VILTROX AF 16mm f/1.8 FL and AF 75mm f/1.2 Details Leaked


The Viltrox AF 16mm f/1.8 FL that was first reported here should become available in May according to Viltrox’s new teaser from weibo

  • Eye-popping wide-angle large-aperture lens
  • Suggested retail price: xxxx yuan
  • Release date: May x

Below is the first image of the Viltrx AF 75mm f/1.2 along with some specs.

  • angle of view as a full frame 115mm
  • 16 elements in 11 groups
  • 11 aperture blades
  • 0.88m-∞ focus range
  • inner focus system
  • body size 87×101mm
  • weight approx. 669g
  • Compatible with 77mm filter

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VILTROX 85mm f/1.8 II: B&H Photo / Amazon
VILTROX 56mm f/1.4: B&H Photo / Amazon
VILTROX 33mm f/1.4: B&H Photo / Amazon
VILTROX 23mm f/1.4: B&H Photo / Amazon
VILTROX 13mm f/1.4: B&H Photo / Amazon

Viltrox 50mm f/1.8: B&H Photo / Amazon
Viltrox 35mm f/1.8: B&H Photo / Amazon
Viltrox 24mm f/1.8: B&H Photo / Amazon

via asobinet

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TIPA 2023 Award Winners Announced


The 2023 TIPA Awards have been announced, and Sony did quite well.

BEST FULL FRAME PROFESSIONAL CAMERA Sony Alpha 7R V
TIPA editors were unanimous in their choice of the Alpha 7R V as a highly impressive, responsive, and flexible camera that raises the bar on features and functions for working pro photographers. It offers a 61MP full frame sensor, 8K video recording, and an 8-stop image stabilization system, plus it offers unprecedented accuracy and speed in tracking and predicting a host of subject’s movement with its advanced AI-powered autofocus system. Thanks to its Exmor R BSI and BIONZ XR Processor, the Alpha 7R V features a remarkable 15-stop dynamic range and expanded low-light capability. When the action is fast and split moment shots are crucial, photographers can make good use of the ability to capture 10 fps at full resolution for up to 583 consecutive compressed RAW frames – with full-time AE/AF – and, in JPEG capture, an incredible 1000 consecutive frames in a single burst.

BEST PROFESSIONAL CONTENT CREATOR CAMERA Sony ZV-E1
Designed for demanding content creators who want to record both on the go and fixed setup content without the need of a crew or post processing, the compact and full-frame ZV-E1 offers new Al functions for tracking moving subjects, can handle multiple subject interactions, and can be set up for visual effects and moods via numerous cinematic vlog settings. Control options are easily accessed via the on-camera touchscreen and remotely via smartphones. Its Dynamic Active Mode provides increased stabilization for newfound freedom when shooting handheld while the AI chip intelligently crop in the image in order to keep your subject always at the centre of attention. Numerous connectivity options include livestreaming via a USB connection. An onboard 3-capsule mic covers directionality shifts and can be set or manually or on auto detection. A bonus is access to the Sony Creators’ Cloud ecosystem that allows for cloud-based editing and media sharing.

BEST WIDE-ANGLE PRIME LENS SIGMA 24mm F1.4 DG DN | Art
Poll serious photographers about their favorite street, architecture, and even landscape prime lens and the 24mm focal length is sure to be a top choice. This fast f/1.4 maximum aperture, 11-bladed diaphragm lens also delivers ideal specs for nighttime and low-light capture, including astrophotography, featuring 2 FLD and 1 SLD glass elements and 4 aspherical elements that eliminate distortion and significantly suppress coma flare. The facility of the lens is enhanced by 2 filter holders, a front 72mm filter thread for ND and polarizer filters plus a rear filter holder that accommodates sheet-type filters, used by night sky photographers for special effects. The lens delivers both edge-to-edge sharpness and advanced optical and mechanical design, critical in this focal length class.

BEST STANDARD PRIME LENS Sony FE 50mm F1.4 GM
Offering a super-fast f/1.4 maximum aperture, this prime lens is ideal for low light and candid shooting. With an 11-blade diaphragm and 40.6cm close focusing capability, this G Master lens is ideal as a general purpose lens that can deliver startlingly smooth backgrounds and rich bokeh. TIPA editors were impressed by the incorporation of new design and control features that make it as ideal for video as it is for still photography, including two focus hold buttons and a Linear Response manual focus ring for fine focus control. Dust and moisture-resistant construction pays special attention to seams, buttons and switches while a fluorine front element coating further protects it from challenging conditions. Like all Sony G Master lenses, special elements minimise aberrations and distortion while providing outstanding resolution, sharpness and enhanced clarity and colour accuracy.

BEST MACRO LENS AstrHori 28mm F13 2X Macro Probe
From ultra-wide to super telephoto to fisheyes, special-purpose lenses allow for unique exploration of the world around us. This “probe” optic with a maximum magnification ratio of 2:1 offers an aperture range of f/13 through to f/40 with a working distance from the front element of just 0.3 inches (8mm). Both the focusing and aperture rings use M.O.D. gears for connecting to follow focus systems. An integrated LED array on the front lens, with 10 intensity levels, draws power from a separate USB-C port. The light and probe can also be submerged up to 9.8 inches (25cm) for underwater macro capture. Available in numerous camera mounts, it’s one of the most unique lenses TIPA members have seen.

BEST STANDARD ZOOM LENS Sony FE 20-70mm F4 G
Modern lenses must meet the needs of video, including vlogging, as well as those of still photographers. The Sony FE 20-70mm hits both marks plus serves as an excellent wide to normal lens that extends the universal 24-70mm zoom to a very useful 20mm at the short end. For videographers, when zoomed wide it offers an extensive field of view for selfies, landscape and event photography with excellent edge to edge sharpness, while the “portrait” 70mm length is perfect for POV, interview, and detail work, with a 9-bladed diaphragm for soft bokeh effects. Two XD motors provide smooth and silent AF performance, while an updated design eliminates focus breathing, focus shift, and axial shift, with active mode image stabilization adding even quality to its video capabilities.

BEST TELEPHOTO ZOOM LENS TAMRON 50-400mm F/4.5-6.3 Di III VC VXD
The Tamron 50-400mm lens is an ideal choice for a wide range of photographic applications, thanks to its close focusing distance of 25cm (9.9 inches) at the 50mm setting. Whether you’re shooting sports events, wildlife, or landscapes, this lens is compact and easy to transport, with an overall length of only 183.4mm (7.2 inches). To ensure sharp and stable shots, the lens features a VXD linear focusing mechanism and a vibration compensation system (VC) that helps reduce camera shake in low light or when shooting at slower shutter speeds. This allows you to take advantage of a wider range of shooting opportunities, even in challenging lighting conditions. In addition to its still photography capabilities, the Tamron 50-400mm lens can also be used for movie shooting when combined with the Tamron Lens Utility.

BEST SUPERZOOM LENS SIGMA 60-600mm F4.5-6.3 DG DN OS | Sports
This 10X zoom lens is designed as an essential tool for aerial, sports and wildlife photographers. From a close-focusing range of 45cm (17.8in.) at the wide end to its super-tele range, pinpoint focusing is assured via its newly designed HLA (High-response Linear Actuator) motor that delivers high focus-following performance. In use, its dual action zoom is a great aid in the field by allowing both rotary and straight zooming. Its zoom lock control at all marked focal distances, and three easy access AFL buttons also contribute to an excellent usability. To assure steady shots even in challenging conditions the lens incorporates SIGMA’s new OS2 optical stabilizer algorithm that delivers a startling 7 stops at the wide end and 6 stops at the telephoto end.

BEST CONTENT CREATOR LENS TAMRON 20-40mm F/2.8 Di III VXD
The Tamron 20mm F/2.8 lens is a compact and versatile option for mirrorless camera systems, with an ergonomic design that works well with gimbals or camera rigs. It’s a great choice for vloggers and content creators, particularly when used with the Tamron Lens Utility software. The lens’s wide field of view is ideal for selfies, while the 40mm focal length is well-suited for close-ups and scene-setting. The lens is lightweight and compact, making it ideal for on-the-go photography, including landscapes, travel, street, and family events. It’s designed for use with Sony E-mount cameras and features a VXD linear motor focusing mechanism that provides accurate autofocus. It also supports Sony’s Fast Hybrid AF and Eye AF functions on select cameras.

via TIPA

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Tamron 75mm f/1.4 Di III Patent Found


A Tamron 75mm f/1.4 lens patent was found that is likely part of the Di III series of lenses from Tamron.

overview

  • [Public number] P2023039482
  • [Release date] 2023-03-22
  • [Title of Invention] Optical system and imaging device
  • [Application date] 2021-09-09
  • [Applicant]
    [Identification number] 000133227
    [Name] Tamron Co., Ltd.
  • Kind Code: A1 A compact, lightweight, high-performance optical system and imaging apparatus suitable for a compact imaging system, and having an open Fno greater than 2.0 are provided.
  • 2. Description of the Related Art
    Conventionally, photographing apparatuses using solid-state image sensors, such as digital still cameras and digital video cameras, have been widely used. As the number of pixels of solid-state imaging devices used in these imaging devices increases, optical systems are required to have high resolution performance while maintaining compactness and light weight.
  • [0003]
    Further, as the size of the solid-state imaging device is increased, a large blur is required. Therefore, the optical system requires a large-aperture lens with a shallow depth of field and a brighter aperture Fno than 2.0.


Example 1

  • Focal length: 75.830
  • F-value: 1.458
  • Half angle of view: 16.269
  • Image height: 21.630
  • Overall length: 111.780
  • Back focus: 22.252

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Tamron 17-28mm f/2.8 Di III RXD FE:
B&H Photo /  Amazon / Adorama
Tamron 28-75mm f/2.8 Di III VXD G2 FE:
B&H Photo / Amazon / Adorama
Tamron 28-75mm f/2.8 Di III RXD FE:
Amazon
Tamron 35-150mm f/2-2.8 Di III VXD:
B&H Photo / Amazon / Adorama
Tamron 70-180mm f/2.8 Di III RXD FE:
B&H Photo / Amazon / Adorama
Tamron 28-200mm f/2.8-5.6 Di III RXD FE:
B&H Photo / Amazon / Adorama

Tamron 20mm F/2.8 Di III OSD M1:2(Model F050):
B&H Photo / Amazon / Adorama
Tamron 24mm F/2.8 Di III OSD M1:2(Model F051):
B&H Photo / Amazon / Adorama
Tamron 35mm F/2.8 Di III OSD M1:2(Model F053):
B&H Photo / Amazon / Adorama

via asobinet

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Monster LA-VE2 Minolta Vectis Mount Adapter Now Available on Amazon


The Monster LA-VE2 AF adapter for E-mount is a Minolta AF adapter that can now be purchased on Amazon.

MonsterAdapter LA-VE2 is an electronic lens adapter to mount Minolta Vectis interchangeable lenses to Sony E-mount cameras with Autofocus enabled. It is an upgraded version of the previous MonsterAdapter LA-VE1, which is only MF capable.

Key Features

  • Adapting all 8 Minolta Vectis interchangeable lenses to E-mount cameras
  • Autofocus and auto-exposure AF tracking enabled on selected cameras
  • Real-time Eye AF and tracking enabled on selected cameras
  • Compact and lightweight design

Specifications
Size: Approximate 62 x 65.5 x 23.2mm
Weight: Approximate 60g (2.1oz)

Included items:

  • Mount adapter LA-VE2 x 1
  • E-mount Rear cap x 1
  • Warranty Card x 1
  • Printed User’s Manual x 1

Warranty: 1 Year
Manufacturer: Shenzhen Muohuan Optics-electrical technology Co., Ltd.
Origin: Shenzhen, China

Background of Minolta Vectis interchangeable lens system
The Minolta V-mount was a new AF SLR system (Vectics Series) launched in 1996, which was parallel to Minolta’s famous Alpha A-mount system .

The V-mount provides electronic control of both focus and aperture like what Canon EOS system can do, and offers a compact lens system compatible with APS film, which is slightly smaller than 35mm film(crop factor about 1.4x). All 8 V-mount lenses released were supposed to be high quality for the coming digital camera era, however, these V-mount lenses were only designed to be controlled electronically by the body with motorized focusing drive, which makes them impossible to be used on today’s mirrorless cameras without a proper electronic adapter. With a mechanical adapter, they don’t work and the MF ring simply cannot be turned. This was a significant drawback of these lenses for those who like to use them with the current mirrorless bodies.

This Vectis system has a total of eight lenses, three primes and five zooms as follows:

  • 17mm F3.5
  • 50mm F3.5 Marco 1:2
  • 400mm F8 Reflex
  • 22-80mm F4-5.6
  • 25-150mm F4.5-6.3
  • 28-56mm F4-5.6
  • 56-170mm F4.5-5.6
  • 80-240mm F4.5-5.6 APO

The 17mm F3.5 was introduced along with Minolta’s RD3000, equivalent to a classic 28mm lens.

The 400mm F8 Reflex, which was then designed to autofocus on the Vectis S-1, S100 or RD3000, is now able to autofocus again with the LA-VE2, becoming only the second AF capable mirror lens next to the famous Minolta 500mm Reflex.

In 1996, Minolta realized the design of built-in focus motor, electronic focus ring, electromagnetic aperture, electronic AF switch, and Weather sealing for V series lenses. These designs are not outdated till now. So, LA-VE2 is the best choice for you to try Vectis lenses.

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Sony FX3 and FX30 Firmware Updates Released – Anamorphic De-Squeeze, 24p, and 4K DCI Recording

Sony FX3: B&H Photo / Amazon / Adorama
Sony FX30: B&H Photo / Amazon / Adorama

Sony released firmware updates for the FX3 and FX30 that add anamorphic de-squeeze, 24p, and 4K DCI Recording.

ILME-FX30 System Software (Firmware) Update Ver. 2.00

Benefits and Improvements

  • Adds support for the Creators’ App
    Note: The new Creators’ App mobile application replaces the Imaging Edge Mobile app. The Creators’ App allows you to transfer images from the camera to your smartphone, shoot remotely, and use various functions.
  • Adds a function that improves remote shooting and image transfer security when using the Creators’ App and Imaging Edge Desktop software
    Note: Please update the Imaging Edge Desktop software to the latest version (Ver.3.6 or later)
  • Adds support for DCI 4K (4096 x 2160) and 24.00p recording
  • Adds a function that during movie recording and playback, movies compressed using an anamorphic lens are displayed on the monitor with correction (de-squeeze) to the CinemaScope aspect ratio according to the ratio of the anamorphic lens
  • Adds a function that allows the Slow & quick and Movie modes to be switched with a custom key
  • Movie file names now support the Long File Name format
  • Improves the operational stability of the camera

ILME-FX3 System Software (Firmware) Update Ver. 3.00

Benefits and Improvements

  • Adds Support for the Creators’ App
    Note: The new Creators’ App mobile application replaces the Imaging Edge Mobile app. The Creators’ App allows you to transfer images from the camera to your smartphone, shoot remotely, and use various functions
  • Adds a function that improves remote shooting and image transfer security when using the Creators’ App and Imaging Edge Desktop software
    Note: Please update the Imaging Edge Desktop software to the latest version (Ver.3.6 or later)
  • Adds support for Breathing Compensation
  • Adds support for DCI 4K (4096 x 2160) and 24.00p recording
  • Adds a function that during movie recording and playback, movies compressed using an anamorphic lens are displayed on the monitor with correction (de-squeeze) to the CinemaScope aspect ratio according to the ratio of the anamorphic lens
  • Adds a function that allows the Slow & quick and Movie modes to be switched with a custom key
  • Movie file names now support the Long File Name format
  • Improves the operational stability of the camera

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Sony IMX366AJK 44MP and IMX455AQK 61MP Full Frame Sensors

IMX366AJK

  • Sony Semiconductor PDF
  • 35mm full frame
  • Back illuminated type
  • 44.72 million pixels
  • 26.15ps in still image mode
  • 8K 12bit
  • Designed for use in consumer digital still cameras and camcorders
  • rolling shutter
  • Electronic front curtain shutter

IMX455AQK

  • Sony Semiconductor PDF
  • 35mm full frame
  • Back illuminated type
  • 61.17 million pixels
  • 16bit 3.9fps
  • 14bit 9.98fps
  • 12bit 17.91fps
  • 8K 30p / 4K 60p
  • Designed for use in consumer digital still cameras and camcorders
  • rolling shutter
  • Electronic front curtain shutter

via How2Fly and Asobinet

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