harlacher, VP of Product.

Existing methods of photo enlargement, or interpolation, make up new pixels or resolution by copying those around them, which often leads to enlarged photos with less detail, soft edges, and more noise. ON1 Resize AI uses deep machine learning to study different details we see in the world, whether natural textures like tree bark, animal fur, feathers, grass, leaves, rock, and skin to man-made textures like concrete, fabric, or brick. Studying millions of examples of the everyday world will allow the software to upscale photos and their textures to virtually any size, leaving photographers with ultra-high resolution images.

Price and Availability
ON1 Resize AI is available today to pre-order as an individual plugin and standalone application for $99.99. ON1 Resize AI will also be part of the ON1 Professional Plugin Bundle, which includes five of ON1’s professional plugins that work with photo editing applications like Lightroom, Photoshop, Capture One, and more for $149.99. Resize AI will also be available inside ON1 Photo RAW 2022 in a future update.

The official release date of ON1 Resize AI will be announced in the coming weeks, and the ON1 team expects it to be released in April. Owners of ON1 Photo RAW 2022 will get the fully integrated ON1 Resize AI in the next free update for Photo RAW soon after the release of Resize AI. Anyone who owns the individual product, ON1 Resize 2022, will also receive ON1 Resize AI as a free update. Finally, subscribers to ON1 Photo RAW will also receive the fully integrated Resize AI in Photo RAW AND the plugin for free as part of their plans.

Key Features

  • Crisp Details — ON1 Resize AI upscales your photo to the desired size and sharpens the final details incredibly well. Great examples are seen in photos with tiny hairs or feathers.
  • Creating Large Prints — At its core, making stunning poster-sized prints is where ON1 Resize AI excels. Easily crop to the paper size, AI-resize the photo with the ultimate detail, and then print it directly or save the file to send to a photo lab.
  • Ultra-Resolution — Crop a portion of your photo and still have amazing quality and detail. It can equate to having a longer lens without the expense or weight.
  • Breathe New Life into Old Photos — With older files and photos, the size and quality do not compare to what is available today. ON1 Resize AI allows for remastering old images and making them larger, sharper, and cleaner than ever before.
  • Reduce JPG Artifacts — Whether over-compressed and even small photos, ON1 Resize AI can reduce the JPG compression artifacts while creating new details, leading to an increase in resolution and higher quality upscaled images.
  • Upscale Video Stills — Use Resize AI on a still frame captured from your video editor to create high-quality prints.
  • Create Gallery Wraps — ON1 Resize AI’s unique gallery wrap feature can add reflected or stretched wings to the edge of your photo so you can make a gallery wrap without losing any image area.
  • Tiling — Divide the photo into tiles or strips to make it easier to print a mural. You control the size of the tiles and how much they overlap for trimming.
  • Batch Processing – The powerful batch-processing engine in ON1 Resize AI lets you enlarge a group of photos and control how they are named, what file type they are, where to save them, their metadata, and add watermarks.
  • Fill the Page — Your camera’s size or aspect ratio often doesn’t fit your printer. In these cases, recomposing or cropping the photo is necessary to fill the page. Other apps make this more difficult as you need to consider the size of paper and resolution so you can crop and resize simultaneously. ON1 Resize AI combines these functions, making it easy to fill the page in a single step.
  • Easier Printing — When it comes to preparing your photo to print, knowing the proper resolution for your printer and the correct amount of sharpening for your paper choice can be daunting. ON1 Resize AI’s built-in presets make this a breeze. Pick the kind of printer, the type of paper, and the size.
  • Softproofing— View a simulation of how your image will look when printed based on specific printer and paper profiles.
  • Works as a Plugin — ON1 Resize AI works as a standalone application and plugin from many popular photography apps like Lightroom, Photoshop, Capture One, Affinity Photo, Apple Photos, and Corel Paintshop Pro.
  • Powerful Workflow Integration — Resize AI goes beyond the average plugins. In CaptureOne and Lightroom you can batch process easily with powerful new resizing options. And in Adobe Photoshop it can handle layered files with masks, alpha channels, text, and adjustment layers in RGB as well as CMYK, Grayscale and LAB. This makes it perfect for not just photographers, but also graphic artists and print agencies.
Posted in Software| Tagged , | 3 Comments

Venus Optic Laowa Anamorphic Lens Teaser

Laowa has been one of my favorite third-party lens companies for a while now and I can’t wait to see what they do with their Anamorphic lens lineup. The new lineup will be available soon directly from Venus Optics.

Follow SonyAddict on Facebook, Twitter, Instagram, and YouTube

Plus our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in 3rd Party Lens| Tagged , , , , , | 8 Comments

Laowa 0.7X Focal Reducers For Probe Lens PL and EF Mount Announced


24mm f/14 2X Macro Probe: B&H Photo / Amazon / Venus Optics

Anhui China, 4 April, 2022 – Venus Optics, the camera lens manufacturer specializing in making unique lenses for photographers and cinematographers, is thrilled to announce the new 0.7x Focal Reducer for 24mm f/14 2X Macro Probe. It reduces the crop factor when using probe lenses on APS-C/ Super35 and Micro Four Thirds cameras, which helps retain the perspective of the probe lens. The maximum aperture is boosted to f/10 as well. Various mounts are available:

●               Canon EF – Canon RF●               Arri PL – Canon RF
●               Canon EF – Sony E●               Arri PL – Sony E
●               Canon EF – Fuji X●               Arri PL – Fuji X
●               Canon EF – M43●               Arri PL – M43
●               Canon EF – L mount●               Canon EF – L mount

Keeping the perspective on S35 and M43
Optimized for Laowa 24mm f/14 2X Macro Probe, the 0.7x Focal Reducer effectively reduces the crop factor from 1.5x to 1.05x on Super35 and from 2x to 1.4x on Micro Four Thirds, which reserves the original perspective of the probe lens. It also boosts the aperture by 1 stop, making it a brighter lens with an f/10 maximum.

Various mounts available
The reducer allows users to mount Arri PL/Canon EF probe lenses onto different cameras, including Canon EOS C70, RED Komodo, Sony APS-C series, Fujifilm X series, Blackmagic Pocket Cinema Camera 4k, Lumix GH5, Leica CL, etc.

Excellent Durability
The focal reducer is fully constructed with metal. Not only provide stability for adapting lenses, but it also improves durability. It would be a reliable shooting gear for professional use.

Optimized quality for affordable price
Laowa 0.7x Focal Reducer for Probe Lens is currently available to purchase on Venus Optics official websites  (http://www.venuslens.net/ / https://laowacine.com/) and via authorized dealers.

Priced at USD250, Laowa offers probe lens enthusiasts a rather friendly price while giving promising results.

Specification 

Laowa 0.7x Focal Reducer for Probe Lens
FormatFF to S35/ APS-C/ MFT
Lens Structure3 elements in 1 group
DimensionsEF adapter:Φ75mmX25.5mm
PL adapter:Φ90mmX38mm
Weight 259g(PL-E)
MountPL-E/PL-X/PL-R/PL-M43/PL-L
EF-E/EF-X/EF-R/EF-M43/EF-L
Posted in 3rd Party Lens| Tagged , , , , , | 3 Comments

DPR: MonsterAdapter LA-KE1 Pentax AF Adapter


The MonsterAdapter LA-KE1 has been around for a while but DPR posted a very in-depth review of the capabilities of the adapter that you can read here. In short, you won’t get native performance out of the adapter and it won’t support every last lens, but it is good enough to take advantage of some excellent Pentax glass. Below are some excerpts:

If you want to use your Pentax lenses on Sony E-mount bodies without losing autofocus, the MonsterAdapter LA-KE1 is basically the only game in town… While its performance will vary depending upon your chosen lenses and camera bodies, we found the LA-KE1 adapter to yield rather lesser AF performance than is natively available from Pentax bodies… Whether you’re hooked on the look those lenses provide or just want to delay buying their replacements for as long as possible, the MonsterAdapter LA-KE1 is definitely worthy of consideration.

Pro:

  • Pentax glass on Sony E-mount without losing AF and aperture control
  • Relatively small and compact
  • Solid, durable build
  • Works with both single and continuous AF
  • Works with screw-drive and in-lens AF motors, even for precision operations like remote-controlled focus stacking
  • Works with mechanical and electronic aperture control
  • Works with in-body image stabilization

Con:

  • Quite pricey
  • No weather sealing
  • Control feel isn’t very premium
  • Negates the size advantage of mirrorless cameras
  • Slower AF than with a Pentax body
  • No video autofocus

MonsterAdapter LA-KE1: B&H Photo

Posted in 3rd Party Lens, Accessories| Tagged , | 4 Comments