Viltrox AF 9mm f/2.8 Air and Viltrox AF 14mm f/4.0 Air Announced


Viltrox announced two new Air lenses alongside the announcement of the Viltrox AF 56mm f/1.2 Pro.

  • VILTROX AF 14mm F4.0 Air Full Frame
  • VILTROX AF 9mm F2.8 Air APS-C

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Viltrox AF 56mm f/1.2 Pro Announced


Viltrox AF 56mm f/1.2 Pro: B&H Photo / Amazon

Shenzhen, China – September 1st, 2025 – Viltrox is pleased to announce the release of the AF 56mm F1.2 Pro E and XF (APS-C) lenses. The AF 56mm F1.2 Pro lenses’ professional grade optical design delivers astonishingly high resolution from center to edge, taking full advantage of the capabilities of higher-megapixel cameras. Even after extensive post-cropping or enlargement, the lens faithfully preserves image detail, with incredible sharpness and clarity. Ideal for expressive portraits, the F1.2 aperture creates stunning depth and dimensional layering for a mesmerizing artistic impact.

F1.2 Large Aperture: Subject highlighting and mastery of light
The F1.2 ultra-large aperture delivers impeccable bokeh, facilitating more layered images through a shallow depth of field, rendering dreamy background blur, and highlighting subjects clearly. There is a smooth transition between in-focus and out-of-focus areas. The large aperture’s greater light intake allows faster shutter speeds and lower ISO, delivering refined, detail-rich images in both low-light and well-lit environments.

Precision optical design delivers stunning results
The precisely engineered optical design of 13 elements in 8 groups achieves peak aberration control and onion ring bokeh control even at 1.2 aperture, delivering consistent sharpness and clarity right across the frame – this is aided by Viltrox’s advanced HD nano coating. The ultra-large precision aspherical lens works together with an ED (extra-low dispersion) lens that effectively corrects axial chromatic aberration, delivering crisp, color-fringe-free images. The 3 HR (High-refractive) elements strike the perfect balance of portability and optical excellence, making this lens a natural fit for compact APS-C camera systems.

HyperVCM motor for quiet high-speed focusing
Viltrox’s patented HyperVCM motor provides faster and more precise focusing, while reducing vibration for smooth, silent performance – ideal for quickly capturing shots, and for fast-moving subjects. The silent operation and minimal focus breathing ensure a smooth and professional feel for video.

Tough and durable for all environmental conditions
The lens features high-grade weather-sealed construction with a high-strength forged aluminum alloy body. The matte black finish and protective coatings resist scratches, wear and lens contamination, while rubber seals keep out dust, splashes, and moisture – ensuring reliable performance, even in challenging outdoor environments.

About Viltrox
Viltrox, established in 2009, is a globally-recognized leader in camera lenses and adapters, specializing in high-performance equipment for photography and cine. The company’s portfolio includes cinema and autofocus lenses – such as the LAB, Pro, and Air series, launched since 2018 – along with monitors, adapters, and lighting solutions.

Driven by innovation, the company expanded further into cine in 2022 with the “EPIC” anamorphic and “LUNA” zoom lenses, offering cost-effective solutions for filmmakers worldwide. Renowned for their exceptional optical quality, reliability, and accessible pricing, Viltrox products reflect a commitment to engineering excellence and user-centered design, empowering content creators in both still and motion photography.

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Laowa 200mm f/2 Aura vs. Nikon 200mm f/2 VR2 vs. Sigma 200mm f/2 DG OS: Which 200mm f/2 Lens Reigns Supreme?


Matt Granger posted the first “review” of a preproduction Laowa 200mm f/2 Aura on Nikon Z mount that you can watch in full on YouTube since he age-restricted it so it can not be embedded, as you can see below. You can also find a summary of the video comparison below if you prefer to read about the new Laowa 200mm f/2.

The Contenders Up Close

1. Laowa 200mm f/2 Aura (Pre-Production Model)

This is the new kid on the block, and it’s got some intriguing features.

Design & Handling:

  • Notably small and impressively light for its class, weighing in at 2.3 kg.
  • Features multiple custom function buttons and a convenient drop-in filter slot.
  • However: The aperture ring is easily bumped and lacks a locking mechanism.

Autofocus & Continuous Shooting Performance:

  • The pre-production model required a +5 focus calibration on the Z8.
  • In the continuous shooting test with a running subject, it performed better than expected. While it produced a few out-of-focus shots and showed a slight lag behind the subject’s eye, it was generally consistent.
  • Note: As a pre-production unit, final AF performance is expected to improve.

2. Nikon 200mm f/2 VR2

The “beast” of the group, a legendary lens with a long-standing reputation for a reason.

Design & Handling:

  • Big, heavy, and built like a tank. It is the heaviest of the trio by a significant margin, weighing 2.93 kg.
  • Features Vibration Compensation (VR2) for enhanced stability.

Autofocus & Continuous Shooting Performance:

  • Flawless. In the continuous shooting test, it was perfect, nailing focus on 91 out of 91 shots with zero noticeable lag. It is the undisputed king of tracking in this comparison.

3. Sigma 200mm f/2 DG OS

A strong contender offering a modern balance of performance and modern features.

Design & Handling:

  • Matches the Laowa’s modern approach to size, weighing the same at 2.3 kg. This makes it much more comfortable to handle than the Nikon.
  • Includes optical image stabilization (OS) and boasts a modern, high-quality finish.

Autofocus & Continuous Shooting Performance:

  • Performance was between the Nikon and the Laowa. It didn’t lag behind the subject, but the AF motor would “pulse” or hunt, resulting in more missed shots than the Laowa.
  • However: The shots that the Sigma did hit were tack sharp, arguably the sharpest of the bunch when in focus.

The Head-to-Head Showdown: Comparison Charts

Key Features & Handling

Feature/LensLaowa 200mm f/2 AuraNikon 200mm f/2 VR2Sigma 200mm f/2 DG OS
Weight2.3 kg (5.07 lbs)2.93 kg (6.46 lbs)2.3 kg (5.07 lbs)
Build QualityGood (Pre-production)Super well-built (Tank-like)Well-built (Modern)
Image StabilizationNoYes (VR2)Yes (OS)
Custom ButtonsMultiple Cfn buttonsNoNo
Drop-in FilterYes (with CPL)NoNo

Optical & Performance (f/2 wide open)

Performance AspectLaowa 200mm f/2 AuraNikon 200mm f/2 VR2Sigma 200mm f/2 DG OS
BrightnessBrighter than NikonDarker than Laowa/SigmaBrightest of the three
Sharpness (f/2)Good, but not as sharp as Nikon/SigmaExcellentExcellent (Tack sharp when hit)
Continuous AF TrackingGood, with slight lag and a few misses.Perfect (91/91 hits), no lag.Good, but “pulsed,” causing more misses than Laowa.
Value PropositionPromising (Pre-production)Expensive (at release)Excellent (Half Nikon’s price)

The Verdict for Sony Shooters

  • For pure AF tracking performance, the old Nikon 200mm f/2 VR2 is still the champion. If you need to nail every shot of a moving subject and can handle the 2.93 kg weight, it’s a reliable beast.
  • The Sigma 200mm f/2 DG OS is arguably the best all-around package. It matches the Laowa’s lighter 2.3 kg weight, making it far more manageable. While its AF pulsed in this specific test, its in-focus shots are exceptionally sharp, and it offers a compelling blend of modern features, build, and value.
  • The Laowa 200mm f/2 Aura is the interesting newcomer. At 2.3 kg, it’s lightweight and its continuous AF performance was promising for a pre-production model. If the final version improves the AF consistency, it could be a serious contender.

For Sony users: If you’re adapting a lens, the Sigma 200mm f/2 DG OS appears to be the most balanced and modern option, offering a superb blend of performance, features, and portability. The Nikon is a specialized tool for when tracking is the absolute priority, and the Laowa is one to watch as it hits the market.

Laowa lenses can be found directly from Venus Optics and B&H Photo.

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Sigma 135mm f/1.4 Coming September 9th at “Master of Optics” Event


Sigma will announce a new 135mm f/1.4 full-frame lens on September 9th.

Rumored specs:

  • Full-frame autofocus lens
  • 105mm filter thread
  • Weight: 1320g
  • Classic black finish
  • Removable tripod collar
  • Available for Sony E and Leica L-mount
  • New product launch live broadcast: Time: September 9, 2025
  • “Master of Optics” special exhibition: September 10-11, 2025


Sigma is also rumored to announce two additional lenses:

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via Photorumors

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More Venus Optics Laowa 200mm f/2.0 Coverage, First Video, and MTF

The Venus Optics Laowa 200mm f/2.0 is going to be a popular lens among photographers. Laowa is being pretty open about what is coming too, since the lens is expected to be announced on October 1st.

  • LAOWA AF FF 200mm F2.0 C-Dreamer to be officially announced soon
  • The new product is expected to be released after the National Day holiday (October 1st)
  • Weight is within 1.6kg (1588g)
  • Available in two colors: gray and blue
  •  It is over 50mm shorter and over 1000g lighter than Nikon’s 200mm F2.
  •  The current plan is to support EF/Z/E mounts.
  • The EF version does not have a rear filter (presumably due to lack of space).
  • There are no genuine LAOWA extenders, but according to the designers, genuine (probably meaning Canon/Sony, etc.) or third-party range extenders can be used.
  •  There is consideration of a version specifically for the GFX mount, but it is not yet decided whether autofocus will be implemented.
  • We are currently considering offering a PL mount version with manual focus.
  • The aperture mechanism can be switched between step and stepless.
  • Someone asked if there will be a native L-mount version.
    → Q: No
    → Alternative: Use the EF version via an adapter
  • He also said that he had previously applied for an L-mount license, but found it too expensive.
  • Current test results for AF speed (hardware and firmware): EF-mount version is fastest, followed by Z-mount and E-mount. Sony’s version appears to be the α7C2, which is not a flagship model. They did not mention which camera body they tested it on.

Laowa lenses can be found directly from Venus Optics and B&H Photo.

Sample Photos

via Photorumors, asobinet

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AstrHori 6mm F2.8 220° Ultra Wide Circular Fisheye Lens


AstrHori 6mm F2.8: B&H Photo / Amazon

AstrHori announced its new AstrHori 6mm F2.8 220° Ultra Wide circular fisheye lens for Sony E mount.

A manual focus, ultra-wide lens for photographers seeking a new perspective, the 6mm f/2.8 Fisheye Lens from AstrHori creates a round image for full frame sensors and offers a staggering 220° circular viewing angle that transforms standard scenes into expansive, immersive images. The lens features ten optical elements in eight groups, and the fast f/2.8 maximum aperture ensures excellent low-light performance, making it a strong choice for night photography and astrophotography.

With a minimum focusing distance of 3.15″, the lens is capable of striking close-ups, dramatically magnifying objects close to the lens and creating a more pronounced fisheye effect. Its compact construction keeps the weight around 12 oz.

  • 0.08m Closest Focusing Distance:The 0.08 closest focusing distance combined with the circular viewing angle can create a crystal ball effect,which making small objects even more expressive and impactful.And make the works of short video creators and vlog bloggers more likely to stand out.
  • 220° Circular Diagonal Viewing Angle:The combination of 220° spherical field of view and circular frame can produce exaggerated barrel distortion to distort the building and create a surreal sci-fi movie feeling.Creativity is fully unleashed,and visual games are created at your will. City street scenes can be turned into a dome bubbles, and the Milky Way can be turned into a space-time vortex.
  • F2.8 Large Aperture Helps Portrait Creativity:Maximum aperture F2.8, which allows for greater light intake and greater creative space.With ultra-wide angle,cool and handsome portraits are easily created to magnify the uniqueness and personality charm of the characters,especially suitable for concerts.Starry sky and night shooting can also have a better experience.
  • AstrHori 6mm F2.8 Full Frame Ultra-wide Circular Fisheye Lens :Exqusite full metal body,elegant frosted material,durable,lightweight apperance and 330g weighs.With 10 elements in 8 groups optical structure, built-in 8 piece diaphragm blades,it allows you smooth de-click the aperture to get a perfect creativity photos.
  • Compatible Camera Models:This is a manual focus lens and you need to set “release without lens”before using it,otherwise the shutter cannot be pressed normally.If you don’t know how to set,please contact customer service.It compatible with Canon RF mount Full Frame Mirrorless Cameras.






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