Sony a1 Firmware 1.10 Released to Fix IBIS Issues and Improves AF


Sony released firmware 1.10 for the Sony a1 today and you can download a copy here.

Benefits and Improvements

  • Improves overall AF performance and stability
  • Improves operability when using the Remote Camera Tool app
    Note: Make sure you have updated the Remote Camera Tool app to the most recent version
  • Improves eye sensor detection performance with strong light sources, such as sunlight
  • Improves operational stability when using the Imaging Edge Mobile apps
  • Improves operational stability when using the SEL100400GMSEL200600G, or SEL600F40GM lens
  • Improves the overall stability of the camera

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IR: Sony 14mm f/1.8 Review


Fast wide glass is always very interesting for astrophotography, but it can also be helpful for other forms of low/limited light photography. By all accounts, the Sony 14mm f/1.8 is a great lens that continues to show Sony’s skills when it comes to designing nitch high-end glass. Imaging-resource just posted its full review of the Sony FE 14mm f/1.8 GM which you can read here or you can skim the summary below:

The lens is a fantastic ultra-wide prime that exhibits great sharpness and impressive control over aberrations. In addition to performing better than the Sigma 14mm f/1.8 DG HSM Art lens, the Sony 14mm f/1.8 GM is smaller, significantly lighter and similarly priced. If you own a full-frame Sony mirrorless camera and you want or need a fast ultra-wide lens, the Sony 14mm f/1.8 GM is the lens for you.

What I like most:

  • Very good build quality and design
  • Impressively compact and lightweight given its focal length and maximum aperture
  • Outstanding image quality
  • Decisive autofocus
  • Competitive price

What I dislike:

  • Doesn’t accept a front filter (this is a bit nitpicky)

  • Great lens, but definitely a niche one

Sony FE 14mm f/1.8 GM: B&H Photo / Amazon / Adorama

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New Lensbaby Obscura



Lensbaby Obscura 50mm:
B&H Photo / Amazon / Adorama
Lensbaby Obscura 16mm: B&H Photo / Amazon / Adorama

Lensbaby, the leader in award-winning creative effect camera lenses, is launching its revolutionary Obscura lens. A camera obscura, ancestor of the photographic camerais a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole. Dating back to the 4th century BCE, this experience is the earliest image projection technique known to the industry.

Lensbaby is hosting a virtual launch party on June 21st where the newest Obscura lens will be revealed. Free tickets are available on Lensbaby’s website.

The Lensbaby Obscura comes in two versions — a 50mm Pinhole/Zone Plate/Pinhole Sieve optic for their Optic Swap System, and a standalone 16mm Pinhole/Zone Plate/Pinhole Sieve pancake lens (though pinholes are not technically lenses) for mirrorless cameras. Read More »

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MonsterAdapter LA-FE1 Nikon F Mount to Sony E mount Adapter Update


The MonsterAdapter LA-FE1 Nikon F Mount to Sony E mount Adapter was announced a little while ago, but MonsterAdapter has been slow to release this new adapter since its announcement. The other day MonsterAdapter announced that it’s Nikon F to Sony E mount adapter would be shipping soon in Japan so I checked US retailers and it looks like the adapter will start shipping in the US in Mid July according to B&H Photo.

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Sony E 16-55mm f/2.8 G Review


Optical limits reviewed the Sony E 16-55mm f/2.8 G and they came away impressed as long as you allow the camera to digitally correct the optical flaws. Read the full review here.

Let’s get the elephant in the room out of the way immediately – the Sony E 16-55m f/2.8 G is not meant to be used without image auto-correction – Sony is making this clear in the settings as well. You can’t switch off distortion correction for JPGs. While this may be disappointing at this price point, most users won’t really care about this question anyway.

With activated image auto-correction it’s probably the best APS-C standard zoom lens there is on the market today. It shows no weakness in terms of image resolution and there are no CAs to speak of. The corrected distortions are – obviously – nothing to worry about. There is still some visible vignetting at f/2.8 but it’s not excessive and stopping down helps, of course. The quality of the bokeh is on a decent level for a standard zoom lens. Out-of-focus highlights are a bit busy but mostly circular and the general rendition is impressively smooth actually.

The build quality is very high but we expected no less from a G-class lens. Sony used quality materials and implemented sealing against the elements. The lens extends during zooming. This may not be ideal but if you want to achieve a decent optical quality, it’s still the way to go for all manufacturers. The AF is pretty speedy and silent. The biggest drawback is probably the lack of an image stabilizer. If you own an A6500/A6600 you won’t care but the vast majority of Sony APS-C users can’t use in-camera stabilization. That being said … if you can afford the rather expensive Sony E 16-55mm f/2.8 G you probably tend to have the latest and greatest camera body anyway. While Sony’s APS-C lens lineup is still far from being complete, it has now assembled an interesting gang of quality zoom lenses – the Sony E 10-18mm f/4 OSS, E 16-55mm f/2.8 G, and E 70-350mm f/4.5-6.3 G OSS represent a quite compelling compact and low-weight combo.

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E 16-55mm F2.8 G: B&H Photo / Amazon / Adorama
E 70-350mm F4.5-6.3 G OSS: B&H Photo / Amazon / Adorama

Sony a6600: B&H Photo / Amazon / Adorama
Sony a6500: B&H Photo / Amazon / Adorama
Sony a6400: B&H Photo / Amazon / Adorama

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