Current Sony Savings End Monday


Sony A1 (Save $500):
B&H Photo / Amazon / Moment / Adorama
Sony a7RV (Save $400):
B&H Photo / Amazon / Moment / Adorama
Sony a7RIV (Save $400):
B&H Photo / Amazon / Adorama
Sony a7RIIIa ( Save $150):
Amazon
Sony a7IV (Save $300):
B&H Photo / Amazon / Adorama
Sony a7CR (Save $200):
B&H Photo / Amazon / Moment / Adorama
Sony a7CII (Save $200):
B&H Photo / Amazon / Moment / Adorama
Sony a7SIII (Save $300):
B&H Photo / Amazon / Moment / Adorama
Sony a6600 (Save $200):
B&H Photo / Amazon / Adorama
Sony FX30 (Save $200):
B&H Photo / Amazon / Adorama

Lenses
Sony FE 12-24mm f/2.8 GM Save $100:
B&H Photo / Amazon / Adorama
Sony 16-35mm f/4.0 PZ FE Save $100:
B&H Photo / Amazon / Adorama
Sony FE 24-70mm f/2.8 GM Save $200:
B&H Photo / Amazon / Adorama
Sony Zeiss Vario-Tessar T* FE 24-70mm f/4 ZA OSS Save $200:
B&H Photo / Amazon / Adorama
Sony 24-105mm Save $200:
B&H Photo / Amazon / Adorama
Sony FE 70-200mm f/2.8 Save $100:
B&H Photo / Amazon / Adorama
Sony FE 24-240mm f/3.5-6.3 OSS Save $100:
B&H Photo / Amazon / Adorama
Sony FE 70-300mm f/4.5-5.6 G OSS Save $100:
B&H Photo / Amazon / Adorama
Sony FE 100-400mm F4.5–5.6 GM OSS Save $100:
B&H Photo / Amazon / Adorama
Sony 200-600mm FE Save $100:
B&H Photo / Amazon / Adorama

Sony FE 14mm f/1.8 GM Save $100:
B&H Photo / Amazon / Adorama
Sony FE 20mm f/1.8 G Save $100:
B&H Photo / Amazon / Adorama
Sony 24mm f/1.4 GM Save $100:
B&H Photo / Amazon / Adorama
Sony FE 24mm f/2.8 G Save $50:
B&H Photo / Amazon / Adorama
Sony 35mm f/1.4 GM Save $100:
B&H Photo / Amazon / Adorama
Sony FE 35mm f/1.8 Save $100:
B&H Photo / Amazon / Adorama
Sony FE 40mm f/2.5 G Save $50:
B&H Photo / Amazon / Adorama
Sony FE 50mm f/1.2 GM Save $100:
B&H Photo / Amazon /Adorama
Sony Zeiss Sonnar T* FE 55mm f/1.8 Save $100:
B&H Photo / Amazon / Adorama
Sony FE 50mm f/2.5 G Save $50:
B&H Photo / Amazon / Adorama
Sony FE 85mm F1.8 Save $50:
B&H Photo / Amazon / Adorama
Sony FE 90mm f/2.8 Macro G OSS Save $100:
B&H Photo / Amazon / Adorama

Sony E 11mm f/1.8 Save $50:
B&H Photo / Amazon / Adorama
Sony E 15mm F1.4 G Save $100:
B&H Photo / Amazon / Adorama
Sony E 16-55mm F2.8 G Save $100:
B&H Photo / Amazon / Adorama
Sony E 35mm f/1.8 OSS Save $50:
B&H Photo / Amazon / Adorama
Sony E 70-350mm f/4.5-6.3 G OSS Save $100:
B&H Photo / Amazon / Adorama

Sony E PZ 10-20mm F4.0 G OSS Save $100:
B&H Photo / Amazon / Adorama
Sony E PZ 18-105mm f/4 G OSS Save $100:
B&H Photo /Amazon/Adorama

Posted in Deals| 4 Comments

Laowa 200mm f/2 Aura Q&A and More Laowa Lenses Coming Soon

Matt Granger received a pre-production Laowa 200mm f/2 a bit ago, and he just posted a Q&A about the lens that you can watch above or check out below.

  • Focus-by-Wire Systems: The Nikon VR2 lens uses a traditional mechanical focusing system, while the Sigma and Laowa lenses utilize focus-by-wire technology, where the focus ring electronically controls the lens elements.
  • Build Quality:
    • Nikon: Praised for its robust, old-school build, but noted as being heavy.
    • Sigma: Described as having excellent modern build quality, though a minor issue with the lens hood padding was mentioned.
    • Laowa: The most affordable, and the manufacturer is already addressing some initial feedback on the pre-production model’s focus and aperture rings.
  • Filter Compatibility:
    • Sigma: Accepts 105mm front filters.
    • Laowa: Also uses 105mm front filters but has the unique feature of a rear drop-in filter slot.
  • Light Transmission (T-Value): In a controlled test, the Sigma was found to be the brightest, about a third of a stop brighter than the Laowa and a sixth of a stop brighter than the Nikon.
  • Future Nikon 200mm f/2: The host has no information on whether Nikon is developing a native mirrorless 200mm f/2 lens but hopes they will.
  • Image Quality:
    • Nikon 200mm f/2 VR2: The host’s personal favorite, with “unbelievable” image quality and the best autofocus of the three.
    • Sigma: Found to be “slightly sharper” in some cases but with less “beautiful contrast” compared to the Nikon.
    • Laowa: Offers “acceptable” image quality at a much lower price point. It’s not as sharp as the others at f/2 but performs well at f/2.8 and f/4.
  • Bokeh: The Sigma’s bokeh was noted to have a “square shape,” while the Nikon and Laowa produced more circular bokeh.
  • Focus Breathing: All three lenses exhibited some degree of focus breathing.

Laowa will be releasing some new lenses soon, which you can see below.

  • Laowa AF FF 200mm F2.0 C-Dreamer
  • Laowa FF II TS 35mm F2.8 C-Dreamer Macro 0.5X
  • Laowa FF II TS 17mm F4 C-Dreamer
  • Laowa AF FF 180mm F4.5 CA-Dreamer Macro 1.5X
  • Laowa FF Sunlight 40-80mm T4.5 2X Anamorphic Zoom
  • Laowa FF Sunlight 70-135mm T4.5 2X Anamorphic Zoom

Laowa lenses can be found directly from Venus Optics and B&H Photo.

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OL: Sony 135mm f/1.8 GM Review – Highly Recommended


Sony 135mm f/1.8 GM: B&H Photo / Amazon / Adorama

Optical Limits published its full review of the Sony 135mm f/1.8 GM, and of course, it gets high marks. Sony GM lenses are engineered with minimal compromises, and so you really can’t go wrong with one. You can read in full here or check out the excerpt below:

The Sony FE 135mm f/1.8 FE delivers an almost impeccable performance. It is razor sharp at all relevant settings, and low lateral CAs help with the quality perception. Image distortions are basically irrelevant even without auto-correction. The latter does help a bit with taming the vignetting at large apertures. The quality of bokeh… is stunning. -“Highly Recommended”

Pro

  1. Outstanding sharpness
  2. Superb build quality
  3. Fast AF
  4. Breathing compensation with modern Sony cameras

Con

  1. Expensive
  2. Axial CAs could be a little better at large aperture settings

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Sigma Teases Sigma 135mm f/1.4, Sigma 20-200mm f/3.5-6.3 and Sigma 35mm f/1.2 II For Upcoming Announcement on September 9


Sigma released teasers for their master of optics event on September 9th, showing silhouettes of the Sigma 135mm f/1.4, Sigma 20-200mm f/3.5-6.3, and Sigma 35mm f/1.2 II.

Sigma 135mm f/1.4

  • Full-frame autofocus lens
  • 105mm filter thread
  • Weight: 1320g
  • Classic black finish
  • Removable tripod collar
  • Available for Sony E and Leica L-mount

Sigma 20-200mm f/3.5-6.3

  • Full-frame autofocus lens
  • 72mm filter thread
  • weight >600g
  • Available for Sony E and Leica L-mount

Sigma 35mm f/1.2 II

  • Full-frame autofocus lens
  • Available for Sony E and Leica L-mount

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Posted in 3rd Party Lens| Tagged , , , , | 9 Comments

Viltrox AF 9mm f/2.8 Air and Viltrox AF 14mm f/4.0 Air Announced


Viltrox announced two new Air lenses alongside the announcement of the Viltrox AF 56mm f/1.2 Pro.

  • VILTROX AF 14mm F4.0 Air Full Frame
  • VILTROX AF 9mm F2.8 Air APS-C

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Posted in 3rd Party Lens| Tagged , , | 21 Comments

Viltrox AF 56mm f/1.2 Pro Announced


Viltrox AF 56mm f/1.2 Pro: B&H Photo / Amazon

Shenzhen, China – September 1st, 2025 – Viltrox is pleased to announce the release of the AF 56mm F1.2 Pro E and XF (APS-C) lenses. The AF 56mm F1.2 Pro lenses’ professional grade optical design delivers astonishingly high resolution from center to edge, taking full advantage of the capabilities of higher-megapixel cameras. Even after extensive post-cropping or enlargement, the lens faithfully preserves image detail, with incredible sharpness and clarity. Ideal for expressive portraits, the F1.2 aperture creates stunning depth and dimensional layering for a mesmerizing artistic impact.

F1.2 Large Aperture: Subject highlighting and mastery of light
The F1.2 ultra-large aperture delivers impeccable bokeh, facilitating more layered images through a shallow depth of field, rendering dreamy background blur, and highlighting subjects clearly. There is a smooth transition between in-focus and out-of-focus areas. The large aperture’s greater light intake allows faster shutter speeds and lower ISO, delivering refined, detail-rich images in both low-light and well-lit environments.

Precision optical design delivers stunning results
The precisely engineered optical design of 13 elements in 8 groups achieves peak aberration control and onion ring bokeh control even at 1.2 aperture, delivering consistent sharpness and clarity right across the frame – this is aided by Viltrox’s advanced HD nano coating. The ultra-large precision aspherical lens works together with an ED (extra-low dispersion) lens that effectively corrects axial chromatic aberration, delivering crisp, color-fringe-free images. The 3 HR (High-refractive) elements strike the perfect balance of portability and optical excellence, making this lens a natural fit for compact APS-C camera systems.

HyperVCM motor for quiet high-speed focusing
Viltrox’s patented HyperVCM motor provides faster and more precise focusing, while reducing vibration for smooth, silent performance – ideal for quickly capturing shots, and for fast-moving subjects. The silent operation and minimal focus breathing ensure a smooth and professional feel for video.

Tough and durable for all environmental conditions
The lens features high-grade weather-sealed construction with a high-strength forged aluminum alloy body. The matte black finish and protective coatings resist scratches, wear and lens contamination, while rubber seals keep out dust, splashes, and moisture – ensuring reliable performance, even in challenging outdoor environments.

About Viltrox
Viltrox, established in 2009, is a globally-recognized leader in camera lenses and adapters, specializing in high-performance equipment for photography and cine. The company’s portfolio includes cinema and autofocus lenses – such as the LAB, Pro, and Air series, launched since 2018 – along with monitors, adapters, and lighting solutions.

Driven by innovation, the company expanded further into cine in 2022 with the “EPIC” anamorphic and “LUNA” zoom lenses, offering cost-effective solutions for filmmakers worldwide. Renowned for their exceptional optical quality, reliability, and accessible pricing, Viltrox products reflect a commitment to engineering excellence and user-centered design, empowering content creators in both still and motion photography.

Posted in 3rd Party Lens| Tagged , | 1 Comment