Potential Sony a7V Registration Found


A new registration in Thailand has been found, which is believed to be for the Sony a7V. However, there is a small chance that this registration is for a new line, as some Sony cameras have different designations for manufacturing in other countries. The current Sony A7IV is manufactured in Thailand, so this is likely the Sony a7V.

via dclife.jp 

Posted in Sony a7V| 11 Comments

Amazon Prime Day is Here Again With New Savings


Amazon Prime Day is here and there are many savings to take advantage of, and as usual, I will add to this list throughout the day as I find more. Please shop through our links throughout the day to support the site. Your support counts whether it is through a general link to Prime Day savings or something specific.

Storage and Memory Cards

WANDRD

Batteries, Battery Banks, and Chargers

Accessories

Apple

Lenses

Posted in Deals| 18 Comments

LT: Tamron 16-30 mm f/2.8 Di III VXD G2 Review – A Great Value

Tamron 16-30mm f/2.8 Di III VXD G2:
B&H Photo / Amazon / Adorama

Lenstips published its Tamron 16-30 mm f/2.8 Di III VXD G2 review. If you want to read the full review, you can do so here or check out the excerpt below:

“The Sony FE 16-35 mm f/2.8 GM II Costs Almost Three Times More And Is Just Slightly Better”

Pros:

  • very good image quality in the frame centre,
  • good image quality on the edge of the APS-C/DX sensor,
  • sensible image quality on the edge of full frame,
  • negligible longitudinal chromatic aberration,
  • proper control of lateral chromatic aberration,
  • low astigmatism,
  • silent, accurate, and very fast autofocus,
  • moderate vignetting on the APS-C/DX sensor,
  • good performance against bright light,
  • practically zero focus breathing,
  • sensible price/parameters and price/performance ratio.

Cons:

  • very high distortion on uncorrected JPEG and RAW files,
  • huge vignetting on full frame,
  • noticeable spherical aberration.

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Posted in 3rd Party Lens| Tagged , , | 11 Comments

LR: Sony FE 100mm f/2.8 Macro GM Review – The Sharpest Macro Lens Today


Sony FE 100mm f/2.8 Macro GM: B&H Photo / Amazon / Adorama

Lens Rentals published an in-depth review of the Sony FE 100mm f/2.8 Macro GM, finding it to be the sharpest macro lens available today. You can read the full review here or check out the summary below:

Key Advantages:

  • Higher Magnification: The lens offers a 1.4x magnification, which is a significant increase compared to the standard 1:1 ratio found in many other macro lenses, allowing for more detailed close-up shots.
  • Teleconverter Compatibility: A major highlight is its compatibility with the Sony FE 2.0x teleconverter. This combination doubles the focal length to 200mm and boosts the magnification to an impressive 2.8x, enabling photographers to get closer to their subjects without physically moving the lens and potentially blocking light.
  • Fast Autofocus: The review emphasizes the lens’s fast and responsive autofocus system, which is attributed to the inclusion of four XD linear motors. The author notes it’s the fastest autofocus they’ve experienced in a macro lens, a significant improvement over the typically slower focusing speeds of macro lenses.
  • Exceptional Sharpness: When compared to a high-end Fujifilm GF 120mm f/4 Macro lens mounted on a Fujifilm GFX 100s, the Sony 100mm GM on a Sony a7R V produced images that were noticeably sharper.
  • Advanced Optical Design: The lens features a complex optical design with 17 elements in 13 groups and a Nano AR coating, which effectively minimizes ghosting and flaring, contributing to its high image quality.

Overall Conclusion:
The reviewer was “deeply impressed” with the lens’s performance, concluding that Sony has successfully created the “sharpest macro lens on the market today.”

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Posted in Sony lenses| Tagged , | 9 Comments

Sigma Patents For 35mm, 50mm, and 85mm F1.2 and F1.4 Lenses Found


Sigma 35mm F1.2 DG DN | Art: B&H Photo / Amazon / Adorama
Sigma 50mm f/1.2 DG DN Art: B&H Photo / Amazon / Adorama

The patents for the Sigma 35mm, 50mm, and 85mm F1.2 and F1.4 were found. The Sigma 85mm f/1.2 hasn’t been released yet.  You can check them out below:

overview

  • [Publication number] P2025124346
  • [Release date] 2025-08-26
  • [Name of invention] Optical system
  • [Application date] 2024-02-14
  • [Applicant]
    [Identification number] 000131326
    [Name or company name] Sigma Corporation
  • The present invention provides an optical system that achieves compactness and light weight while providing a large aperture ratio and effectively correcting various aberrations, including focus breathing and distortion, by appropriately arranging a focus group and an aspherical surface.
  • BACKGROUND ART In recent
    years
    , with the increasing number of pixels in imaging devices such as digital still cameras and video cameras, there has been a growing demand for high optical performance with strong correction of various aberrations from infinity to close range.
  • [0003]
    Furthermore, in recent digital cameras, the focusing accuracy of autofocus (hereinafter referred to as AF) has improved dramatically, making it possible to accurately focus even in bright optical systems with extremely narrow depth of field. As a result, it has become possible to shoot video while maintaining accurate focus even at maximum aperture, greatly expanding the range of visual expression. Therefore, there is a demand for optical systems that suppress changes in the field of view during focusing (hereinafter referred to as focus breathing) even in bright optical systems.
  • On the other
    hand, in order to realize high imaging performance from infinity to close range, a method has been proposed in which two lens groups are moved along different trajectories during focus drive.
  • [0008]
    The present invention has been made in consideration of the above circumstances, and aims to provide an optical system that is small and lightweight, while having a large aperture ratio and effectively correcting various aberrations including focus breathing and distortion, by appropriately arranging the focus group and aspherical surfaces.


Example 1

  • Focal length: 48.27
  • F-number: 1.24
  • Angle of view: 47.90
  • Image height: 21.63
  • Total length: 123.38
  • Back focal length: 17.4116


Example 2

  • Focal length: 82.63
  • F-number: 1.24
  • Angle of view: 28.98
  • Image height: 21.63
  • Total length: 136.91
  • Back focus: 17.1880


Example 3

  • Focal length: 35.06
  • F-number: 1.24
  • Angle of view: 62.68
  • Image height: 21.63
  • Total length: 125.79
  • Back focal length: 17.7164


Example 4

  • Focal length: 48.89
  • F-number: 1.43
  • Angle of view: 48.85
  • Image height: 22.50
  • Total length: 102.43
  • Back focal length: 17.1875


Example 5

  • Focal length: 33.61
  • F-number: 1.44
  • Angle of view: 65.06
  • Image height: 21.63
  • Total length: 105.02
  • Back focal length: 17.3099


Example 6

  • Focal length: 83.29
  • F-number: 1.46
  • Angle of view: 28.78
  • Image height: 21.63
  • Total length: 110.01
  • Back focal length: 16.0126

via asobinet

Posted in 3rd Party Lens| Tagged , , , , , | 22 Comments

LensVid: Sony Yann Salmon-Legagneur Interview “I’d personally love an APS-C RX compact”

Sony FX2: B&H Photo / Amazon / Adorama

Lensvid posted a lengthy interview with Salmon-Legagneur from Sony. Below is a summary of the interview, including their discussion of a possible APS-C RX1 camera.

FX2, RX1R III, 32-Bit Float, AI and More: A Thorough Interview with Sony at IBC 2025
This in-depth interview with Yan Salmon from Sony provides a comprehensive look at recent product updates, strategic decisions behind camera development, the functionality of Sony’s apps, and Sony’s perspective on emerging technologies like 32-bit float audio and AI in cameras.

Recent Sony Updates & Customer Feedback

  • Sony has released the DCC1 dummy battery with USB-C, a direct response to user requests for a genuine Sony power supply that works with both Z and W type batteries.
  • The Alpha 1 has been updated with a new firmware to include focus bracketing for focus stacking, a feature that was highly requested by the community.

RX1R III: Design Philosophy and Performance

  • The RX1R III was introduced a decade after the original, maintaining its status as the world’s smallest fixed-lens full-frame camera.
  • Sony deliberately retained the original lens design to preserve the camera’s ultra-compact form factor and the unique “taste” and “look” that RX1 series customers have come to love.
  • Despite its legacy design, the lens was recalibrated for the new 60-megapixel sensor, delivering exceptional resolution.
  • The autofocus (AF) performance is touted as the “fastest in this segment,” incorporating AI AF for impressive subject detection and fast subject acquisition. It is positioned as an ideal camera for street photography and portraits, though not designed for sports.
The Mid-Range APS-C RX Camera Gap
  • Sony acknowledges a “gap” in its fixed-lens camera lineup between the 1-inch sensor RX100 series and the full-frame RX1R III.
  • Yan Salmon personally expressed a desire for such a camera, stating, “personally I would love it as well”, acknowledging that the RX1R III is a high-end, expensive product.
  • However, he explained that from a business perspective, Sony must consider the market size and the significant commitment in engineering resources, firmware updates, and future successors when deciding to launch a new product line.
  • Developing a new product line could potentially divert resources from existing successful lines like Alpha, FX, and ZV, as well as their extensive portfolio of over 80 lenses.

FX2: Target Audience and Strategic Positioning

  • The FX2 was created to make the cinematic full-frame look accessible to a wider audience at an affordable price, serving as an entry point into the Sony Cinema Line.
  • It includes key filmmaker features such as a fan for heat management, a tally light, L-series battery compatibility, and the “big six menu” from the Venice.
  • Unexpectedly, the camera has garnered interest from the broadcast industry, especially news companies, for achieving a full-frame cinematic look in TV productions.
  • The release of the FX2 before a potential FX3 update was a strategic move to attract young creators and future cinematographers to the Cinema Line.
  • The FX3 is still considered a “working horse”, delivering excellent 4K 120p in low light and offering a robust set of filmmaking features and extensive lens compatibility.

FX2 Viewfinder and Design

  • The integrated viewfinder on the FX2 was a deliberate design choice, in response to feedback from FX3 users and the popularity of integrated viewfinders on cameras like the a7S III and a7 IV.
  • An external, removable viewfinder was considered but ultimately deemed less practical due to the additional engineering, design, and cost, which would have likely increased the camera’s price.
  • A notable design improvement, the FX2 is the first mirrorless camera from Sony to feature two quarter-inch screw holes on the bottom. This addresses the issue of camera plates twisting, especially when using accessories like follow focus systems that apply force to the lens.

Sony Apps: Monitor & Control, and Creator App

  • Audio Level Monitoring: This feature is currently absent from Sony’s apps. Sony prioritized image control features first due to resource allocation but acknowledges the feedback and encourages users to continue requesting it.
  • App Login Process: The lengthy initial login process for Sony apps is a one-time setup that provides benefits like firmware update notifications, extended warranties (in Europe), lens discounts, and access to exclusive training content.
  • Firmware updates via the app are highlighted as a significant improvement in user experience.
  • Multi-camera support in the Monitor & Control app has been expanded to include Mac OS.
  • Android and Windows support for multi-camera control is not currently a priority, as Sony is focusing on ensuring stability on iOS and Mac, which they have identified as the primary platforms for their target professional user base.

32-Bit Float Audio

  • Sony recognizes 32-bit float recording as an interesting technology for increasing audio dynamic range.
  • However, they point out that its benefits are dependent on high-quality microphones and a workflow that accommodates post-production gain adjustments.
  • While it has its place in specific scenarios, Sony currently views it as a niche technology and has not yet integrated it into their cameras, though they are looking into it.

AI in Cameras

  • Sony has been a pioneer in using AI technology for AF tracking with subject recognition.
  • Autoframing, first introduced in the ZV-1, also utilizes AI and has been integrated into broadcast PTZ cameras for advanced scene recognition and subject tracking.
  • Regarding voice control for cameras, Sony believes that speaking to a camera is not practical in many shooting situations where discretion is key (e.g., wildlife, weddings).
  • However, Sony suggests that their Software Development Kits (SDKs) could enable third-party developers to create LLM (Large Language Model) based systems for remote camera control, which could be beneficial in production environments or for users with accessibility needs.

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Posted in Sony Interview| 19 Comments