Author Archives: Louis Ferreira

Meike Lenses Now Available

By Louis Ferreira | Published: June 9, 2016

Amazon has the new Meike NEX E mount lenses available for order. Meike MK-E-25-0.95 25mm f/0.95 Meike MK-E-28-2.8 28mm f/2.8 Meike MK-E-35-1.7 35mm f/1.7 Meike MK-E-50-2.0 50mm f/2.0

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Lightroom CC 2015.6 and Camera Raw Update 9.6 Now Available

By Louis Ferreira | Published: June 8, 2016

Adobe released Lightroom 6.6/Lightroom CC 2015.6/Camera Raw Update 9.6, Today which adds guided upright and support for a lot of great Zeiss, Sony, Voigtlander, Samyang and Rokinon lenses.

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Elinchrom EL-Skyport Plus HS Transmitter For Sony Announced

By Louis Ferreira | Published: June 8, 2016

Since the launch of the Skyport Plus HS for Canon and Nikon, Sony users have been patiently awaiting their dedicated Transmitter. As promised, the most advanced Skyport ever is now available to Sony users. This will give them the ability to control and visualize power settings for all their compatible Elinchrom lights and the capability […]

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CameraStoreTV Reviews The Sony RX10 III

By Louis Ferreira | Published: June 7, 2016

TCS has been making denser videos lately, which is a good thing. They conclude that the Sony RX10 III is a minimal upgrade, with a fantastic lens, but the Sony RX10 II is probably a better all around value for those looking to buy today.

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Sony GM 85mm f1.4 vs The World

By Louis Ferreira | Published: June 7, 2016

Romeo assembled a very interesting comparison with images from the Sony FE 85mm f/1.4 GM, Canon EF 85mm f1.2L II USM, Canon EF 85mm f/1.8 USM, Jupiter 9 85mm F2, Zeiss Batis 85mm f1.8 and last, but not least Leica Summilux-M 75mm f/1.4. So what is his opinion?

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Pushing The Limits of The Sony a7S

By Louis Ferreira | Published: June 6, 2016

Conditions don’t get much more extreme than cave diving and the Sony a7S with Nautical housing is an ideal solution to capture these extreme moments. Christopher Brenna and his camera man Jonas Pedersen did an amazing job creating this video of El Toh in the Yucatan in Mexico. The footage was shot in Slog-2 with the ISO going as […]

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