Sony vs The Best 50mm Lenses Ever Made

Sony FE 50mm f/1.4 GM: B&H Photo / Amazon / Adorama
Sony FE 50mm f/1.2 GM:  Amazon / B&H Photo / Moment / Adorama
Leica Summilux-M 50mm f/1.4 ASPH.: B&H Photo / Amazon / Adorama
ZEISS Otus 55mm f/1.4: B&H Photo / Amazon / Adorama

The Art of Photography posted an interesting comparison of Sony vs. the best 50mm ever created, and Sony does quite well. There isn’t much to cover here, but in short, the Sony 50mm f/1.4 and Sony 50mm f/1.2 compare quite well to each other with great field curvature. While the Zeiss Otus represents a no-compromise best we can design 50mm for DSLR cameras and the Leica Summilux offers unique character in the midframe that gives it the Leica look that is almost universally preferred over other designs while not being as sharp as the Zeiss or Sony offerings.

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in 3rd Party Lens, Sony lenses| Tagged , , , , , , , , , , , , , , , , , | Leave a comment

DPRTV: Sony FE 50mm f/1.4 GM vs Sigma 50mm f/1.4 Art

 

Sony FE 50mm f/1.4 GM: B&H Photo / Amazon / Adorama
Sigma 50mm f/1.4 DG DN Art: B&H Photo / Amazon / Adorama

The Sony FE 50mm f/1.4 GM looks like a great lens, but how does it compare to the Sigma 50mm f/1.4 Art? DPRTV put together a video to help you decide which is best for you.

  • The Sony is smaller and lighter than the Sigma, with the Sony weighting 519g and the sigma weighing 670g
  • The Sony has a 67mm filter thread, and the Sigma has a 72mm filter thread
  • Both lenses have similar controls with aperture rings that can be clicked or de-clicked
  • Both lenses AF quickly, so it is a tie even though they didn’t make an apples-to-apples comparison
  • The Sigma lens will be limited to 15fps on Sony bodies, but the Sony is not
  • Sony maintains contrast but has ghosting, while the Sigma loses contrast and has less ghosting, so their flare resistance is similar
  • Both have some LoCA, but it is pretty much identical and well managed
  • Sigma has a little bit of cats eye bokeh with onion rings, while the Sony is cleaner
  • When you stop down to f/4 both lenses continue to have round bokeh, and the cat’s eye goes away with the Sigma
  • Sony G Master at f/1.4 is a lot sharper wide open, and both lenses have improved contrast stopping down that makes them similar
  • With a low-resolution body both lenses are probably similar enough, but if you are shooting a high-resolution body the Sony is the lens to go for
  • The Sony is more expensive, so you might want to save your money if you’re shooting a lower-megapixel camera

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus, our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in Sony lenses| Tagged , , , , , , , , , , , | Leave a comment

Sony Savings Sunday


Tamron 17-28mm f/2.8 Di III RXD FE Save $100:
B&H Photo /  Amazon / Adorama
Tamron 20mm F/2.8 Di III OSD M1:2 Save $50:
B&H Photo / Amazon / Adorama
Tamron 24mm F/2.8 Di III OSD M1:2 Save $50:
B&H Photo / Amazon / Adorama
Tamron 35mm F/2.8 Di III OSD M1:2 Save $50:
B&H Photo / Amazon / Adorama

Voigtlander Heliar-Hyper Wide 10mm f/5.6 ASPH (Save $250):
B&H Photo / Amazon / Adorama
Voigtlander Super Wide-Heliar 15mm f/4.5 ASPH III (Save $100):
B&H Photo / Amazon / Adorama
Voigtlander 21mm f/1.4 FE (Save $300):
B&H Photo / Amazon / Adorama
Voigtlander Color-Skopar 21mm f/3.5 ASPH (Save $100):
B&H Photo / Amazon / Adorama
Voigtlander Nokton 35mm f/1.4 FE (Save $200):
B&H Photo / Amazon / Adorama
Voigtlander Nokton 40mm f/1.2 FE (Save $350):
B&H Photo / Amazon / Adorama
Voigtlander Nokton 50mm f/1.2 FE (Save $200):
B&H Photo / Amazon / Adorama
Voigtlander APO-LANTHAR 35mm f/2 (Save $200):
B&H Photo / Amazon / Adorama
Voigtlander MACRO APO-LANTHAR 65mm f/2 ASPH (Save $150):
B&H Photo / Amazon / Adorama
Voigtlander MACRO APO-LANTHAR 110mm f/2.5 (Save $200):
B&H Photo / Amazon / Adorama

Other Deals
Memory Card Savings
Power Banks

Battery Banks
Anker PowerCore Speed 20000 PD
PowerCore+26800 PD
other more affordable options

New Apple Mac Pro: B&H Photo
New Apple iPad Pro and More: B&H Photo / Adorama
New Apple iMac Pro: B&H Photo / Adorama
New Apple MBP: B&H Photo / Adorama
New Apple M1: B&H Photo / Amazon / Adorama
MacBook Pro (Savings still available): B&H Photo

Limited-time iPad Pro Savings
iPad Pro Bundles: B&H Photo

Software Deals
Luminar Neo & Luminar AI & Luminar 4 & Aurora HDR 2019 (Savings code FUJIADDICT)
ON1 Photo RAW 2023
Photolemur
Picktorial
TopazLabs
Capture One

Posted in Deals| Leave a comment

New Lensbaby Composer Pro II with Double Glass II Optic


Draw more attention to your subject with a circular spot of focus surrounded by a beautifully blurred background by using the Lensbaby Composer Pro II with Double Glass II Optic, available here with a Sony E mount. This updated tool is completely compatible with the established Optic Swap System and can use any of the numerous optics available. This version improves upon the original Pro model by featuring a metal body as well as an improved tilt function that ranges from 0-15° in any direction.

Bundled with it is the Double Glass II Optic, a 50mm optic with a 12-blade diaphragm that creates a “sweet spot” of focus when tilted that can be manipulated in position by tilting the Composer and manipulated in size by manually changing the aperture from f/2.5 to 22. Further expand the image’s creative possibilities with nine specialty magnetic disks, featuring apertures in shapes such as the five-pointed star or heart, that render out-of-focus points of light with the same shape as the aperture. The optic is compatible with all of Lensbaby’s current and legacy Optic Swap lens bodies and macro accessories.

  • Composer Pro II features an upgraded metal body with charcoal gray accents and an improved tilt control from 0-15° in any direction.
  • Compatible with Lensbaby Optic Swap System.
  • The Double Glass II Optic creates a “sweet spot” of focus surrounded by an impressionistic blend of blur and bokeh.
  • Aperture range from f/2.5 to 22.
  • Lens construction features two multi-coated glass elements in 1 group.
  • Nine specialty drop-in magnetic aperture disks designed by visual artists in the Lensbaby community.
  • Internal 12-blade aperture diaphragm for smooth out-of-focus elements.

Key Features

  • Full Frame | f/2.5 to f/22
  • 50mm Selective Focus Optic
  • Manual Focus, Mechanical Aperture Ring
  • Metal Body with Tilt from 0-15°
  • 12-Blade Diaphragm
  • Compatible with Optic Swap System

Posted in 3rd Party Lens| Tagged , | Leave a comment

LAOWA Argus 28mm f/1.2 FF and Kam Lan KL 70mm f/1.1 Coming Soon

Laowa will release the LAOWA Argus 28mm f/1.2 FF for Canon RF, Sony E, Nikon Z, L mount. The lens is made up of 13 elements in 7 groups with 13 aperture blades and a close focus distance of 500m with a max magnification of 0.073x in a 562g package.

“LAOWA Argus 28mm F1.2 FF” was exhibited as a reference. Large-diameter single focal length lens for full-frame format. Available for Canon RF, Sony E, Nikon Z, L mount. Release date and price are undecided.

The lens construction is 13 elements in 7 groups. The number of aperture blades is 13. The shortest shooting distance is 500mm. The maximum shooting magnification is 0.073x. Mass is about 562g. Supports click ON/OFF switching of the aperture ring.

Kam Lan showed off the Kam Lan KL 70mm f/1.1 at CP+ 2023 for Canon EF-M, Sony E, Nikon Z, and Fujifilm X mounts. Kam Lan also has a unique built-in lens hood for this lens that you can see in the pictures above.

A single focal lens for APS-C “KL 70mm F1.1” was on display for reference. The lineup includes Canon EF-M, Sony E, Nikon Z, and Fujifilm X mounts.

There is a member that blocks the top and bottom of the front of the lens, but this plays the role of a hood and does not affect shooting. By the way, the hood is also prepared separately. The lens itself feels solid.

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus, our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

via FujiAddict, dc.watch

Posted in 3rd Party Lens| Tagged , , , , , , , , , , , , , , , , | Leave a comment

Sony at CP+ 2023: Sony a7RV, Sony FE 50mm F1.4 GM, FE 20-70mm F4 G, FE 600mm F4 GM OSS, and Retinal Projection Camera Kit For Low-Vision Users

CP+ 2023 has started, and DC.Watch has coverage on the floor. The fascinating Sony retinal projection camera kit for low-vision users we covered earlier today was on the showroom floor, and the first-hand account of how it works is very interesting. The low-vision viewfinder for the Sony DSC-HX99 projects the image onto the user’s retina, and the user reported that he could see floaters in his eye like dust on the image sensor. For those unaware, as the eye breaks down with age, material accumulates in the eye called floaters, and they can be seen at various times.

I wish Sony would have made this system even more helpful by making it compatible with many cameras and camera systems because I do know quite a few low-vision photographers that would love to use Sony’s new retinal projection camera kit. Their current workaround is to use the rear LCD of a camera with an adapter that focuses the large LCD into an eye piece that is easier for low-vision users to compose with.

Sony also had the new Sony FE 50mm F1.4 GM, FE 20-70mm F4 G, and FE 600mm F4 GM OSS there to test and handle with their eye autofocus exhibit that allowed Sony to easily show off their eye AF system on the Sony a7RV.

Sony FE 50mm f/1.4 GM: B&H Photo / Amazon / Adorama
Sony FE 20-70mm f/4 G: B&H Photo / Amazon / Adorama
Sony FE 600mm GM: B&H Photo / Amazon / Adorama

Sony a7RV:B&H Photo / Amazon / Moment / Adorama

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus, our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in Press releases, Sony a7RV| Tagged , , , , , , , , , , , , , , , , , , | Leave a comment