DXO vs Photons to Photos Nikon D850 vs Sony a7RII results

For a while now DXO’s dominance, objectivity, and legitimacy have been in question and the recent release of the Nikon D850 results should require further explaining. Photons to Photos has quickly become the gold standard for quick and objective sensor dynamic range measurements and while DXO’s results somewhat match Photon on Photo’s results, DXO seems to favor the Nikon D850 giving it a 2 point overall lead.

Photon’s final results are very clear that the D850 has some advantages in dynamic range, but the a7RII wins at the vast majority of ISO levels. While DXO breaks their testing down more and requires you to juggle more factors. Under measurements, the ISO sensitivity is about even, while the Sony a7RII has a consistently higher signal to noise ratio, but under dynamic range, the D850 has an edge until between 800/1600ISO where the a7RII gains the lead, with the a7RII then having the higher tonal range and color sensitivity.

When comparing DXO and Photon on Photos base ISO results there seems to be a pretty big difference here that might account for the 2 points that DXO awarded, but I just don’t see if form the data. DXO more heavily favors the Nikon D850’s base ISO than Photon on Photos does, which might account for the score, but I doubt it. Of course, you are free to come up with your own conclusion, but the D850 seems to be a Nikon a7RII several years after the fact. Hopefully, Sony doesn’t delay the release of the Sony a7RIII much longer. The Kumamoto earthquake really messed up the release schedule.

Sony a7rII B&H Photo / Amazon / Adorama
Nikon D850: B&H Photo / Amazon / Adorama

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Kamlan 50mm f/1.1 Reviewed by ePhotozine and Samples

ePhotozine reviewed the Kamlan 50mm f/1.1 using the Sony a7RII in APS-C mode and it did pretty well for an inexpensive Chinese lens.

“Looking first at central sharpness, at f/1.1 the standard is only fair and the image is really quite soft. By f/2 the image sharpness is very good, and from f/2.8 right through to f/16 it is excellent.

At f/1.1 to f/2.8 edge sharpness is poor and the images are very soft. This starts to perk up by f/4, although the standard here is still only fairly sharp. At f/5.6 and f/8 things click in and sharpness is again excellent, tailing off slightly at f/16 but still being very good.

It needs to be borne in mind though that a test target is flat, and a simple f/1.1 lens is likely to have quite a bit of field curvature, so real-world images might be somewhat sharper all over.”

You can read the full review here. You can also check out some samples here and here.

The Kamlan 50mm f/1.1 can be purchased at Amazon

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Does Sensor Size Matter? Sony a7RII vs a6500 and Sony a7S vs Panasonic GH4

Lots of photographers and cinematographers are thinking about sensor size today with so many affordable full frame options and high priced crop sensor cameras available. Manny Ortiz made a pretty good a7rII vs a6500 real-world comparison video, while biscuitsalive compared the Sony a7S and Panasonic GH4. Sensor size largely comes down to preference today even when shooting high ISO until a point, but some can see a difference that they find tangible. I personally prefer larger sensors but acknowledge there is little difference between APS-C and Full Frame today, but I doubt m43 will ever fully catch up.

Sony a7rII B&H Photo / Amazon / Adorama
Panasonic GH4: B&H Photo / Amazon / Adorama
Sony a7SII: B&H Photo / Amazon / Adorama

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Sony Receives Philo T. Farnsworth Corporate Achievement Award 69th Engineering Emmy Awards


The Philo T. Farnsworth Corporate Achievement Award
Honors an agency, company or institution whose contributions over time have substantially impacted television technology and engineering.

Recipient: Sony Corporation
Established in 1946 as the Tokyo Telecommunications Engineering Corporation, Sony Corporation’s contributions in technology, content and services have significantly influenced all areas of television production. Today, Sony is a major supplier of professional equipment in virtually every type of television production including scripted/unscripted entertainment, news gathering and sports coverage.

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New Rokinon Savings


Full Frame AF Lenses:
Save $200 on the Rokinon AF 50mm f/1.4 FE at B&H PhotoAmazon, and Adorama
Save $220 on the Rokinon AF 14mm f/2.8 FE at B&H PhotoAmazon, and Adorama

APS-C Lenses:
Save $80 on Rokinon 50mm f/1.2 at B&H PhotoAmazon, and Adorama
Save $40 on Rokinon 21mm f/1.4 at B&H PhotoAmazon, and Adorama
Save $40 on Rokinon 12mm f/2.0 at B&H PhotoAmazon, and Adorama

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Photons To Photos: Sony a6500 Dynamic Range Results

Photons on Photos published results for the Sony a6500 today and surprisingly it comes in below the Sony a6300 and Fujifilm X-T2. You can manipulate the full results here if you are interested.

Sony a6500: B&H Photo / Amazon / Adorama
Sony a6300: B&H Photo / Amazon / Adorama
Sony a7II: B&H Photo / Amazon / Adorama
Fujifilm X-T2: B&H Photo / Amazon / Adorama

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