Laowa 200mm f/2 Aura vs. Nikon 200mm f/2 VR2 vs. Sigma 200mm f/2 DG OS: Which 200mm f/2 Lens Reigns Supreme?


Matt Granger posted the first “review” of a preproduction Laowa 200mm f/2 Aura on Nikon Z mount that you can watch in full on YouTube since he age-restricted it so it can not be embedded, as you can see below. You can also find a summary of the video comparison below if you prefer to read about the new Laowa 200mm f/2.

The Contenders Up Close

1. Laowa 200mm f/2 Aura (Pre-Production Model)

This is the new kid on the block, and it’s got some intriguing features.

Design & Handling:

  • Notably small and impressively light for its class, weighing in at 2.3 kg.
  • Features multiple custom function buttons and a convenient drop-in filter slot.
  • However: The aperture ring is easily bumped and lacks a locking mechanism.

Autofocus & Continuous Shooting Performance:

  • The pre-production model required a +5 focus calibration on the Z8.
  • In the continuous shooting test with a running subject, it performed better than expected. While it produced a few out-of-focus shots and showed a slight lag behind the subject’s eye, it was generally consistent.
  • Note: As a pre-production unit, final AF performance is expected to improve.

2. Nikon 200mm f/2 VR2

The “beast” of the group, a legendary lens with a long-standing reputation for a reason.

Design & Handling:

  • Big, heavy, and built like a tank. It is the heaviest of the trio by a significant margin, weighing 2.93 kg.
  • Features Vibration Compensation (VR2) for enhanced stability.

Autofocus & Continuous Shooting Performance:

  • Flawless. In the continuous shooting test, it was perfect, nailing focus on 91 out of 91 shots with zero noticeable lag. It is the undisputed king of tracking in this comparison.

3. Sigma 200mm f/2 DG OS

A strong contender offering a modern balance of performance and modern features.

Design & Handling:

  • Matches the Laowa’s modern approach to size, weighing the same at 2.3 kg. This makes it much more comfortable to handle than the Nikon.
  • Includes optical image stabilization (OS) and boasts a modern, high-quality finish.

Autofocus & Continuous Shooting Performance:

  • Performance was between the Nikon and the Laowa. It didn’t lag behind the subject, but the AF motor would “pulse” or hunt, resulting in more missed shots than the Laowa.
  • However: The shots that the Sigma did hit were tack sharp, arguably the sharpest of the bunch when in focus.

The Head-to-Head Showdown: Comparison Charts

Key Features & Handling

Feature/LensLaowa 200mm f/2 AuraNikon 200mm f/2 VR2Sigma 200mm f/2 DG OS
Weight2.3 kg (5.07 lbs)2.93 kg (6.46 lbs)2.3 kg (5.07 lbs)
Build QualityGood (Pre-production)Super well-built (Tank-like)Well-built (Modern)
Image StabilizationNoYes (VR2)Yes (OS)
Custom ButtonsMultiple Cfn buttonsNoNo
Drop-in FilterYes (with CPL)NoNo

Optical & Performance (f/2 wide open)

Performance AspectLaowa 200mm f/2 AuraNikon 200mm f/2 VR2Sigma 200mm f/2 DG OS
BrightnessBrighter than NikonDarker than Laowa/SigmaBrightest of the three
Sharpness (f/2)Good, but not as sharp as Nikon/SigmaExcellentExcellent (Tack sharp when hit)
Continuous AF TrackingGood, with slight lag and a few misses.Perfect (91/91 hits), no lag.Good, but “pulsed,” causing more misses than Laowa.
Value PropositionPromising (Pre-production)Expensive (at release)Excellent (Half Nikon’s price)

The Verdict for Sony Shooters

  • For pure AF tracking performance, the old Nikon 200mm f/2 VR2 is still the champion. If you need to nail every shot of a moving subject and can handle the 2.93 kg weight, it’s a reliable beast.
  • The Sigma 200mm f/2 DG OS is arguably the best all-around package. It matches the Laowa’s lighter 2.3 kg weight, making it far more manageable. While its AF pulsed in this specific test, its in-focus shots are exceptionally sharp, and it offers a compelling blend of modern features, build, and value.
  • The Laowa 200mm f/2 Aura is the interesting newcomer. At 2.3 kg, it’s lightweight and its continuous AF performance was promising for a pre-production model. If the final version improves the AF consistency, it could be a serious contender.

For Sony users: If you’re adapting a lens, the Sigma 200mm f/2 DG OS appears to be the most balanced and modern option, offering a superb blend of performance, features, and portability. The Nikon is a specialized tool for when tracking is the absolute priority, and the Laowa is one to watch as it hits the market.

Laowa lenses can be found directly from Venus Optics and B&H Photo.

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Sigma 135mm f/1.4 Coming September 9th at “Master of Optics” Event


Sigma will announce a new 135mm f/1.4 full-frame lens on September 9th.

Rumored specs:

  • Full-frame autofocus lens
  • 105mm filter thread
  • Weight: 1320g
  • Classic black finish
  • Removable tripod collar
  • Available for Sony E and Leica L-mount
  • New product launch live broadcast: Time: September 9, 2025
  • “Master of Optics” special exhibition: September 10-11, 2025


Sigma is also rumored to announce two additional lenses:

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Plus our owners’ groups
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via Photorumors

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More Venus Optics Laowa 200mm f/2.0 Coverage, First Video, and MTF

The Venus Optics Laowa 200mm f/2.0 is going to be a popular lens among photographers. Laowa is being pretty open about what is coming too, since the lens is expected to be announced on October 1st.

  • LAOWA AF FF 200mm F2.0 C-Dreamer to be officially announced soon
  • The new product is expected to be released after the National Day holiday (October 1st)
  • Weight is within 1.6kg (1588g)
  • Available in two colors: gray and blue
  •  It is over 50mm shorter and over 1000g lighter than Nikon’s 200mm F2.
  •  The current plan is to support EF/Z/E mounts.
  • The EF version does not have a rear filter (presumably due to lack of space).
  • There are no genuine LAOWA extenders, but according to the designers, genuine (probably meaning Canon/Sony, etc.) or third-party range extenders can be used.
  •  There is consideration of a version specifically for the GFX mount, but it is not yet decided whether autofocus will be implemented.
  • We are currently considering offering a PL mount version with manual focus.
  • The aperture mechanism can be switched between step and stepless.
  • Someone asked if there will be a native L-mount version.
    → Q: No
    → Alternative: Use the EF version via an adapter
  • He also said that he had previously applied for an L-mount license, but found it too expensive.
  • Current test results for AF speed (hardware and firmware): EF-mount version is fastest, followed by Z-mount and E-mount. Sony’s version appears to be the α7C2, which is not a flagship model. They did not mention which camera body they tested it on.

Laowa lenses can be found directly from Venus Optics and B&H Photo.

Sample Photos

via Photorumors, asobinet

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AstrHori 6mm F2.8 220° Ultra Wide Circular Fisheye Lens


AstrHori 6mm F2.8: B&H Photo / Amazon

AstrHori announced its new AstrHori 6mm F2.8 220° Ultra Wide circular fisheye lens for Sony E mount.

A manual focus, ultra-wide lens for photographers seeking a new perspective, the 6mm f/2.8 Fisheye Lens from AstrHori creates a round image for full frame sensors and offers a staggering 220° circular viewing angle that transforms standard scenes into expansive, immersive images. The lens features ten optical elements in eight groups, and the fast f/2.8 maximum aperture ensures excellent low-light performance, making it a strong choice for night photography and astrophotography.

With a minimum focusing distance of 3.15″, the lens is capable of striking close-ups, dramatically magnifying objects close to the lens and creating a more pronounced fisheye effect. Its compact construction keeps the weight around 12 oz.

  • 0.08m Closest Focusing Distance:The 0.08 closest focusing distance combined with the circular viewing angle can create a crystal ball effect,which making small objects even more expressive and impactful.And make the works of short video creators and vlog bloggers more likely to stand out.
  • 220° Circular Diagonal Viewing Angle:The combination of 220° spherical field of view and circular frame can produce exaggerated barrel distortion to distort the building and create a surreal sci-fi movie feeling.Creativity is fully unleashed,and visual games are created at your will. City street scenes can be turned into a dome bubbles, and the Milky Way can be turned into a space-time vortex.
  • F2.8 Large Aperture Helps Portrait Creativity:Maximum aperture F2.8, which allows for greater light intake and greater creative space.With ultra-wide angle,cool and handsome portraits are easily created to magnify the uniqueness and personality charm of the characters,especially suitable for concerts.Starry sky and night shooting can also have a better experience.
  • AstrHori 6mm F2.8 Full Frame Ultra-wide Circular Fisheye Lens :Exqusite full metal body,elegant frosted material,durable,lightweight apperance and 330g weighs.With 10 elements in 8 groups optical structure, built-in 8 piece diaphragm blades,it allows you smooth de-click the aperture to get a perfect creativity photos.
  • Compatible Camera Models:This is a manual focus lens and you need to set “release without lens”before using it,otherwise the shutter cannot be pressed normally.If you don’t know how to set,please contact customer service.It compatible with Canon RF mount Full Frame Mirrorless Cameras.






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Godox AD400PRO II Announced


Godox AD400PRO II: B&H Photo / Amazon

Godox released a new flash, the Godox AD400PRO II.

Key Features
  • Compatible with Most TTL Systems
  • 400Ws, 1/512 to 1/1 Power Output
  • Up to 460 Full-Power Flashes
  • Freeze Mode: 1/3470 to 1/27,770 sec
  • 1/8000 sec High-Speed Sync
  • 0.01-1 sec Recycling Time
  • Group Color Capability
  • 30W Bi-Color LED Modeling Lamp
  • 2.4″ Color Screen for Onboard Control
  • Includes Battery & Charger

Godox AD400Pro II: What’s New and Why It Matters

Headline Upgrades vs. the Original AD400Pro

  • New Freeze Mode: ultra-short flash durations from t0.1 1/3,470–1/27,770 s for cleanly stopping motion and splash work.
  • Finer Power Control: expanded range down to 1/512 (10 stops, 0.1-step increments).
  • More Stamina: up to ~460 full-power pops per charge (larger quoted endurance than the original).
  • Bi-Color Modeling Lamp: 30 W LED, 2800–6000 K, 10–100% with Constant and PROP modes; high CRI/TLCI for hybrid shooters.
  • Smarter Wireless: built-in 2.4 GHz X system plus X3 “one-tap” sync support; USB-C port accepts the optional FR433 (433 MHz) receiver.
  • Faster, Clearer UI: bright color TFT display, rotary selector, and group color indicator lights for quick multi-light identification.
  • Same portability & mount flexibility: native Godox mount and included Bowens adapter; optional H400P remote head supported.

Core Features (Quick Hit)

  • Output: 400 Ws (GN 72, ISO100 with efficient reflector)
  • Sync: HSS up to 1/8000 s; first/second curtain; 3.5 mm sync; S1/S2 optical
  • Recycle: approx. 0.01–1.0 s
  • Color stability mode: ±75 K across the power range
  • Wireless: 2.4 GHz X system, ~100 m range, 32 channels, 16 groups, ID 01–99
  • Battery: 21.6 V, 2600 mAh; about 460 pops; optional AC400 adapter for mains power

Detailed Specs

SpecAD400Pro II
Power range1/512–1/1 (10 stops, 0.1-step)
Flash durations (t0.1)Normal: 1/230–1/16120; Color: 1/230–1/11900; Freeze: 1/3470–1/27770
Recycle time~0.01–1.0 s
Modeling light30 W bi-color LED, 2800–6000 K, 10–100%, CRI≈97 / TLCI≈98; Constant & PROP modes
Guide numberGN 72 (ISO100, with efficient reflector)
WirelessGodox 2.4 GHz X; works with X3, XPro II, X2T, X1; USB-C for optional FR433 (433 MHz)
Groups / channels / ID16 groups (0–9, A–F) / 32 channels / ID 01–99
Battery enduranceApprox. 460 full-power flashes
AC powerOptional AC400 adapter; UC46 USB charger can fast-charge packs (~1.5 h)
Compatibility (TTL)Canon, Nikon, Sony, Fujifilm, Olympus, Panasonic, Pentax, Leica
MountsNative Godox mount + included Bowens adapter
Dimensions / weight~211×129×90 mm; ~2 kg (with battery, no tube/reflector)

Price & Availability

MSRP: $649. Initial availability is via pre-order at major retailers.

Why Upgrade?

If you frequently shoot action, sports, liquid/splash, or need very fine power at low levels for close-up work, the Freeze durations, 1/512 output, and bi-color modeling lamp are the biggest practical gains. Multi-light users will also appreciate the faster setup with X3 one-tap sync and the group color indicators.

Tip: Already on Godox? Your existing system triggers and Bowens modifiers carry right over.

https://www.youtube.com/watch?v=tyuldr7Gqho

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