Voigtlander Ultra Wide-Heliar 12mm and Heliar Classic 75mm Discontinued


Voigtlander is discontinuing their Voigtlander Ultra Wide-Heliar 12mm and Heliar Classic 75mm. It’s unclear at this time if Voigtlander will release new versions of these lenses, but if you want one don’t miss out.

Voigtlander Ultra Wide-Heliar 12mm: B&H Photo / Amazon
Voigtlander Heliar Classic 75mm: B&H Photo / Amazon

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Kamlan FS 50mm f/1.1 II Coming to Kickstarter in May


The Kamlan FS 50mm f/1.1 will be coming to Kickstarter in May according to their Facebook page.

Kamlan FS 50mm f/1.1

  • Focal length: 50 mm
  • Maximum aperture: F1.1
  • Minimum aperture: F16
  • Angle of view: 31 degrees
  • Format compatibility: APS – C
  • Lens construction: 5 groups 5 pictures
  • Focus distance: 50 cm
  • Focus: Manual focus (MF)
  • Filter size: 52 mm
  • Mount: Canon EF-M / Sony E / Fuji Film X / Micro Four Thirds
  • Dimension: 56 × 59 mm
  • Weight: Approx 248 g
  • Price: About 25,000 yen (incl. tax)

Kamlan lenses can be found on: Amazon

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Photar Sony Interview: Why The Sony a7SIII Hasn’t Launched Yet and Some APS-C News


Photar interviewed Sony’s head of marketing Andrey Kurganov. Surprisingly he gave a very speculative interview that hints at why we are waiting for the a7SIII. Below are excerpts from the interview:

  • Sony had trouble keeping up with the demand for the Sony a7III globally
  • They were surprised by the demand
  • The Sony a7III is their best selling camera
  • It’s Andrey Kurganov’s opinion that we are still waiting for the Sony a7SIII because all of the technology needed isn’t ready yet.
  • The a7SIII can improve resolution and video detail, but they can further develop 4k or go to the next level
  • To do 8k the a7SIII will require very fast storage that isn’t available today
  • If you’re shooting in the rain with an a7III you should keep hot shoe closed because water can get in the camera with it off.
  • The a7III is better sealed on the top than the bottom
  • The a7III isn’t better sealed because the camera would become too big
  • If they can make the moisture protection better in the future they will
  • Sony probably won’t add deep color to their a7 line because they have the FS7 and FS7II for that
  • Sony won’t add features just for marketing if they add something it is fully featured
  • The a6400 is a step up from the a6300 so it doesn’t have IBIS an APS-C camera with IBIS has to take a step up in price and class like an a6500 replacement.
  • Not everyone needs stabilization and the a6500 isn’t a successor to the a6300
  • The FDR-X3000 hasn’t been replaced yet because it is still competitive and the RX0II can also be used as an action camera, but it’s not a replacement
  • Blogging is way bigger than the action camera market
  • Sony doesn’t do incremental upgrades just to add generations
  • Action cameras require a different lens than vlogging cameras

via photar

 

Posted in Sony a6300, Sony a6400, Sony a6500, Sony a6700, Sony a7RIII, Sony a7SIII| Tagged , , , , , | Leave a comment

ZEISS Otus 100mm f/1.4 Announced

ZEISS Otus 1.4/100

The Telephoto Lens.
With its new Otus 1.4/100, ZEISS has expanded the tried and tested Otus family to include a new telephoto focal length. The ZEISS Otus 1.4/100 is one of the best lenses in its class due to its low sample variation, outstanding imaging performance, and superior build quality.

With the same uncompromising performance that makes all Otus lenses stand out, the ZEISS Otus 1.4/100 is a truly exceptional lens. A lens that is a reflection of the comprehensive expertise and extensive experience of ZEISS.

Although developed for 35 mm full-frame cameras, the Otus® 1.4/100 gives you the quality and look of a medium-format system.
Whether in the studio or on location, this lens stands out in every situation thanks to its high resolution and excellent sharpness – even at the maximum aperture of f/1.4.

Whether portrait or product photography, the bokeh will impress you. The apochromatic lens design with aspherical lenses and special glass prevents almost all conceivable aberrations. In addition, the high-quality coating keeps the contrast high, even when shooting against the light, and minimizes lens flare.

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DPR: Studio Scene Sony a7III/a7RIII vs Panasonic S1/S1R


Panasonic’s new S1 and S1R camera were added to the DPR Studio comparison tool here, Panasonic’s sensor seems to compare well to Sony, but will it be enough? The main area where Panasonic L-Mount cameras fall behind Sony at this time is with their DFD AF system that is significantly behind Sony’s current AF system, but maybe Panasonic will try something with PDAF in the future. It’s certainly worth keeping an eye on Panasonic going forward since they are starting with a great lens line up that will features both Leica and Sigma AF glass.

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Sony a7III: B&H Photo / Amazon / Adorama
Sony a7RIII: B&H Photo / Amazon / Adorama
Panasonic S1: B&H Photo / Amazon / Adorama
Panasonic S1R: B&H Photo / Amazon / Adorama

via 43Addict

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Save $80 on Tamron 28-75mm f/2.8 Di III RXD FE

The exceptional Tamron 28-75mm f/2.8 Di III RXD FE is currently $80 off on Amazon. B&H Photo currently has the Tamron listed for $879 and so does Adorama. This lens is a way better value than the Sony 24-70mm GM unless you absolutely must have 24mm. I find 28mm to be enough for me even when I choose to use this lens for Astrophotography.

It’s interesting that Amazon has the Tamron listed for its original asking price without showing that it is discounted. Maybe someone messed up the listing or maybe the price is going to come back down even though demand is very strong for this lens.

https://www.instagram.com/p/BwccH_MnjZA/

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Tamron 28-75mm f/2.8 Di III RXD FE: B&H Photo / Amazon / Adorama

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