Techart Pro Review and Compatibility List

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If you follow Sony Addict on Twitter you know I was recently in NYC testing the Techart Pro adapter at B&H Photo with our contact Abe. I have been shooting pretty much exclusively with this adapter on my Sony A7M2 since receiving it, and firmware 3 fixed the vast majority of crashes I experienced during my first stress test shooting a show. If you’re a fan of Leica glass and own a Sony body the TechArt Pro is a must have accessory.

I can only say this with confidence because I personally tested 73 lenses on the Techart Pro and only TWO failed to work correctly! That’s right, TWO, the Leica 90mm Macro-Elmar-M f/4 (but I would like to try a second copy because of it’s unique design) and Voigtlander f4.0 Color-Skopar 25mm f/4 P (the lens was too wide at the base and pressed against the adapter).

There are other things I learned about the Techart Pro by testing such a large variety of lenses. For reference when you first mount a lens on the adapters it should be focused on infinity for the adapter to work optimally. Lenses wider than 35mm almost universally macro focus, while 35mm lenses have negligible macro capabilities when set at infinity. “Normal” focal length lenses, around 50mm, focus as per specification. Beyond 50mm the majority of lenses need to be moved off infinity to close focus, and they generally do not have macro capabilities. Even the Noctilux will focus, but it is right at Techart’s  700g recommended weight limit, so I would be careful with this lens attached if you are going to use it for extended periods of time.

The physical gear inside that moves the lens closer and further from the sensor moves all of the lenses at about the same speed, so I do not feel it is important to reference focusing speed beyond saying that this adapter will let you track with an M lens, but focusing from infinity to a meter away isn’t fast. The Techart adapter is best at making quick adjustments between a few feet and inches, which will satisfy most users. It is also far from silent so the adapter isn’t usable for video.

When I was testing the adapter in the store, employees and customers were impressed by how well it worked and I didn’t even demo how easy it is to update. No one is doing firmware updates as conveniently as Techart at this time. I love their implementation of Bluetooth, where I set my camera to F90, press the shutter button, turn the camera off, and let the app do the rest. No pairing required, and all from my phone. You can even downgrade your firmware from the app if you have an issue or a preference.

It’s hard to find anything wrong with this adapter, and I tried my best to find things that wouldn’t work. My only issue is a nitpicky one, but I would like a way to write metadata to the raw files with the correct lens names via the app. Techart just made the app so easy to connect to the camera that I think they should exploit the feature further by adding a text field or drop down menu so that we can name the lens that is attached. I know this could make things more difficult if someone switched lenses and forgot to change the name, so they could also implement a feature that reset the name when the camera is powered off completely. A feature like this would be a time saver for many that like highly organized Lightroom catalogs.

Below you will find a list of all of the lenses I tested in black (I also tested silver/chrome because they are heavier and many are made of brass, but I didn’t include links to them order to condense the list below). If they worked normally, there is no marking by the name; but if they have macro capabilities there’s an *, and if they need to be moved off infinity to focus close I marked them with **.  I also put a legend below the list. Once again, I must thank Abe and B&H Photo for their hospitality and assistance. Without them I never could have gained access to this many lenses, and there might be a few more on the way soon. I’m going to do my best to keep this list up to date and I am accepting glass to test if anyone has anything obscure to test.

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Posted in 3rd Party Lens, Accessories, Sony a6000, Sony a6300, Sony a68, Sony a7 II, Sony a7R II, Sony a7S II| Tagged , , | 25 Comments

New Sony 50mm Macro f/2.8 Lens Announced

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Sony announced another 50mm today this time with 1:1 macro capabilities and it will be available for preorder on September 11th at B&H Photo. Read More »

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Double Lens Cap Preorder From OpTech For E-Mount

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I’m careful about keeping my equipment clean and OP/Tech’s new double lens mount cap system seems like it might help photographers protect their valuable glass. The built in protective O ring should provide a good seal to keep dust/moisture out of your lens mount better than a stock cap and the double sided design could help with switching between lenses quickly if you keep the inside of your bag very clean. The OP/Tech double sided lens mount is currently available for preorder at B&H Photo.

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Current List of All Sony FE/E Mount Lenses as of August 27th

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John sent us an updated his list of the E/FE lens natively available for Sony cameras. You can follow him at John Clark Photography.

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New Sony E-mount Yasuhara Momo 100 28mm f/6.4

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Poised to deliver creative soft focus imagery, the Momo 100 from Yasuhara is a 28mm f/6.4 lens designed for APS-C-format Sony E-mount mirrorless cameras, and provides a 42mm equivalent focal length. Characterized by its simple doublet optical design, this lens relies on spherical aberration to produce a soft and glowing image quality, while still delivering in-focus results, for an ethereal look. Softness can be adjusted by manually adjusting the aperture setting, and manual focus control is also available for working with subjects as close as 11.8″ away. Additionally, this lens is also characterized by its slim, pancake profile that measures just over 1″ long for portability and a sleek overall form factor.

  • This 28mm f/6.4 prime lens is designed for APS-C-format Sony E-mount mirrorless cameras, and provides a 42mm equivalent focal length.
  • A dedicated soft focus lens, this optic employs spherical aberration in order to produce a glowing, soft image quality while retaining focus. The amount of softness can be controlled by varying the aperture setting as well as balancing the depth of field to subject/focus distance ratio.
  • Measuring just over 1″ in length, this slim lens has a pancake profile that makes it ideal for creative travel or everyday shooting.
  • No electrical contacts are featured in the mount design, and this lens requires manual focus and exposure control.

B&H Photo
Adorama

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ORCA Carry-On Wheeled Suitcase Review

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I have been doing a lot of traveling lately for the sites and personal reasons, so quality carry-on baggage for my equipment has become a priority. I like to use this kind of equipment for a while before I give an opinion about it, but I was recently sent the ORCA Carry-On Wheeled Suitcase from B&H to see if it could fill my needs and quickly decided that it was worth sharing.

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The ORCA is very well made and thought out in many respects. The sides are rigid, but nicely padded. There are plenty of places to quickly grab the bag from comfortably. Even the zippers have little ropes attached to them with rubberized plastic to keep them open, making them easy to grab and readily available to open the bag so that you can take your laptop out for security. All of the grab points are very functional. Read More »

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