TTARTISAN RGB Mini LED Video Light


TTARTISAN released a white edition of this light in August and has just announced an RGB version that is more versatile. If you’re interested in picking one up they are quite affordable on Amazon and I ordered a few myself to experiment with. There is a single pack and a 10-pack.

  • Classic Design: This RGB LED light features a design based on classic 135 film, showcasing a unique retro style. It combines a retro look with pratical functionality, adding vibrant color effects to your photography.
  • RGB Full-color Spectrum: With a wavelength range extending from 400-750nm, this RGB LED light offers a vibrant spectrum. Buy freely combining the red, green, and blu channels, you ca easily create various color effecs.
  • 3 Color Temperatures: This LED light offers three color temperature: 3000K warm white, 4500K neutral white, and 6000K cool white, creating atmospheres for various shooting scenes. Whether it’s jewelry displays or food photography, this LED light will illuminate every creative moment in your work.
  • Color Rendering Index 95+: With a Color Rendering Index (CRI) of 95+, it accurately reproduces the natural colors of the subject. Whether it’s skin tones, food colors or still life details, they can all be fully presented.
  • PROTECTIVE RUBBER CAP: A rubber cap is included. If you need to place the LED light in a bag or pocket, put the rubber cap on the switch to prevent accidental tounches, thereby saving battery power.
  • Magnetic cold shoe mount: The unique magnetic cold shoe design allows you to easily attach the light to the camera. It can be adjusted from 0 to 180 degrees, and can also be detached t any time.
  • Easy Installation: Simple insert the LED light’s cold shoe mount into the camera’s hot shoe mount following the arrow direction to provide ideal lighting in low-light conditions. Make every product photo more professional and light up your every inspiring moment.
  • Efficient Charging Long-Lasting Light: It only take about 45 minutes to fully charging using the Type-C cable. The red light indicates charging, and the green light indicates full charge. If using only the warm or wool white, the battery life is approx. 160 minutes. If alternating between cool and warm white, the battery life is approx. 80 mintes.
  • Lanyard Hole Design: There is a lanyard hole at the switch, allowing you to hang the LED light on a bag or attach it to clothing. This makes it easy to use whenever needed without worrying about losing it.

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Possible Tamron 17-28mm F/2.8 Di III VXD Replacement Patent Found


In 2022 there was a rumor from Camerabeta about a Tamron 17-28mm F/2.8 Di III VXD G2 coming soon, but the lens still hasn’t been announced. It seems like Tamron might have gone back to the drawing board to create what could be a Tamron 20-28mm f/2.8 or Tamron 16-24mm f/2.8 lens according to mirrorless-camera.info.

F 19.0647 23.2315 28.3260
Fno 2.8846 2.8761 2.8914
W 49.8066 43.5759 37.6241

F 16.4842 20.0026 24.2538
Fno 2.9086 2.8820 2.8912
W 54.2972 48.1225 42.1370

F 16.4846 20.0051 24.2587
Fno 2.9913 2.9777 2.9979
W 54.2700 48.1675 42.2207

F 16.4858 20.0040 24.2577
Fno 2.8667 2.8327 2.8347
W 54.2283 48.0175 42.0266

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Tamron 17-28mm f/2.8 Di III RXD FE: B&H Photo /  Amazon / Adorama
Tamron 28-75mm f/2.8 Di III VXD G2 FE: B&H Photo / Amazon / Adorama
Tamron 28-75mm f/2.8 Di III RXD FE: Amazon
Tamron 35-150mm f/2-2.8 Di III VXD: B&H Photo / Amazon / Adorama
Tamron 70-180mm f/2.8 Di III RXD FE: B&H Photo / Amazon / Adorama
Tamron 28-200mm f/2.8-5.6 Di III RXD FE:
B&H Photo / Amazon / Adorama

Tamron 20mm F/2.8 Di III OSD M1:2(Model F050):
B&H Photo / Amazon / Adorama
Tamron 24mm F/2.8 Di III OSD M1:2(Model F051):
B&H Photo / Amazon / Adorama
Tamron 35mm F/2.8 Di III OSD M1:2(Model F053):
B&H Photo / Amazon / Adorama

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Sony FE 85mm f/1.4 GM II Now In Stock

Sony FE 85mm f/1.4 GM II: B&H Photo / Amazon / Adorama

The Sony FE 85 mm f/1.4 GM II is now in stock everywhere except Amazon will have them on October 7th.

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ArtraLab Nonikkor-Nocty 50mm f/1.2 Now Available From B&H Photo


The ArtraLab Nonikkor-Nocty 50mm f/1.2 was launched a bit ago, but it only just became available at B&H Photo.

The Artra Lab Nocty-Nonikkor 50mm f/1.2 Lens for Sony E is a fast prime lens that sports an ultrawide f/1.2 aperture for excellent performance under low-light scenarios. The 50mm lens (75mm on APS-C) is a classic that many consider a must-have when it comes to street or documentary photography. Thanks to its wide aperture, it provides a stunning bokeh that allows the user to isolate their subjects when working in portraiture. Its vintage aesthetics and precision engineering make it a suitable lens for those who are in the market for nostalgia, but still want a premium glass that reduces aberrations and enhances contrast and sharpness.

Key Features
  • Full-Frame | f/1.2 to f/16
  • 75mm (Full-Frame Equivalent)
  • Fast Prime Lens | Low-Light Performance
  • Manual Focus Design
  • Low-Reflective Multilayer Coating

via Photorumors

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OL: Viltrox 28mm f/4.5 VCM Review – Might Be Good For “Lomography”


The Viltrox 28mm f/4.5 VCM is launching on indigogo, but you might want to save your money if you trust Optical Limits, which just published its full review here or you can check out the excerpt below.

The Viltrox AF 28mm f/4.5 VCM is an interesting interpretation of the pancake lens theme. Performance-wise, it’s not great on a high-resolution sensor. The broader center quality is actually pretty good, but the borders aren’t overly impressive and the corners are soft (and our sample was a bit uneven). Image distortions are surprisingly low, whereas vignetting does benefit from auto-correction. Lateral CAs are quite high in the image corners as well. While not aligned to shallow depth-of-field photography, the technical quality of the bokeh is Ok for a wide-angle lens. Veiling glare can be an issue in certain scenes.

The build quality is generally good. Surprisingly there’s a metal mount and the quality of the plastic for the body is decent. The tiny built-in lens cap mechanism feels a bit flimsy but it’s good to have it on board. Other than that, there isn’t much to report here. There are no buttons nor control rings on the lens. The AF is quite fast and silent. Manual focusing is not supported.

The biggest question is probably for which user groups is targeted here. A fixed aperture of f/4.5 is quite exotic for an 28mm lens. It’s certainly not meant for landscape photographers because at f/4.5 the foreground just won’t be sharp in infinity focus scenes. If you want high corner-to-corner quality, it’s also not for you. There are, however, a couple of scenarios where this lens could make sense. Using it with a small Sony camera on a drone comes to mind. 4K video is just about 8 megapixels and the Viltrox lens can do that. If you are looking for a lightweight lens for “talking & walking head”-style YouTube videos could be another one. f/4.5 won’t matter much here. And, of course, street and social photography, where you tend to shoot quickly just to capture the moment – “Lomography” is a thing out there for many enthusiasts. In conclusion – make sure that the Viltrox AF 28mm f/4.5 VCM fits your shooting style.

Maybe OL just received a bad copy or the poor performance could be due to its form factor. Either way, I would want to see more reviews to see if there is sample variation before putting down money for this lens. Viltrox lenses are generally a great value and it sounds like this lens misses the mark unless you really want a compact “Lomography” AF lens.

Viltrox lenses can be found on Amazon and B&H Photo

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LT: Sigma 28-45mm f/1.8 DG DN Art Review


Sigma 28-45mm f/1.8 DG DN Art: B&H Photo / Amazon / Adorama

Lenstips published its full Sigma 28-45mm f/1.8 DG DN Art review which you can read in full here or check out the excerpt below:

Pros: solid, weather-proof casing, sensational image quality in the frame centre, especially in the 28-36 mm range, very good image quality on the edge of the APS-C/DX sensor, good image quality on the edge of full frame, negligible longitudinal chromatic aberration, very low lateral chromatic aberration in the 36-45 mm focal range, lack of any noticeable problems with spherical aberration, slight distortion on the APS-C sensor, low astigmatism, sensible performance against bright light, silent, fast, and accurate autofocus, moderate focus breathing, unique parameters.

Cons: very high vignetting on full frame. It is not a big secret: such tests as this one are my favourite ones. After over 20 years of optics testing it is really difficult to surprise me with anything so I am more than happy to handle an instrument with original parameters. If additionally that instrument fares very well in tests I am overjoyed and everyone else is happy. In case of the new Sigma A 28-45 mm f/1.8 DG DN I can say exactly that – you get a lens with unique parameters, unlikely anything I’ve ever seen, and it offers you resolution levels close to record-breaking values.

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