Sigma 28mm f/1.4 DG HSM Art Lens Officially Released

Sigma just announced the Sigma 28mm f/1.4 DG HSM Art today and it can be pre-ordered at B&H Photo / Adorama / Amazon (Coming Soon to Amazon). Shipping starts on January 25th, but E-mount might ship a little later. Sample images are available here.

 

Focal Length28mm
ApertureMaximum: f/1.4
Minimum: f/16
Camera Mount TypeSigma, Nikon F, Canon EF and Sony E
Format Compatibility35mm Film
Angle of View75.4°
Minimum Focus Distance11.02″ / 28 cm
Magnification0.185x
Maximum Reproduction Ratio1:5.4
Optical Design17 Elements in 12 Groups
Diaphragm Blades9, Rounded
Image StabilizationNone
AutofocusYes
Filter ThreadFront: 77 mm
Dimensions (DxL)3.26 x 4.24″ / 82.8 x 107.7 mm
Posted in 3rd Party Lens| Tagged , , , | Leave a comment

The Great 400mm Teardown Comparison: Sony 400mm f2.8 GM OSS vs Canon 400mm f/2.8L IS III


Lens rentals added some post to their teardown series for the new Sony 400mm f2.8 GM OSS and Canon 400mm f/2.8L IS III to see how Sony compares and it’s very lengthy. I covered all of the key points in the comparison below, but if you want to see the teardowns completely you will have to check the posts which I have linked too below. It’s a bit crazy to break down a lens at this price point, but lens rentals is the company with the confidence to do a proper disassembly.

Excerpts:

  • Sony won the battle of most fluorite elements 3 to 2 over Canon
  • Canon has long been the one lens company that grows and polishes large fluorite in-house and Sony is using 3 large ones that might have been grown by Canon since other manufacturers generally make smaller ones.
  • Sony wanted them to tear down the lens because they thought lens rentals would be impressed and the lens is superb compared to the Canon but costs less.
  • Sony has a single pressure plate where the tripod foot mounts whereas Canon has a double so Canon’s mount is more robust.
  • The ring that the tripod rotates on is a similar design to Canon’s
  • Sony has a knob to click and declick the tripod collar ring and Canon requires disassembly to do.
  • Sony used good seals
  • Sony’s 40.5mm drop in filter might be more difficult to find than Canon’s 52mm
  • Sony uses flex from the bayonet electronics instead of soldered wires, which is a plus
  • Sony’s mount is heavy duty metal and is held in place by 7 screws instead of 4
  • No infinity shims in the mount or signs of a variable thickness mounts like Canon uses
  • Sony’s magnesium feels just like Canon’s
  • Sony uses small nylon gears to rotate the focus ring that has almost no pressure on them, but lens rentals isn’t a fan of nylon gears, so these shouldn’t wear out.
  •  Sony has it’s shims in the barrel and they can be accessed and adjusted, which if you’re going to use shims this is how you should use them.
  • The lens has markings by the shims that likely tells you how thick they are, which is nice
  • The flex runs throughout the lens are well run and secured there are even protective elements for the cables.
  • Sony’s focus ring has double sided tape on it’s covering whereas Canon’s is friction molded
  • Sony used a sensor shim to secure a cable under the focus ring, which kept them from having to design another part to hold it down, which is smart engineering.
  • Sony might allow for double centering with there shims, which Tamron used to do.
  • Double centering allows for a lot of adjustment and it can be difficult to get right
  • Sony’s new 4th generation LM is large and robust without using any glue.
  • Everything Lens Rentals found gave them confidence that the Sony 400mm f2.8 GM OSS is a solid lens and it’s comparable to other similar lenses from Canon/Nikon.
  • Canon is on their 8th generation lens and Sony their 1st and they already caught the gold standard

You can see the Sony 400mm f2.8 GM OSS teardown here and the Canon 400mm f/2.8L IS III teardown here.

Be sure to follow us on FacebookTwitterInstagramYoutube

Sony 400mm f/2.8 FE: B&H Photo / AmazonAdorama
Sony a9 Action Shooting Kit: B&H Photo / Amazon / Adorama
Sony a9: B&H Photo / Amazon / Adorama

Posted in Sony lenses| Tagged , , | Leave a comment

Tamron Increased The Price of The 28-75mm f/2.8 Di III RXD Lens


The popular Tamron 28-75mm f/2.8 Di III RXD is now $80 more expensive, which shouldn’t be a surprise to anyone since reviewers have been shocked by the lenses low price and high quality since launch. I’m glad I picked mine up and I can easily see the price of this lens continuing to rise because it is still a great value. Tamron still can’t produce the Tamron 28-75mm f/2.8 Di III RXD fast enough to satisfy demand as the lens is still back-ordered today, almost a full 6 months since it launched.

Tamron 28-75mm f/2.8 Di III RXD FE: B&H Photo / Amazon / Adorama
Tamron 17-28mm f/2.8 Di III RXD FE: B&H Photo / Adorama / Amazon
Sony a7III:
 B&H Photo / Amazon / Adorama

Posted in 3rd Party Lens| Tagged , , , , , , | Leave a comment

Digital XPan Experimentation With An Anamorphic Adapter


This guest post was written by Depot MSA (Instagram) a Miami based professional photographer that is always experimenting. He has had a lot of influence on my work and he is great to collaborate with so I asked him to write a post about his latest project digital Xpan. I hope it interests you as much as it did me.

Digital XPan by Depot MSA
If you’re like me you’ve always wanted a Hasselblad Xpan but you couldn’t justify spending 4 thousand dollars on a film camera. Meet the digital x pan camera, I took a Sony a7 classic and put a cheap Yungnuo 85 mm ef 1.8 lens on it with a foto-diox dummy adapter. I picked up a Schneider Kreuznach Wa Cinelux 2x anamorphic lens off eBay and mounted them together with a homemade clamp and some electrical tape to keep the light leaks out.

Focusing the adapter, First you focus the anamorphic adapter, then the taking lens, it can be quite challenging to get both lenses in focus. The image inside the viewfinder looks squeezed but your subject will come out very clear and in focus, Anamorphic lenses take a normal image and squeeze the sides of the image, so imagine having an 85mm lens field of view that is very compressed and when you un-squeeze the image, it looks like a 28 mm wide-angle image without having the top or Botton edges. Composing in anamorphic can be magical. They’re three ways of doing so. The first is using a using a directors viewfinder which allows you to see exactly how your image will look before shooting, the second is through pre-visualization, you can imagine how your image will look and then un-squeezing the image in post to reveal your image it’s quite magical and lastly the Monitor, Most anamorphic shooters use monitors or cameras than can unsqueeze the image allowing the user to see exactly what their getting.

Read More »

Posted in 3rd Party Lens, Sony a7| Tagged , , , | Leave a comment

Sony CES 2019 Livestream Starts at 8:00PM EST

Sony’s CES 2019 presentation will start at 8:00 PM EST and I will be live blogging below for those late to the broadcast. We expect some 8k TV’s to be announced and maybe some details about 8k cameras or the Sony a7SIII. If they announce a lot of 8k stuff it would be leapfrogging Panasonic that has largely been the company pushing 8k up until now.

Sony is late…
5.6 million PlayStations sold during the holiday season with over 91 million units worldwide with over 90 million active players online.
Sony’s vision is to be a creative entertainment company
Only Sony and Disney have rights to Marvel
Venice now being used for TV also
8k Master Series TV’s
Lost in music campaign
360 music with Pharrell Williams

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Posted in Press releases| Tagged , , , , , , , | Leave a comment

Sony 24mm f/1.4 GM For Astrophotography and More

Even with star eater, Sony makes great cameras for Astrophotography fans and the Sony 24mm f/1.4 seems to make the experience that much better. While I agree that the Sony looks impressive Laowa offers some cheaper options that I am sure get close to the Sony’s performance for a more reasonable price if you are only going to shoot astrophotography get the Laowa, but if you also shoot landscapes or architecture the Sony is probably the better lens for you.

Sony 24mm f/1.4 GM Preorder
B&H Photo / Amazon / Adorama

 

Posted in Sony lenses| Tagged , , | Leave a comment