Sony TIPA 2022 Awards


BEST FULL FRAME EXPERT CAMERA
Sony Alpha 7 IV: B&H Photo / Amazon / Momentum / Adorama
TIPA editors felt strongly that photographers who are ready to grow and expand their creative options in both still and video work will find a lot to like in the A7 IV. The 33MP Exmor R full-frame sensor’s back- illuminated design delivers low noise and vivid colour images, with low light performance enhanced by a native ISO up to 51,200, plus there’s a remarkable 15-stop dynamic range at the lowest ISO settings. The BIONZ XR processor is fast and can handle 10 fps for up to 800 consecutive raw + JPEG images, while the video side is equally impressive, with long continuous recording times of up to one hour at 4K 60p and with the editing flexibility brought by the possibility to record in 10-Bit 4:2:2. Numerous connectivity options include a built-in HDMI port, an enhanced connection to smartphone via the Imaging Edge application via Wi-Fi and Bluetooth and numerous live streaming options.


BEST FULL FRAME STANDARD ZOOM LENS
Sony FE 24-70mm F2.8 GM II: B&H Photo / Amazon / Adorama
The TIPA jury considered this lens as thoroughly designed to respond to the changed needs of today’s still, video and hybrid content creators. This second generation lens comes six years after the original G Master 24-70mm zoom. It is smaller and lighter, has enhanced (2X) AF tracking speed driven by four of Sony’s XD linear motors, plus an all-new new optical construction that includes three aspherical elements, of which two are unique XA (extreme aspherical) for high resolution,  two extra low dispersion elements, and two Super ED elements, plus Nano AR Coating II. Video enhancements include extremely smooth and quiet AF, reduced focus breathing and shifts when zooming, and Linear Response MF, for newfound manual focus control, plus support for the breathing compensation function in compatible Alpha series cameras. Other new features include an updated lens hood for working with variable filters, an 11-blade diaphragm, and improved dust and moisture resistance.


BEST FULL FRAME TELEPHOTO ZOOM LENS
Sony FE 70-200mm F2.8 GM OSS II: B&H Photo / Amazon / Adorama
The 70-200 focal length is perhaps the most popular tele zoom range, considered essential piece of kit for expert and professional alike. The TIPA jury agreed that the Sony 70-200mm ups the ante on this classic focal length by incorporating a brand-new AF system with 4X the speed and a weight reduction of almost 30% (under 1 kilo/ 2.3 lbs) from previous models, plus incorporates improvements that dramatically limit the effects of focus breathing and focus shift, essential to quality video production. Enhanced optics, including a Sony unique XA (extreme aspherical) element offer corner-to-corner sharpness, even wide open, and a newly designed 11-blade diaphragm helps create soft and pleasing bokeh. The supporting AF system sports 4 XD Linear motors for improved focus tracking, 30fps continuous shooting, and near-silent AF. Multi-mode on-board Optical SteadyShot image stabilization insures steadiness at even the longest focal length settings.


BEST PHOTO SMARTPHONE PROFESSIONAL
Sony Xperia PRO-I: B&H Photo / Amazon
The Xperia PRO-I brought Industry-leading Imaging Technology to Sony’s Advanced Smartphone. Along with numerous connectivity options and a remarkable 512GB internal storage, TIPA jury members were impressed by it being the world’s first smartphone with a 1.0-type sensor with phase detection AF and 4k video recording capability at 120 fps, plus Eye AF and Object tracking for use in both still and video modes. PRO-I boasts three Zeiss rear camera lenses, all with T* coating, for capturing 12MP images, a 24, 50 and a 16mm focal length, and an 8MP front lens. The brilliant 6.5 inch OLED display with 3840×1644 pixels, protected by Gorilla Glass Victus, can also be used as a vivid monitor for video capture. Xperia PRO-I also contains the BIONZ X Processor, which delivers enhanced noise reduction.

via TIPA

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New Tokina SZ 33mm f/1.2 E Announced


Tokina SZ 33mm f/1.2 X: B&H Photo / Amazon

Tokina SZ 33mm F1.2 X and Tokina SZ 33mm F1.2 E worldwide sales date announcement
Kenko Tokina Co., Ltd. is proud to announce the sales release of the Tokina SZ 33mm F1.2 lens for Fuji X and Sony E (APS-C) camera mounts. SZ series offering a range of exciting products with specific features and valuable advantages.

Sales will commence on June 17, 2022.

The main concept of the Tokina SZ 33mm F1.2 lens is to provide a lens for an affordable price but with a superb bokeh and great low-light performance designed for photographers and videographers in mind. 33mm focal length (50mm in full frame) equals to a standard angle of view that allows this lens to be used in a wide range of genres like landscapes, street snap, portrait and nightscape photography. Compared to the existing Tokina atx-m 33mm F1.4, the Tokina SZ 33mm F1.2 is faster and adopts a manual focus and aperture to realize a more attractive price and to make this lens more functional in video production.

By releasing the Tokina SZ 33mm F1.2 for Fuji X and Sony E mount mirrorless cameras, Tokina aims to provide the mass market with one more powerful option for photographers and videographers.

Highlighted Features

  • The most natural angle of view for wide range of genres.
  • Fully manual focus and aperture for video shooting.
  • Super fast f/1.2 aperture for faster shutter speed and smooth bokeh.
  • Low light fall-off.
  • High contrast performance.
  • Click-less aperture ring & depth of field scale.
  • Long focus throw for an extremely precise focus.

“The Tokina SZ 33mm F1.2 is an ultra fast, manual focus standard prime lens designed exclusively for APS-C size mirrorless cameras. The main concept of the Tokina SZ 33mm F1.2 lens is to provide a lens for an affordable price but with a superb bokeh and great low-light performance designed for photographers and videographers in mind. 33mm focal length (50mm in full frame) equals to a standard angle of view that allows this lens to be used in a wide range of genres like landscapes, street snap, portrait and nightscape photography. Compared to the existing Tokina atx-m 33mm F1.4, the Tokina SZ 33mm F1.2 is faster and adopts a manual focus and aperture to realize a more attractive price and to make this lens more functional in video production. By releasing the Tokina SZ 33mm F1.2 for Fuji X and Sony E mount mirrorless cameras, Tokina aims to provide the mass market with one more powerful option for photographers and videographers.”

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Full Sony a7RV Specs Leaked


The full specs for the Sony a7V have leaked, but they are are translated:

  • Model ILCE-7RM5
  • A redeveloped image sensor with approximately 61 million effective pixels and the latest generation image processing engine capture high-definition subjects with an overwhelming sense of reality.
  • Optical low-pass filterless specification that maximizes the sense of resolution
  • Achieves approximately twice the high-speed readout compared to conventional models (* α7R IV ratio)
  • BIONZ XR with innovative new architecture for the future
  • Achieves high resolution, high sensitivity / low noise performance, and wide dynamic range
  • When shooting in uncompressed RAW or lossless compressed RAW, the maximum speed is 10 frames/sec
  • Supports 4D FOCUS image plane phase difference method, wide range, high speed, high accuracy, high tracking AF
  • WIDE: 759 phase difference distance measuring points are arranged at high density in almost the entire area (about 92%) of the image sensor’s imaging screen. The area for contrast AF is 425 points.
  • Eye AF right / left eye selection (person / animal)
  • Real-time tracking
  • Real-time pupil AF (person)
  • Real-time Eye AF (Animal)
  • Real-time Eye AF (Bird)
  • Achieves high-precision AF distance measurement in the low-brightness environment of EV-4
  • High-precision and stable color reproduction
  • 1200 split live view analysis metering
  • Low vibration and high durability shutter
  • Mechanical structure that suppresses blurring
  • Optical 5-axis in-body image stabilization that achieves a 5.5-step correction effect
  • Pixel shift multi shooting
  • Advantages unique to 16-image generation images (higher pixel count)
  • Get more accurate R / G / B information by shooting 16 shots
  • High-efficiency compression / compression / lossless compression / uncompressed RAW
  • 10-bit recording HEIF format adopted and new viewing style “HLG still image mode”
  • Full size / APS-C shooting seamless switching
  • The latest electronic viewfinder that uses a high-definition OLED with approximately 9.44 million dots and an eyepiece optical system and mechanism.
  • 3.0-inch tiltable LCD monitor with approximately 2.36 million dots that also supports touch operations on menus
  • New touch-enabled menu configuration and improved touch operability
  • High-resolution 8K (* maximum 30fps) video recording with all-pixel readout 9.6K oversampling (at full size) without pixel addition
  • High resolution 4K (* up to 60fps) video recording with oversampling in both full size / Super 35mm
  • “S & Q mode” for high-quality slow and quick motion shooting
  • Achieves oversampling full HD 120fps video recording
  • “Flexible exposure setting mode” that allows automatic/manual switching settings when shooting movies
  • High-performance image stabilization “active mode” that strongly supports handheld video recording
  • “Breathing correction” suppresses fluctuations in the angle of view during focusing and supports high-quality expression
  • Creator’s long-awaited focus map that visualizes the depth of field of the image and reduces the load of focusing settings
  • “AF transition speed” and “AF transfer sensitivity” that enables focus work left to the camera when shooting movies
  • Compatible with S-Cinetone, S-Log, HLG (Hybrid Log-Gamma)
  • Beautiful skin effect that brightens and cleans the skin even during video recording and live streaming
  • 4: 2: 2 10bit recording is possible in both the camera body and Long GOP / Intra
  • High-quality All Intra recording (when recording XAVC S-I)
  • MPEG-H HEVC / H.265 codec recording (when recording XAVC HS)
  • “Proxy recording” photo rumors that support efficient video editing
  • Custom settings that allow you to zoom as you wish
  • Highlighting that shows at a glance during video recording
  • Zebra function, peaking function (red, yellow, white, blue)
  • Gamma display assist (off, auto, S-Log2, S-Log3, HLG (BT.2020), HLG (709))
  • Newly developed heat dissipation structure that enables continuous recording for a long time
  • The heat dissipation effect of Sony’s original internal structure is about 5 times that of the conventional model (α7R IV).
  • Anti-dust system that removes dust
  • Designed for more dust and water resistance
  • Full magnesium alloy body for high robustness
  • Digital audio interface capable of high-quality sound recording
  • Achieves highly efficient FTP transfer function
  • Wi-Fi compliant, IEEE 802.11a / b / g / n / ac (2.4GHz band / 5GHz band)
  • Bluetooth standard Ver. 5.0 (2.4GHz band)
  • Equipped with synchro terminal
  • SuperSpeed ​​USB 10Gbps (USB 3.2) compatible USB Type-C terminal installed
  • High-speed charging with USB PD (Power Delivery) support
  • Dual slot for CFexpress Type A memory card
  • HDMI micro terminal (type D)

via Photorumors

Posted in Sony a7RV| 1 Comment

Sigma MC-11 EF-E 1.40 and SA-E 1.26 Firmware Updates Released

Sigma MC-11: B&H Photo / Amazon / Adorama

Sigma MC-11 EF-E 1.40 and Sigma MC-11 SA-E 1.26 Notes

It has improved the phenomenon whereby the lens’s optical stabilizer effect differs depending on the shutter type and drive mode used.

Download Here

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Coming Soon Astrhori 85mm F2.8 TS-E Macro

Astrhori has been releasing some interesting lenses and it looks like their next will be a Macro Tilt lens the Astrhori 85mm F2.8 TS-E Macro. It will be available for E mount at launch. Astrhori lenses can be found on Amazon.

  • 85mm F2.8 TS-E Macro
  • Frame size : Full Frame
  • Focallength : 85mm
  • Aperture size:2.8-16
  • Optical structure 11 Elements in 8 Groups
  • Angleofview 28.2(Shitt pitchangle:±8)
  • Focusing range : 5
  • Max.magnification: 1X
  • Filter size :55mm
  • Size :About 63mm*110mm
  • Weight (SONY E) : Around 720g
  • Mount : Sony E/FujtilmxNikonZICanonRF/L
  • Focus mode: Manual internal Focussing

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via FujiAddict

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Venus Optics Announces The World’s Tiniest 1.5x Anamorphic Series: Nanomorph 27mm T2.8, 35mm T2.4, and 50mm T2.4

Venus Optics announces the World’s Tiniest 1.5x Anamorphic series: Nanomorph 27mm T2.8, 35mm T2.4, and 50mm T2.4
Anhui China, 17 May 2022 – Venus Optics, the manufacturer specializing in inventing unique camera lenses, is proud to release the Laowa Nanomorph 1.5x anamorphic series for Super35 and Micro Four Thirds sensor. The patented anamorphic optical structure makes the lens revolutionarily small and compact. The range includes 3 different focal lengths – 27mm T2.8, 35mm T2.4, and 50mm T2.4. It is a front anamorphic design with a 1.5x constant squeeze ratio at all focusing distance. Two flare options are available – amber and blue. The extra short closest focusing distance also helps render stronger bokeh and creates a stronger compression. It is available in various mounts: Canon EF, PL mount, Canon R, Sony E, M43, DJI DL, Nikon Z, L mount, and Fuji X. Mounts are interchangeable. It is available on Indiegogo now.

Features

  • Designed for Super35 and Micro Four Thirds
  • Extremely Tiny (3.5″ long) and Light (<0.7 lbs)
  • Three focal lengths:  27mm T2.8, 35mm T2.4, and 50mm T2.4 (65mm and 80mm ETA late 2022)
  • 5x CONSTANT squeeze ratio at ALL focusing points (No Anamorphic Mumps)
  • Front Anamorphic Design
  • Two flares options are available – Amber and Blue
  • Super Close focusing distance (17″ from subject to sensor)
  • Available in 9 different mounts: Canon EF, PL mount, Canon R, Sony E, M43, DJI DL, Nikon Z, L mount and Fuji X
  • Mounts are User Interchangeable

Revolutionarily small and compact

Anamorphic lenses are always cumbersome and heavy. This revolutionary “nano-sized” lens weighs less than 0.7 lbs (320g) and is only 3.54″ (9cm) long, making it very handy for every set-up e.g. handheld, on a gimbal, on a slider, through tight space, even on a drone, etc. It makes a lot of formerly impossible shots possible. Read More »

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