OL: Laowa 100mm f/2.8 Tilt-Shift 1x Macro Review – Magic in The Right Hands


Venus Optics Laowa 100mm f/2.8 Tilt-Shift 1x Macro:
Venus Optics / B&H Photo / Amazon / Adorama

The Laowa 100mm f/2.8 Tilt-Shift 1x Macro has been around for a while now, but Optical Limits just published its full review which you can read in full here or check out the exhirpt below:

The shift aspect isn’t all that interesting at this focal length, but the tilt function is pretty awesome although far from being easy to use (as yours truly had to find out as well). If you are into macrophotography, the depth-of-field potential could be very interesting, and the selective depth-of-field at conventional distances can deliver truly baffling effects. And it can function as a normal tele macro lens as well, of course.

The optical performance of the Laowa 100mm f/2.8 Tilt-Shift 1x Macro is very decent. In “normal” mode, it is very sharp with minimal CAs. Image distortions are negligible, and the vignetting is low thanks to the large image circle. The bokeh is also smooth. In full tilt mode, the border bokeh deteriorates, but that’s probably to be expected.

It’s a fully manual lens without electronic coupling. Given the nature of the lens, the lack of autofocus is hardly surprising. …in the right hands it can deliver magic – well … almost.

Pros

  1. The tilt function, of course
  2. Great build quality (*)
  3. It’s sharp

Cons

  1. (*) except for the tripod mount
  2. No electronic coupling
  3. Short focus throw

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TTArtisan AF 14mm F3.5 Announced

The TTArtisan AF 14mm F3.5  was just announced and you can order one from Amazon.

Specification

Focal length 14mm Filter size 39mm
Maximum aperture F3.5 Closest focus distance 0.25m
Minimum aperture F16 Diaphragm Blades 7pcs
Frame APS-C Focus method AF
Angle of view 92° Weight Around 98g
Optical Design 8 Elements in 7 Groups
Mount E

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Sony Is Teasing A New Full-Frame E-mount Cinema Camera


Sony will announce a new full-frame cinema camera on March 26th at 10 AM EST. It will probably be a new Venice Extension System Mini which you can see below.

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via photorumors

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LT: Samyang AF 35mm f/1.4 P FE Review – Great for APS-C Cameras


Samyang AF 35mm f/1.4 P FE: B&H Photo / Amazon

Lenstips is just getting around to reviewing the Samyang AF 35mm f/1.4 P FE. It sounds like the lens is pretty good for APS-C cameras, but full-frame camera owners might want to pick a different lens. You can read their full review here or check out the pro/cons below:

Pros:

  • excellent image quality in the frame centre,
  • acceptable image quality on the edge of the APS-C/DX sensor,
  • slight longitudinal chromatic aberration,
  • low lateral chromatic aberration,
  • moderate vignetting on the APS-C/DX sensor,
  • silent and efficient autofocus,
  • negligible focus breathing.

Cons:

  • too weak image quality on the edge of the full frame sensor,
  • very high vignetting on full frame,
  • a bit too high coma,
  • performance against bright light still leaves some scope for improving.

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Tamron 70-180mm f/2.8 Di III VXD Patent Found Might Be G2 or Maybe G3


Tamron 70-180mm f/2.8 G2:
B&H Photo / Amazon / Adorama

A Patent filed on March 13, 2025, might be for the Tamron 70-180mm f/2.8 Di III VXD G2, or it could be for an updated G3 design since the G2 70-180mm came out in 2023.

overview

  • [Publication number] P2025033505
  • [Release date] 2025-03-13
  • [Name of invention] Zoom lens and imaging device
  • [Applicant]
    [Identification number] 000133227
    [Name or company name] Tamron Co., Ltd.
  • The present invention relates to a zoom lens and
  • [0002]
    Imaging devices using solid-state imaging elements, such as digital still cameras and digital video cameras, are widely used. Examples of such imaging devices include digital still cameras, digital video cameras, broadcast cameras, security cameras, and vehicle-mounted cameras. In any imaging device, there is a strong market demand for zoom lenses with a large aperture ratio, a small optical system, and high optical performance.
  • [0007]
    In the zoom lens described in Patent Document 1, the back focus is long, and the optical system cannot be made compact.
  • An object
    of one aspect of the present invention is to provide a high-performance zoom lens and imaging apparatus that has a large aperture ratio, is small overall, and has various aberrations well corrected.


Example 1

  • Focal length: 72.0664-174.6514
  • F value: 2.9104-2.9103
  • Half angle of view: 16.3157-6.7314
  • Image height: 21.6330
  • full length:
  • Back Focus:

via asobinet

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PP: Sigma 16-300mm F3.5-6.7 DC OS | Contemporary Review – A Solid Travel Lens

Sigma 16-300mm F3.5-6.7 DC OS | Contemporary:
B&H Photo / Amazon / Adorama

Petapixel published its review of the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary, which you can watch in full above or check out the excerpts below:

  • Super zooms are convenient, but we haven’t seen many for mirrorless
  • A lens like this is aimed at torists
  • They tested the lens on a full-frame camera that gives 26MP when cropped to APS-C, so it should be representative of performance on a high-end APS-C camera
  • Compact and takes 67mm filters while weighing 615g
  • Weather sealed
  • It has a tight zoom with a locking switch, so creeping isn’t an issue
  • The manual focus ring is ok
  • 6-stop IBIS in lens
  • Autofocus is quick and accurate with HLA motors
  • Impressive 1:2 macro at 70mm
  • You can work close, but there isn’t much working distance, so the shadow of the lens might get in the way
  • Sharpness is fine at 70mm up close but not amazing
  • Very good at preventing flare
  • No ghosting
  • Not great bokeh because it is busy with some onion rigs
  • There is some digital correction of chromatic aberration and distortion with some vignetting
  • Super zoom lenses are generally going to need some correction so that is fine
  • The center is decently sharp at 16mm f/3.5, but the corners will need some stopping down, but are always a little blurry
  • At 300mm, sharpness is excellent, and the corners are improved with only a bit of softness, but the corners won’t get super sharp, which is ok for most applications
  • 16-300m is a huge range that is largely for travel photographers

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