NAB Show Canceled Due To Coronavirus


March 11, 2020

Dear NAB Show community,

As you know, we have been carefully monitoring coronavirus developments both domestically and globally over the past few weeks.

In the interest of addressing the health and safety concerns of our stakeholders and in consultation with partners throughout the media and entertainment industry, we have decided not to move forward with NAB Show in April. We are currently considering a number of potential alternatives to create the best possible experience for our community. 

This was not an easy decision. Fortunately, we did not have to make this decision alone, and are grateful to our NAB Show community for engaging with us as we grappled with the rapidly-evolving situation. This Show is as much yours as it is ours, and it is important to us that we move forward together.

For nearly 100 years, NAB Show has provided superior value and the best possible experience for exhibitors and attendees. We knew that if we could not deliver on those expectations, we would not move forward. More importantly, keeping the community safe and healthy is NAB’s highest priority; therefore, we are deferring to the developing consensus from public health authorities on the challenges posed by coronavirus.

We are still weighing the best potential path forward, and we ask you for your patience as we do so. We are committed to exploring all possible alternatives so that we can provide a productive setting where the industry can engage with the latest technology, hear from industry thought leaders and make the game-changing connections that drive our industry forward.

I want to stress that despite our disappointment at how this year’s Show has been impacted by global public health concerns, we are more excited than ever about the future of NAB Show and our relationship with you.

We are grateful for each and every member of our Show community. It is your passion for the industry that makes NAB Show a success year after year, and it is that same passion that will drive us into the future as we look ahead to new possibilities later this year and beyond.

Sincerely,

Gordon H. Smith
President and CEO

via NAB, FujiAddict

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DXO: Sony a9II Sensor Review


DXOMark just published their review of the sensor inside the Sony a9II and Sony ever so slightly tweaked the sensor form the original Sony a9. You can read the full review here or you can see part of the conclusion below:

Sony says that the a9 II has the same sensor as the original a9, but as we’ve seen the new model adopts a different approach to processing, using a change in sensitivity behavior both to improve color discrimination and to widen dynamic range at higher ISOs. It’s the first time we’ve seen this and it marks a shift in strategy for Sony.

The Sony a9 II is certainly a niche camera, built to compete alongside the Canon EOS-1 DX Mark II and Nikon D5. However, while it’s unlikely that individual photographers or agencies would switch from those rival cameras, bearing in mind their investment in lenses, the Sony a9 II’s high sensor performance and lower price would be tempting for newcomers thinking of entering the competitive field of sports journalism.

Join our Sony a9 Owners Group, also follow the Sony a9 Page to get more tailored news on Facebook and follow SonyAddict on FacebookTwitterInstagram, and YouTube

Sony a9II: B&H Photo / Amazon / Adorama
Sony a9:
 B&H Photo / Amazon / Adorama

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Tamron 70-180mm f/2.8 Di III VXD at WPPI

Tamron was at WPPI with the Tamron 70-180mm f/2.8 Di III VXD and Sara with Tamron posted some photos to her page, which you can see above. Further, Matt Granger grabbed one from the booth for a bit which you can see below. The new Tamron 70-180mm looks like it is nicely proportioned for Sony mirrorless cameras. Maybe they will follow up with a 180mm to 500mm or 600mm in the near future.

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus our owners’ groups
Sony a9 Owners Group
Sony a7 Owners Group

Tamron 17-28mm f/2.8 Di III RXD FE: B&H Photo /  Amazon / Adorama
Tamron 28-75mm f/2.8 Di III RXD FE: B&H Photo / Amazon / Adorama

https://youtu.be/gG3hdVAXdHM

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Jinbei TR-Q7 Multi Brand Canon/Nikon/Sony/Fuji/Panasonic/Olympus TTL Trigger


Jinbei released a multi-brand trigger last year, that was missed, which supports Sony cameras the Jinbei TR-Q7, which you can now find on Amazon. This is a very interesting trigger that even allows photographers to mix and match lights and triggers, but there doesn’t seem to be a lot of guidance about how to get it all working smoothly.

The video below shows a Jinbei and Canon RT flash being mixed together, which could lead to some interesting combos, that might not support TTL or 1/8000 flash sync, but being able to work outside of their wireless system could be helpful. If you want everything to work smoothly and as advertised it’s probably best to just select some Jinbei lights to go with the trigger though.

Read More »

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Sony Savings Sunday


Camera Bodies
Sony a9 (Save $500):
B&H Photo / Amazon / Adorama
Sony a7RIII (Save $300):
B&H Photo / Amazon / Adorama
Sony a7rII (Save $400):
B&H Photo / Amazon / Adorama
Sony a7II (Save $500):
B&H Photo / Amazon / Adorama
Sony a7sII (Save $100):
B&H Photo / Amazon / Adorama

Sony a6500 (Save $400):
B&H Photo / Amazon / Adorama
Sony a6000 (Save $100):
B&H Photo / Amazon / Adorama


Voigtlander Heliar-Hyper Wide 10mm f/5.6 ASPH (Save $100):
B&H Photo / Amazon / Adorama
Voigtlander Super Wide-Heliar 15mm f/4.5 ASPH III (Save $100):
B&H Photo / Amazon / Adorama
Voigtlander 21mm f/1.4 FE (Save $100):
B&H Photo / Amazon / Adorama
Voigtlander Color-Skopar 21mm f/3.5 ASPH (Save $100):
B&H Photo / Amazon / Adorama
Voigtlander Nokton 35mm f/1.4 FE (Save $200):
B&H Photo / Amazon / Adorama
Voigtlander Nokton 40mm f/1.2 FE (Save $150):
B&H Photo / Amazon / Adorama
Voigtlander Nokton 50mm f/1.2 FE (Save $100):
B&H Photo / Amazon / Adorama
Voigtlander MACRO APO-LANTHAR 65mm f/2 ASPH (Save $100):
B&H Photo / Amazon / Adorama
Voigtlander MACRO APO-LANTHAR 110mm f/2.5 (Save $100):
B&H Photo / Amazon / Adorama

Lens Deals
E-Mount Lens Deals
Mitakon Zhongyi Speedmaster 35mm f/0.95 Mark II Save $150
Sigma E-mount Lenses
Zeiss E-mount Lenses
Laowa Savings

Accessory Deals
Lexar Memory Cards
Memory Card Savings
Power Banks

General Deals
Deal Zone
Featured Deals
Mac Book Pro Savings save up to$1,800
Apple Holiday Savings save up to $1,800

Software Deals
Luminar 4 & Aurora HDR 2019 (Savings code FUJIADDICT)
ON1 Photo RAW 2020
Photolemur
Picktorial

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Best Entry Level Mirrorless: Sony a6100, Fujifilm X-T200, Canon EOS M50 Compared

Last time Sony won DPRTV’s best entry-level mirrorless comparison. Things have changed this generation and now Fujifilm wins overall in addition to winning the majority of categories. You can see a summary of the above video below:

Handling

  1. Canon EOS M50 – feels like a nice quality camera and has the best grip
  2. Fujifilm X-T200 – cheap toy-like effect in your hand and should have an AF on button
  3. Sony a6100 – Same old design and it needs to be improved

Displays

  1. Fujifilm X-T200 – Similar EVF to Canon, but fully articulating 16×9 aspect ratio screen is nice
  2. Canon EOS M50 – best EVF and fully articulating screen
  3. Sony a6100 – low resolution and needs a fully articulating screen

Image Quality

  1. Fujifilm X-T200 – easy win even though not the 26MP sensor in their new cameras and they have the best rolling shutter and JPEG
  2. Sony a6100 – Newer sensor than EOS M50 but still rolling shutter issues
  3. Canon EOS M50 – Oldest of the 3 sensors with a slow scan rate

Autofocus

  1. Sony a6100 – Everyone is trying to emulate Sony AF and you get pro-AF in an entry-level camera
  2. Canon EOS M50 – older dual pixel AF system, but very sticky
  3. Fujifilm X-T200 – should be fine for most subjects, but also has a small buffer

Video

  1. Fujifilm X-T200 – 16×9 flippy screen perfect for video recording, but you also get a 3.5 mic jack and USB-C to monitor with
  2. Sony a6100 – very useable 4k and the best AF of the three, but rolling shutter can be an issue and accessories don’t fit well
  3. Canon EOS M50 – good AF, but 4k has a huge crop and you lose dual-pixel AF

Lenses

  1. Fujifilm X-T200 – Best lenses and most available, but not a lot of the third party since Fujifilm makes some kit lenses better than other professional lenses.
  2. Canon EOS M50 – Lots of affordable lenses, but not high quality or third party
  3. Sony a6100 – Lots of great third party lenses and full-frame lenses from Sony, but not many good and affordable lenses.

Overall – there really are no losers

  1. Fujifilm X-T200 – With the X-T100 there were too many issues to give it the win last time, but the problems with X-T100 have been fixed with the X-T200 so it is now their top pick with the most wins from a quality camera and system
  2. Canon EOS M50 – If you’re an entry-level photographer that is going to keep things simple this camera makes sense
  3. Sony a6100 – The AF sells Sony entry-level cameras, but that’s about all you get

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Sony a6100: B&H Photo / Amazon / Adorama
Fujifilm X-T200: B&H Photo / Amazon / Adorama
Canon EOS M50: B&H Photo / Amazon / Adorama

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