OL: Samyang AF 24-70mm f/2.8 FE Review – Avoid If Using Above 24MP


Samyang AF 24-70mm f/2.8 FE:
B&H Photo / Amazon / Adorama
Samyang Lens Station:
B&H Photo / Amazon / Adorama

Optical Limits published its full Samyang AF 24-70mm f/2.8 FE review here which you can read in full or you can check out the excerpt below:

The Samyang AF 24-70mm f/2.8 FE has its merits, but its resolution characteristic is, overall, sub-standard. This is especially true at the wide end, where the outer image field is just not sharp enough to compete with the big boys. Sure, it’s not terrible when stopping down, but what is the point of buying a f/2.8 lens then? It’s actually very good in the middle range, whereas the quality at 70mm is also not that hot again. This may still be OK on 24-megapixel sensors, but beyond that, it’s just not good enough. This is a bit unfortunate because the lens handles the secondary aspects rather well. The RAW image distortions are on a sane level, and the RAW vignetting is better than average. The quality of the bokeh is also quite good for a standard zoom lens. Lateral and axial CAs are a bit on the high side, though.

The mechanical quality of the Samyang lens is excellent (other than the poor lens hood) and on par with the Sigma 24-70mm f/2.8 ART, for example. However, it is also way too heavy for what it is. The AF speed is very fast (on modern Sony bodies). The mechanical quality is one thing, but QA is another one… As you may have concluded, we are not overly impressed – overall, the Samyang AF 24-70mm f/2.8 FE is just too heavy and too flawed.

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7Artisans 9mm f/5.6 ASPH Announced

The 7Artisans 9mm f/5.6 ASPH was just announced and it can be ordered now on Amazon.

7Artisans announced the launch of the 9mmF5.6 full-frame prime ultra-wide-angle lens, which is the brand’s full-frame ultra-wide-angle camera lens following the launch of the previous 12mmF2.8 II APS-C.

Features of the 7ARTISANS 9mm F5.6 ultra-wide-angle lens:

  1. For Sony E / Canon RF / Nikon Z / L-Mount.
  2. 132° super wide viewing angle.
  3. The minimum focusing distance is 0.2m.
  4. Aperture range F5.6 ~ 22.
  5. Wide angle of view ideal for video and content creators.
  6. Dimensions Φ 55 *L 78 mm, weight 463g.
  7. Clicked Aperture.

This is a non-fisheye ultra-wide-angle lens designed and developed specifically for mirrorless full-frame cameras, suitable for Sony E, Nikon Z, Canon RF and L mount.

This lens has a field of view of 132 degrees, making it one of the few ultra-wide-angle lenses on the market. The manual focus lens features 16 elements organized across a dozen groups, including two aspherical and two ED elements.

The lens has a five-bladed aperture diaphragm that goes from f/5.6 to f/22 and promises 10-pointed Sun stars. The lens features separate dedicated control rings for aperture and focus and can focus as close as 7.9 inches (20 centimeters) .

The lens weighs 1.02 pounds (463 grams), and the lens dimensions are Φ55*length 78mm. Not a terrible weight for walking around with when you’re out shooting.

Specs

项    目9F5.6
Model
Focal Length9mm
Equivalent Focal Length9mm
Image FormatFF
MountE/Z/RF/L
F No.F/5.6~22
Image DiameterΦ43.3
Focusing range0.2m~∞
Diaphragm Leaves5片(5blades)
Field AngleHXVΦ43.3mmDiagonal (D)Horizontal(H)Vertical(V)
132º123.5º101.2º
TTL98.4mm
Lens Construction14+2ASP  elements in 11groups
Distortion<1.4%
Working Wavelength400-700nm
Relative Illumination>0.3
B.F.L.20.9mm
 OperationFocusManual
Zoom/
IrisManual
DimensionΦ 55 *L 78 mm
Weight463g
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Laowa 8-16mm f/3.5-5.0 Zoom CF Announced


We have known about the Laowa 8-16mm f/3.5-5.0 Zoom CF for a while now, but you can now order one yourself directly from Venus Optics or from B&H Photo.

Introducing our 8-16mm wide-angle zoom lens, a versatile addition to your camera gear. Covering an APS-C sensor size and a focal length range from 8mm to 16mm and weighing just 1.02 lb (463 g), this lens eliminates the need for multiple lenses, offering convenience to photographers and ensuring effortless portability thanks to its compact and lightweight design.

The 8-16mm lens offers an ultra-wide perspective of 82.8°-120.9°, making it perfect for various photography genres such as landscape photography, architectural marvels, and wide-angle portraits. Content creators can also utilize the lens to create a unique perspective for their vlogs. Priced at only 549 USD, this lens is also an excellent choice for beginners who want to explore the world of ultra-wide photography at an affordable price level.

Available mounts: Sony E, Fujifilm X, Nikon Z, Canon RF, Canon EF-M

Product Description

Laowa 8-16mm f3.5-5 Zoom CF
Focal Length8-16mm
Angle of View82.8°-120.9°
Aperture RangeF3.5(5)-16
Format CompatibilityAPS-C
Lens Structure16 elements in 12 groups (2pcs of Aspherical Elements+ 2 pcs of Extra-low Dispersion Elements)
Aperture Blades5
Min. Focusing Distance20cm/7.87’’
Max. Magnification0.125X
Filter ThreadØ86mm
DimensionsAbout Ø88.4 x 88.53 mm(3.48 x 3.48’’)
WeightAbout 463g (1.02 lb)
MountsSony E, Fujifilm X, Nikon Z, Canon RF, Canon EF-M

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Sony Registered a Third Camera The WW279317

Earlier this week Sony registered the WW459276 and WW559681. Now a registration for the WW279317 has been found and now quite a few cameras are in the running because two of the registrations are AJ registrations which indicate they will likely be flagship models. The Most likely cameras coming are the Sony a9III, a1II, a7SIV, a7V or we could even see the Sony a7SIV replaced with a Sony FX3II.

via Weibo

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Amazon Prime Big Deal Days


Amazon Prime big deal days started and you can shop all the deals here or check out a select few below:

Sony Camera Stuff

Storage

Apple Stuff

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Sigma Kazuto Yamaki Interview: Lens Design, The Industry, Growth, and More


Phototrend interviewed Sigma’s President Kazuto Yamaki about the new lenses they launched. Below are bullet points from the translated interview that you can find in full here.

  • France is Sigma’s fifth or sixth-largest market
  • The Sigma 10-18mm f/2.8 DC DN Contemporary is Sigma’s third wide-angle zoom
  • Sigma took a while to develop the Sigma 70-200mm f/2.8 DG DN OS Sports because they didn’t want to just release a lens like others at a lower price point
  • The Sigma 70-200mm f/2.8 DG DN OS Sports has three characteristics it is light, has fast AF, and has great optical stabilization
  • During COVID many consumers invested in high-end equipment and many professionals switched to mirrorless, but since inflation people have been looking for a balance of price and performance so a lot of value for the dollar is now a key concern
  • The 10-18mm f/2.8 could have been an ART lens but then it would have been bigger and more expensive, but as a contemporary lens there is a balance between performance, weight, and compactness
  • The 10-18mm uses in-camera correction which is why they were able to bring it to market quickly
  • In-camera correction keeps getting better, especially when dealing with distortion
  • In-camera corrections only really become noticeable if you blow an image up
  • If this lens was an Art lens it would use less correction or none so the distinction between art and contemporary makes sense
  • Sigma’s three new Z-mount lenses have been well-received
  • Sigma is excited for Z mount and excited to make retro lenses for retro Nikon bodies
  • The I Series pairs well with Z cameras
  • It is easy to use E and L mount designs on Z mount bodies especially since E mount has a smaller diameter than Z, but doing the opposite would be hard
  • Can’t comment on discussions with Canon
  • Sigma currently has no plans to make GFX lenses but they are ideal customers since they are professionals and high-level enthusiasts.
  • Kazuto Yamaki wishes they could do something for GFX but Sigma’s engineers are busy and resources are limited
  • It is a possibility in the future, but as of now there are no plans
  • Even though Sigma built a new building it hasn’t helped them increase supply because mirrorless lenses are getting better and require more elements
  • Sigma’s biggest advantage is they produce almost everything themselves and they take their time to assemble lenses in-house which gives them high-quality control
  • Sigma licenses L mount from Leica so they do not have much say in who joins
  • If you want a traditional camera you can go with Leica, Panasonic, etc… if you want something unique you can go with Sigma
  • Sigma thinks the alliance provides flexibility to L mount owners
  • AI is already used in cameras for autofocus, but Kazuto Yamaki is concerned about excessive AI adoption and the confusion it can lead to
  • Sigma hasn’t made much progress with its full-frame Foveon sensor and progress has been slow since the semiconductor industry is very busy
  • Sigma isn’t giving up they want to make a full-frame Foveon sensor

Sigma 10-18mm f/2.8 DC DN Contemporary
B&H Photo / Amazon / Adorama
Sigma 70-200mm f/2.8 DG DN OS Sports Coming Dec
B&H Photo / Amazon / Adorama

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