Sony FE 24-50mm f/2.8 G Standard Zoom Lens Designed for High Performance and Portability Announced

Sony Electronics Announces a New Compact FE 24-50mm F2.8 G Standard Zoom Lens Designed for High Performance and Portability

Sony FE 24-50mm f/2.8 G: B&H Photo / Amazon / Adorama

A large-aperture, constant F2.8 standard zoom full-frame E-mount lens that delivers outstanding end-to-end image quality in a compact and lightweight form factor

SAN DIEGOFeb. 21, 2024 /PRNewswire/ — Sony Electronics is pleased to announce the release of the FE 24-50mm F2.8 G standard zoom lens (SEL2450G), which is compatible with Sony’s α™ (Alpha™) cameras. The 72nd addition to the full-frame E-mount lens lineup is extremely compact and lightweight yet maintains high-resolution performance synonymous with Sony’s G lens series. With a constant F2.8 maximum aperture, it produces stunning bokeh and enables creative flexibility across the entire zoom range. The versatile 24mm to 50mm focal range, coupled with its compact form, enables users to capture a myriad of scenes including portraits, everyday snapshots, landscapes, and video.

“The demand for light and compact standard zoom lenses is increasing, and our new FE 24-50mm F2.8 G lens offers a F2.8 standard zoom option for creators seeking portability, without a sacrifice. It is a lens option ready to go anywhere,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “The FE 24-50mm F2.8 G is our first-ever full-frame F2.8 standard zoom lens in the G series lens lineup. Bringing the ever-popular F2.8 aperture from our G Master series into the G series is yet another example of our dedication to building lens options for every level of creator.”

Outstanding Optical Performance in a Compact Form Factor
The FE 24-50mm F2.8 G’s design is compact with a filter diameter of φ67 mm, maximum diameter of 74.8 mm (about 2.94 in), length of 92.3 mm (about 3.63 in), and weight of approximately 440 g (about 15.52 oz). Despite its compact size, the lens maintains exceptional image quality throughout all focal lengths. This is made possible by the incorporation of four aspherical lenses and two elements of Extra Low Dispersion (ED) glass. These advanced elements effectively minimize chromatic aberrations, resulting in high-resolution performance that remains consistent from the center to the corners of the frame.

The FE 24-50mm F2.8 G’s 11-blade circular aperture and well-controlled spherical aberration creates the beautiful, smooth bokeh known to the G lens series. Painstaking optical optimization has achieved impressive close-up performance at all focal lengths. It has a minimum shooting distance of 0.19 m (AF) at the wide end, and a maximum magnification of 0.30 x (AF) for detailed shooting.

Fast and Precise Autofocus Capabilities for Both Stills and Video
The FE 24-50mm F2.8 G is equipped with two linear motors to achieve extremely fast, precise, and quiet focusing with AF (autofocus). It also supports high-speed continuous shooting with AF/AE tracking of up to 120 frames per second, a feature offered on Sony’s newest full-frame mirrorless camera, the Alpha 9 IIIi.

The FE 24-50mm F2.8 G’s AF capabilities make it advantageous for video production, especially when shooting in high frame rates like 4K 120p or FHD 240p movie recordingii. It supports in-camera Active Mode Image Stabilizationiii for fast paced shooting and is compatible with the Focus Breathing Compensation feature native to select Sony Alpha camerasiv. In addition, the Linear Response MF offers intuitive and precise manual focus adjustments, a feature beneficial for filmmakingv.

Enhanced Controllability and Reliability
The FE 24-50mm F2.8 G is equipped with intuitive controls designed to offer ultimate operability. These features include a customizable focus hold button, aperture ring, aperture click ON/OFF switch, and focus mode switch.

Additionally, the lens’ front element is fluorine coated, which effectively repels and effortlessly eliminates fingerprints, dust, water, oil, and other contaminants. This dust and moisture resistant design makes it a reliable option for any environment.

Pricing and Availability
The new FE 24-50mm F2.8 G will be available in May 2024 for approximately $1,099.99 USD and $1,499.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Posted in Sony lenses| Tagged | Leave a comment

Sigma 500mm f/5.6 DG DN OS Sports & Sigma 15mm f/1.4 DG DN Diagonal Fisheye Art Lenses Announced


Sigma 500mm f/5.6 DG DN OS Sports:
B&H Photo / Amazon / Adorama
Sigma 15mm f/1.4 DG DN Diagonal Fisheye Art:
B&H Photo / Amazon / Adorama

The Sigma 500mm f/5.6 DG DN OS Sports & Sigma 15mm f/1.4 DG DN Diagonal Fisheye Art just launched and can be pre-ordered now.

Reviews
Explora

Videos

Posted in 3rd Party Lens| Tagged , , | Leave a comment

World’s Widest f/2.8 Full Frame Rectilinear Lens – Laowa 10mm f/2.8 Zero-D FF


Laowa 10mm f/2.8 Zero-D FF: Venus Optics / B&H Photo

World’s Widest f/2.8 Full Frame Rectilinear Lens – Laowa 10mm f/2.8 Zero-D FF
Venus Optics announces the launch of the new Laowa 10mm f/2.8 Zero-D FF Lens. It is the world’s first rectilinear 10mm full-frame lens with f/2.8 aperture and the first-ever auto-focus lens, for Sony E and Nikon Z mount, in Laowa’s lineup. Designed in a compact and lightweight manner, the lens weighs only 420g(0.93 lbs) with a stylish grey outlook. The lens also delivers outstanding image quality and close-to-zero distortion. Despite such an ultra-wide angle, the lens comes with a 77mm front filter thread, making it a powerful tool for photography and videography, from capturing one-of-the-kind landscapes, architecture, interior and astrophotography to stunning time-lapse and vlogging.

This 10mm lens marked 10 years journey of Laowa in the realm of optics. Over a decade of innovation, Venus Optics continues to surprise the world by bringing new products with optimized optical designs and solid lens quality. The Laowa 10mm f/2.8 lens delivers an unmatched ultra-wide-angle shooting experience for photographers and video creators to achieve every new idea.

Key Features:

  • Ultra-wide 10mm with f/2.8
        – Angle of View of 130°
  • Zero-D 
  • Compact & Lightweight
  • Close Focusing Distance of 12cm
  • 77mm Filter thread
  • 10-Point Sunstar
  • Accurate and Reliable AF Performance
  • Outstanding Optical Design
  • Excellent performance for Panorama and Astrophotography

First Auto Focus Ultra-wide 10mm with f/2.8 Large Aperture
Laowa 10mm f/2.8 Zero-D FF has pushed the boundary of the maximum aperture for the 10mm wide non-fisheye lens. The f/2.8 fast aperture opens up a lot more possibilities to take landscape and architecture photography in low-light conditions and be able to capture at an ultra-wide perspective which was never possible before.

Angle of View of 130°
The remarkable 130.4° angle of view helps exaggerate the sense of space. And allows you to capture the magnificent landscape with a dramatic impact all in a single image. This one-of-a-kind perspective helps realize a lot of formerly impossible shots. From breathtaking landscapes to dynamic architecture, this lens opens up new dimensions in visual storytelling.

Close-to-Zero Optical Distortion (Zero-D)
A lens in 10mm is usually a fisheye or heavily distorted. This full-frame 10mm optically suppresses distortion to a close-to-zero level. Both horizontal and vertical straight lines can be maintained on the image from corner to corner. Giving you a true 10mm experience even without any in-camera lens correction.

Compact and Lightweight
Despite its incredible specification for full-frame cameras, the lens is only 7cm (2.79”) long and weighs 420g (0.93 lbs), providing the desired portability for photographers and videographers to explore and travel with ease. 

Close Focusing Distance of 12cm
The 10mm has a minimum focusing distance of 12cm, allowing you to get super close to the subjects and create interesting wide-angle macro style shots with nice separation between the object and background.

Stunning 10-point Sunstar
Built with 5 aperture blades, a stunning 10-point Sunstar can be created when stopping down the aperture. 

Built-in Filter Thread
Equipped with a 77mm filter thread for you to use screw-in filters directly. Convenient and cost-saving as no additional filter holder is required. Gives users the ultimate flexibility when shooting.

Outstanding Optical Design
Laowa 10mm f/2.8 Zero-D FF is engineered with exceptional optics, featuring 15 elements in 9 groups, including 2 aspherical glasses and 3 ED glasses. This results in outstanding image sharpness and CA control, ensuring that every detail is captured with precision and clarity.

Accurate and Reliable AF performance
The 10mm is the first Laowa lens equipped with autofocusing. AF is available for both Sony E and Nikon Z mounts. Embrace the convenience of autofocus and focus on composition and creative aspects.

*RF and L mount are fully manual

Excellent performance for Panorama and Astrophotography
The exceptionally wide field of view makes it particularly adept at capturing expansive panoramas, allowing photographers to tell stories on a grand scale. Thanks to its f/2.8 aperture, the lens delivering pleasing night sky and galaxy images.

Pricing & Availability
The new Laowa 10mm f/2.8 Zero-D FF is currently pre-order via Venus Optics official website (http://www.venuslens.net/) and authorized resellers.

The US price for Laowa 10mm f/2.8 Zero-D FF is USD799 for all mounts (Both AF and MF version are the same price). Pricing varies in different countries. Shipping starts from mid-March.

Specifications

Lens NameLaowa 10mm f/2.8 Zero-D FF
Format Full-Frame 
Focal Length10mm
Aperture Range f/2.8-22
Angle of View 130.4°
Lens Structure 15 elements in 9 groups 
(2 Aspherical Glasses, 3 ED Glasses)
Aperture Blades5 blades / 14 blades*
*A 14-blade variant (only available for manual focus) can be ordered
Min. Shooting Distance 4.72″ / 12cm
Max. Magnification 0.24X
Focusing SystemAF (Sony E / Nikon Z) / MF (Canon RF / L mount)
Filter ThreadØ77mm 
Dimensions Ø3.23” x 2.79”/ Ø82 x 70.8mm 
Weight0.925lbs/ 420g
Mounts Auto-Focus:

Sony E/ Nikon Z (5 Blades)

Manual-Focus:

Canon RF/ L Mount (5 Blades)

Sony E / Canon RF / Nikon Z / L mount (14 Blades)

PriceUSD799

Posted in 3rd Party Lens| Tagged , , | Leave a comment

Sigma 500mm f/5.6 DG DN OS Sports & Sigma 15mm f/1.4 DG DN Diagonal Fisheye Art Lenses Full Specs and Pictures

Sigma 500mm f/5.6 DG DN OS | Sports

  • Lens construction: 14 groups, 20 elements (3 FLD elements, 2 SLD elements)
  • Viewing angle: 5°
  • Number of diaphragm blades: 11 (rounded diaphragm)
  • Minimum aperture: F32
  • Minimum focusing distance: 320cm
  • Maximum magnification ratio: 1:6
  • Filter size: 95mm
  • Dimensions (diameter × length): 6 mm × 235 mm
  • Weight: 1370g
  • Country of production: Japan

It was designed for mirrorless cameras, characterized by a combination of exceptional image quality with an extremely compact and light housing. By using multiple specialized low dispersion glass lenses, SIGMA has managed to significantly reduce the lens structure without the use of diffractive optical elements. At the same time, the lens achieved high resolution, which meets the expectations of a fixed focal length 500 mm lens. The lens body, composed primarily of precision polymer parts, features excellent build quality and weather resistance, including a dust- and splash-proof design**. SIGMA 500mm F5.6 DG DN OS | Sports offers a completely new photography experience for wildlife, aviation, sports and other high-speed action photographers.

A handy 500mm lens with unrivaled optical parameters
Sigma 500 mm f/5.6 Sony E Thanks to the latest engineering techniques, it was possible to effectively minimize the size of the lens and maintain a high level of image sharpness and beautiful visuals.

The front of the lens uses complex lenses made of special low-dispersion glasses, which ensures both high aberration correction ability and a short overall length. SIGMA’s only production base in Aizu, Japan, guarantees high precision in the assembly and processing of each lens. The lens perfectly corrects all aberrations, especially axial chromatic aberration, which the camera body cannot correct, ensuring stable, high resolution from the center to the edges of the frame

Great work against light – Sigma 500 mm f/5.6 Sony E
SIGMA 500mm F5.6 DG DN OS | Sports uses refractive lenses in its optical system to prevent glare and ghosting that are characteristic of diffractive optical elements. Thanks to this, we can obtain sharp and contrasting images even when working against the light.

Fast AF with HLA linear drives
The lens uses an original HLA linear drive (High-response Linear Actuator), which is characterized by high speed and accuracy, as well as very quiet operation. Combined with the camera’s AF system, we achieve very effective tracking of moving objects, which is particularly important, e.g. sports, nature or aerial photography – Sigma 500 mm f/5.6 Sony E

Extremely efficient OS2 image stabilization system
The latest OS2 optical stabilization algorithm ensures exceptional vibration reduction efficiency of up to 5 EV (based on CIPA guidelines). The lens has 2 OS operating modes:

Convenience and the highest quality of workmanship – Sigma 500 mm f/5.6 Sony E
The body of the Sigma 500 mm f/5.6 Sony E has been designed to be small and light, making the lens extremely easy to use when shooting handheld. Thanks to the optimized optical construction and the use of a body made of a combination of TSC (Thermally Stable Composite) and magnesium alloys, the lens is only 23.5 cm long and weighs only 1370 grams.

A wealth of functions supporting demanding photographers
The manual aperture ring allows you to conveniently control exposure. The ring rotates smoothly or with a characteristic “click”, and if necessary, we can lock it in the Auto position. The lens also features a Focus Limiter switch that allows users to limit the range of the AF system, allowing for quick and precise focusing. Additionally, we have three AFL buttons that can be assigned a number of functions via the menu of selected cameras. The AFL buttons are easy to use regardless of camera orientation and provide quick and easy access to important settings. In the L-mount version, the SIGMA USB DOCK UD-11 can be used to set operating system behavior or the focus limit range for the custom mode switch*.

Reinforced housing body – Sigma 500 mm f/5.6 Sony E
The lens has increased resistance to weather conditions, in line with the specifications of the SIGMA Sports line**. The mount bayonet, manual focus ring, switches and external connectors are equipped with seals to prevent dust and dirt from entering the lens. Moreover, the front element of the lens is coated with a waterproof and oil-resistant coating, which makes maintenance easier if water droplets or dust enter the lens.

Sigma 15mm f/1.4 DG DN Diagonal Fisheye | Art

  • Lens construction: 15 groups, 21 elements (4 FLD elements, 3 SLD elements, 2 aspherical elements)
  • Viewing angle: 180°
  • Number of diaphragm blades: 11 (rounded diaphragm)
  • Minimum aperture: F16
  • Minimum focusing distance: 38.5cm
  • Maximum zoom ratio: 1:16
  • Dimensions (diameter × length): 104mm × 157.9mm
  • Weight: 1360g
  • Country of production: Japan

By developing an ultra-wide-angle fisheye lens with distinctive image distortion, SIGMA has reached a whole new level of artistic potential by combining the world’s first F1.4 aperture with exceptional image quality both at the center and at the edge of the frame. The lens performs great, among others: in astrophotography, which requires particularly high image quality, even with a wide open aperture. Unlike conventional “fish eyes”, SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art is exceptionally sharp across a full 180° viewing angle while offering an F1.4 aperture, making it ideal for a wide range of applications including astrophotography, landscapes and architecture. The expressive power of this all-new full-frame mirrorless lens opens up a wealth of creative possibilities in wide-angle photography.

A complement to the Art line, made with astrophotography in mind
The powerful distortion effect characteristic of fisheye lenses allows users to enjoy effects such as unique perspective and capturing the subject with a 180° viewing angle.

The optical structure of the lens consists of 21 elements in 15 groups, including 4 FLD lenses, 3 low-dispersion SLD glass lenses and 2 aspherical lenses. By correcting coma flares and other aberrations, the lens can precisely reproduce bright points of light throughout the frame, even with the aperture fully open, making it ideal for astrophotography, which is also supported by numerous additional functionalities:

MFL switch (manual focus lock) – Sigma 15 mm F 1.4 Sony E
Switch to lock the focus in the desired position. Prevents focus shifts caused by unintentional use of the focus ring. This is useful for long exposure photography.

Lens heater holder
The Sigma 15 mm F 1.4 Sony E has a specially designed lens front that prevents the lens heater* from extending and causing vignetting on the periphery of the screen.

Rear Filter Holder – Sigma 15 mm F 1.4 Sony E
A rear filter holder is standard equipment on the lens, allowing the installation of rear sheet filters. There is also a locking mechanism that prevents the filter from falling out.

Specially designed front cap with a locking mechanism and filter holes
Stable and easy-to-install front cover protecting the front lens. The lid features newly developed pockets for storing sheet filters. Designed exclusively for the SIGMA 15mm F1.4 DG DN | Art, effectively protects the front lens and sheet filters against scratches and dirt. Thanks to pockets for filters, they will always be ready for work and you will not forget to take them with you to the session.

Features typical of the Art line
Sigma 15 mm F 1.4 Sony E In addition to functionalities reserved specifically for star photography landscapes, the lens is equipped with additional features to make everyday life easier shooting, such as the AFL button, which can be assigned any function.

Like every DG DN | lens Art, yes, and the 15mm F1.4 DIAGONAL FISHEYE has an aperture ring with a locking option that can be used in both “click” and smooth modes.

The body is sealed against dust and splashes, and the front element of the lens is covered with a hydrophobic and oleophobic coating, which means the lens can be used even in difficult conditions**.

The HLA linear motor is responsible for automatic focusing, thanks to which the focus is set quickly, quietly and extremely precisely.

via Photorumors

Posted in 3rd Party Lens| Tagged , , | Leave a comment

Better Look at Viltrox AF 135mm f/1.8 LAB


A better look at the Viltrox AF 135mm f/1.8 LAB was shared on weibo and it has enough detail to see that the lens will have an AF/MF switch along with an AF distance limited and click on/off switch. The Viltrox AF 135mm f/1.8 LAB looks like it will be a very interesting lens for videographers when it is released soon.

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus, our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

VILTROX 85mm f/1.8 II: B&H Photo / Amazon
VILTROX 56mm f/1.4: B&H Photo / Amazon
VILTROX 33mm f/1.4: B&H Photo / Amazon
VILTROX 23mm f/1.4: B&H Photo / Amazon
VILTROX 16mm f/1.8: B&H Photo / Amazon
VILTROX 13mm f/1.4: B&H Photo / Amazon

Viltrox 50mm f/1.8: B&H Photo / Amazon
Viltrox 35mm f/1.8: B&H Photo / Amazon
Viltrox 24mm f/1.8: B&H Photo / Amazon

via weibo

Posted in 3rd Party Lens| Tagged , | Leave a comment

Venus Optics Laowa 10mm f/2.8 Zero-D FF Autofocus FF Lens Coming February 20th: World’s Widest f/2.8 Full-Frame Rectilinear Lens


Venus Optics will announce the Laowa 10mm f/2.8 Zero-D FF autofocus full-frame lens on February 20th, 2024. It will be the world’s widest f/2.8 full-frame rectilinear lens available for Sony FE, Nikon Z, Canon RF, and L-mount.

Specs

  • LAOWA’s first AF lens
  • 10th-anniversary logo
  • Low distortion
  • Minimum shooting distance 0.12m
  • Weight 420g
  • 77mm filter
  • panoramic view
  • Enjoy endless creativity
  • New release on December 29th
  • E / Z / R / L Mounts
  • AF/MF switch
  • low distortion
  • Around 5000 yuan

via Photorumors

Posted in 3rd Party Lens| Tagged , , , | Leave a comment