NEW LEE Elements High-Performance Circular Filters


LEE Elements Filters: Adorama

LEE Filters launch LEE Elements range of high-performance circular filters

Innovative new filter range includes LEE’s renowned Stopper, polariser and ND technologies, allowing content creators working in stills and video to employ LEE’s creative tools in an easy-to-use form factor
LONDON, England (1st November, 2021) – LEE Filters, a leading manufacturer of high-quality lighting gels and photographic filters and part of Panavision’s end-to-end offerings for image makers, has introduced LEE Elements, an all-new range of high-performance and quick-to-deploy circular filters for photographers and videographers.

Available in four standard sizes of 67mm, 72mm, 77mm and 82mm, LEE Elements comprises five filter types: Little Stopper (offering 6 stops of light reduction), Big Stopper (10 stops of light reduction), CPL (circular polariser) and two densities of VND (variable ND, providing 2-5 or 6-9 stops of light reduction). Each LEE Elements filter incorporates the highest quality multilayer coated optics, providing class-leading optical performance, including with wide-angle lenses, and making them ideal complements to the latest lenses and camera sensors. The filters feature a rugged and robust black anodized aluminium frame, and their innovative design enables quick and easy attachment and operation without the need for a filter holder, in any environment and even when wearing gloves.

“With LEE Elements, we’re bringing our experience and know-how to a new range of quick and easy-to-use circular filters, providing the quality and performance that customers expect from LEE in a form factor that can streamline their creative process, whether they’re capturing stills or video,” said LEE Filters Managing Director Paul Mason. “With the quality of the glass and the high-performance coatings across the range, LEE Elements offers photographers and videographers class-leading optical performance.”

For the first time, LEE’s renowned Stopper filters for long-exposure photography are available in a circular format ideal for grab-and-go shooting. The LEE Elements Little Stopper and Big Stopper also feature stackable housings, allowing them to be combined to meet users’ creative needs across a variety of shooting conditions. For further flexibility, the rotating CPL and VND filters—which feature increased front rings to ensure optimal edge-crop performance—can be stacked in front of a Stopper.

The fluid rotation mechanics of the CPL and VND filters ensure smooth, silent operation, ideal for videography. Additionally, the VND filters feature a bracketed design with a rotational limit that eliminates the risk of cross-polarisation anomalies. The VND filters’ clearly marked numeric stop positions—tuned to LEE’s tight tolerance standard for ND filters—support stills and video content creators with real-time exposure control in dynamic lighting situations and also provide another creative option for long-exposure photography. LEE Elements CPL filters draw on LEE’s expertise in polarisation for ultimate reflection and contrast control.

Beyond the filter range’s scratch-resistant and anti-reflective coatings, LEE Elements features hydrophobic and oleophobic coatings equivalent to those found on Panavision’s PanaND and LEE’s ProGlass Cine IRND filters, providing enhanced protection against moisture and fingerprints. The filters also feature a knurled finish for an enhanced all-weather grip. Additionally, the front and rear sections of the rotating CPL and VND incorporate differentiated grip patterns to provide users with tactile feedback as the filters are adjusted.

Each LEE Elements filter comes with its own single-piece, impact-resistant protective hard case with custom foam insert. The curved, single-piece design allows the case to be held comfortably in one hand as the user removes or replaces the filter, and the cases are sized to be able to fit into a pocket or occupy minimal space in a camera bag. Each filter also comes with its own cleaning cloth.

“LEE Elements will introduce new customers who might still be in the early stages of their image-making journeys to the high-quality, rugged and easy-to-use filter systems that LEE is known for,” Mason said. “As those image makers continue in their creative pursuits, we’ll be there to further support them across a whole range of lenses with our LEE85, LEE100 and SW150 filter systems for still photography and our ProGlass Cine IRND line of neutral-density filters for cinematography. Whether a customer is shooting stills or video content, LEE Elements offers a versatile solution that empowers them to simply go and create.”

Posted in Accessories| Tagged , | Leave a comment

Size Comparison: Samyang AF 24-70mm f/2.8 FE, Sigma 28-70mm, Sigma 24-70mm, Tamron 28-75mm, and Sony 24-70mm


Camersize comparison added the Samyang AF 24-70mm f/2.8 FE to its line up so I decided to compare it to a variety of f/2.8 zoom lenses that are marked to similar photographers, which you can manipulate here. The Samyang 24-70mm f/2.8 isn’t much smaller than the competition and it is a little larger than the slightly different Tamron 28-75mm and quite a bit larger than the Sigma 28-70mm.

I still think the Tamron 28-75mm is the best lens in this category, but it is good that there are now so many options on E-mount, but I am not a big fan of zoom lenses. Sure zooms are very useful, but I prefer to go with a prime lens 99% of the time.

Samyang AF 24-70mm f/2.8 FE:
B&H Photo / Adorama

SIGMA 28-70mm f/2.8 DG DN Contemporary:
B&H Photo / Amazon / Adorama
SIGMA 24-70mm F2.8 DG DN Art:
B&H Photo / Amazon / Adorama
Tamron 28-75mm f/2.8 Di III RXD FE:
B&H Photo / Amazon / Adorama
Sony FE 24-70mm f/2.8 GM:
B&H Photo / Amazon / Adorama

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Plus our owners’ groups
Sony a1 Owners Group
Sony a9 Owners Group
Sony a7 Owners Group

Posted in 3rd Party Lens| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Sony FE 70-200mm f/2.8 GM OSS II Orders Exceed Expectations

Sony FE 70-200mm f/2.8 GM OSS II SEL70200GM2:
B&H Photo / Amazon / Adorama

Dear customers

Notice regarding supply of FE 70-200mm F2.8 GM OSS II “SEL70200GM2” lens for digital single-lens camera α [E mount]

Posted in Press releases| Tagged , , , , | Leave a comment

Viltrox 24mm f/1.8, 35mm f/1.8, and 50mm f/1.8 Full Frame Lenses Finally Available


The Viltrox 24mm f/1.8, 35mm f/1.8, and 50mm f/1.8 were announced in December of last year, but they have only recently become available via B&H Photo. It is kind of surprising that the 35mm is still only for preorder. These three lenses should be of excellent value and they are probably in limited stock due to supply the supply chain shortage so grab them while you can.

Follow SonyAddict on FacebookTwitterInstagram, and YouTube

Viltrox 50mm f/1.8: B&H Photo / Amazon
Viltrox 35mm f/1.8: B&H Photo / Amazon
Viltrox 24mm f/1.8: B&H Photo / Amazon

VILTROX 85mm f/1.8 II: B&H Photo / Amazon
VILTROX 56mm f/1.4: B&H Photo / Amazon
VILTROX 33mm f/1.4: B&H Photo / Amazon
VILTROX 23mm f/1.4: B&H Photo / Amazon

Posted in 3rd Party Lens| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

1 inch Sensor Sony Xperia PRO-I Preorders Start


B&H Photo now has the 1 inch Sensor Sony Xperia PRO-I available for preorder and if you’re into cameraphone photographer this might be the phone for you. I personally almost never use my phone to take photos, but I did experiment with doing some astrophotography with my new iPhone 13 Pro Max that also comes with a Sony sensor inside.

Key Features
  • GSM / 4G LTE + 5G Sub-6 Compatible
  • North American Variant
  • 12MP 24mm Wide with 1″ Exmor RS CMOS
  • Dual f/2.0 & f/4.0 Apertures
  • ZEISS Tessar T* Aspherical Glass Lens
  • Record Native 4K Video at up to 120 fps
  • 12MP 16mm & 50mm Lenses & 3D iTOF Sensor
  • 512GB Storage Capacity + 12GB of RAM
  • 6.5″ 21:9 4K HDR 120 Hz OLED Display
  • 360 Reality, Hi-Res & Dolby Atmos Audio

Posted in Xperia| Tagged | Leave a comment

FY2021 Q2 Sony Financial Results

Global supply chain shortages seem to have ground Sony to a halt with the financial results reflecting very little beyond expectations of focasted sales being lower due to shortages.

Electronics Products & Solutions (EP&S)
Sales are expected to be lower than the August forecast due to an expected decrease in unit sales mainly of digital cameras, primarily due to shortages in the supply of components, especially semiconductors. Operating income is expected to be higher than the August forecast due to the impact of an improvement in the product mix of digital cameras, an increase in unit sales of televisions and a decrease in operating expenses, partially offset by the impact of lower unit sales of digital cameras.

Imaging & Sensing Solutions (I&SS)
Sales are expected to remain unchanged from the August forecast due to higher-than-expected sales of image sensors for digital cameras and for industrial equipment, substantially offset by lower-than-expected sales in businesses other than image sensors. Operating income is expected to be higher than the August forecast primarily due to the impact of the above-mentioned expected increase in sales of image sensors for digital cameras and for industrial equipment.

via Sony

Posted in Financial results| Leave a comment