Tokina 25-75mm T2.9 Preorders Started


B&H Photo has the upcoming Tokina 25-75mm T2.9 listed for preorder here. The lens was announced a while ago, but shipping and preorders have been a bit off for these kinds of products thanks to COVID-19.

This Sony E-mount 25-75mm T2.9 Cinema Lens from Tokina sports a 36mm image circle that covers Super 35 and select larger image sensors. Designed to match the Tokina Cinema 50-135mm T2.9 Mk II and 11-20mm T2.9 zoom lenses, the 25-75mm zoom lens features a constant T2.9 maximum aperture, limited focus breathing, and low distortion.

It has an easy-to-read distance scale measured in feet and a clickless aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 MOD cine-style gears for use with follow focus systems. This zoom lens has a common 95mm front diameter for use with professional matte boxes and has a filter thread size of 86mm. Its lens mount is interchangeable with separately available Canon EF, MFT, and PL mounts.

Super 35+ Coverage

  • Covers Super 35-sized sensors
  • Covers RED KOMODO, Sony FS series
  • ARRI ALEXA, ALEXA Mini, AMIRA

UHD Crop Mode Coverage

  • RED HELIUM 8K, DRAGON 6K, MONSTRO in 6K
  • Sony FX9 in DCI 4K crop
  • ARRI ALEXA LF and Mini LF

Fast 2.9 Aperture
Constant T2.9 maximum aperture zoom lens

Minimal Breathing
Parfocal lens design prevents focus shift as you change your zoom

Cine-Style Gearing
0.8 MOD geared focus, aperture, and zoom rings
Rounded Bokeh
9-blade aperture for smooth bokeh effects

95mm Front
Common 95mm front diameter for use with most matte boxes

Interchangeable Mount
Separately available interchangeable PL, EF, and MFT mounts
Filter Thread
86mm filter thread

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Sony Expands Functionality of Camera Remote SDK and Increases Range of Compatible Models


Sony Expands Functionality of Camera Remote SDK and Increases Range of Compatible Models

  • Alpha 1 and RX0 II added to list of compatible Sony’s cameras
  • Latest version of SDK extends USB and Wired Ethernet connectivity options, increasing the number of cameras that can be connected and remotely controlled
  • x86 Linux compatibility

Sony has launched an update (Version 1.04) to its Camera Remote Software Development Kit (SDK) which extends the list of supported cameras to include the Alpha 1 and RX0 II. The addition of these models opens many new opportunities for companies to utilise the industry leading technology in Sony’s cameras to develop bespoke camera applications to improve their own workflow.

Alpha 1 is particularly suited to content creation and the inspection industry due to its unprecedented combination of resolution and speed with Ethernet control. RX0 II is ideal for 3D scanning and Photobooth usage, due to its ultra-compact body and high image quality made possible by its 1.0-type image sensor.

The latest update now means that up to 20 camera devices can be connected via USB, with the additional benefits of Ethernet connectivity which enables users to operate system over much greater distances.

Camera Remote SDK allows users to control Sony’s cameras remotely from a computer, from changing the camera settings, to remote shutter release and live view monitoring. With this SDK, software developers can design bespoke applications tailored to business requirements, integrating Sony’s professional equipment for size-critical drone and speed camera systems as well as other medical, education, government, and e-commerce functions.

“Since the launch of the SDK in February 2020, demand has been fantastic and we have engaged with new B2B partners across the globe to develop some incredibly interesting applications that take full advantage of the advanced capabilities of cameras such as the Alpha 7S III and Alpha 7R IV”, said Yasuo Baba, Director Digital Imaging, Sony Europe B.V. “Improving the connectivity options for wired multi-camera solutions is crucial for applications in areas such as E-commerce and 3D scanning and we will continue to evolve our offering to best support the needs of our customers.”

“The ability to connect multiple cameras in the same session per machine, will greatly expand our photogrammetry capture rig capabilities,” said Craig Mason, Director, Stasis Media. “The support for the RX0 II gives us capacity to perform full-body scans at high quality, in tandem with face capture, all as part of the same workflow. This is a great addition to the Sony toolset and will allow us to make use of Sony’s high-quality imaging sensors for rapid, high quality photogrammetry scanning.”

In addition to the existing support for Windows® 8.1/10, ARM Linux® and macOS®, Version 1.04 of the SDK introduces support for x86 Linux, making integration easy for industry customers traditionally using x86 computers. Full details of the Camera Remote SDK, including case studies and the full list of compatible products can be found at www.sony.eu/businesssolutions.

Alpha 1: Unprecedented Resolution and Speed
The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel(approximate effective) full-frame image sensor and a large buffer memory makes it possible to shoot up to 155 full-frame compressed RAW images[i] or 165 full-frame JPEG images[ii] at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance[iii]. These features are all possible whilst controlling via SuperSpeed USB 10 Gbps or 1000BASE-T Ethernet.

At an astonishing calculation speed of up to 120 AF/AE calculations per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 seconds[iv].

RX0 II: Mini Powerhouse
The RX0 II is truly a ‘worry-free’ camera that can be inserted into places that no other camera can go, whilst still delivering fantastic image quality thanks to its 1.0-type image sensor. Measuring just 59mm x 40.5mm x 35mm[v] and weighing just 132g[vi], the RX0 II fits easily into small spaces for truly flexible shooting.

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New WANDRD PRVKE: One of My Favorite Bags


In 2018 when I had to find a quality bag to fit all my gear in for the Falcon Heavy launch I attended with my kids I purchased a WANDRD PRVKE 31L (the biggest they made at the time) to carry all of my equipment from my car to the launch site, which took about 7 hours to reach due to the number of people there. On top of the long trek which started first thing in the morning, I also have a very bad back that constantly hurts so evenly distributing the weight of all my equipment was crucial and the WANDRD PRVKE 31L did not fail me. Now they have updated the bag with some new tweaks and the WANDRD PRVKE Lite and WANDRD PRVKE 41L sizes being added to the lineup. This update has me considering the 41L now since I could have used a little more room in the bag and almost exclusively shoot GFX, but like to bring my X gear with me too.

The WANDRD PRVKE is great for hiking and it’s the bag I use to walk down to the beach at night when I want to photograph lightning since the bag does a good job of protecting my cameras and lenses during the walk back if it is raining and I find that I’m not in pain the next day from lugging around too much weight. I don’t quite pack it to the extent above for these kinds of events, but you can get a substantial amount of equipment in these bags comfortably, which is the most important thing for me since my back can put me out of commission for months if I overdo it and in 2018 I was carrying around two kids in addition to all of the above equipment so I would say the bag saved me from having a miserable month.

I know other companies make quality backs, but at this point, they would have to prove to me that they can do as good of a job of distributing weight as the WANDRD PRVKE for me to consider purchasing them. If you have back pain you know that once you find something that doesn’t add to your pain you become a fan for life and the WANDRD PRVKE is that for me.

WANDRD PRVKE: B&H Photo / Moment

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Sony a7RV Specs Leak? and Sony a7RIV Discounted


The Sony a7RIV isn’t very old, but it is currently discounted at B&H Photo and Sony doesn’t really have a fixed release schedule so these leaked Sony a7RV specs could be real. Sony also refreshed the Sony a7RIV and a7RIII so the discount just might be to clear out the non-Sony a7RIVa and a7RIIIa cameras from inventory.

Sony’s rapid release schedule as of late is similar to when Sony first launched the a7 series of cameras and the lenses and bodies were being released very frequently so Sony might have decided now is the time to not hold anything back with Canon and to a lesser extent Nikon coming for Sony’s mirrorless crown.

Sony a7RV Leak 1
Alpha 7R V:
£3800/US$3500
BIONZ XR processor
ISO 40-81920 (native 80-32000)
61 million pixels Exmor R sensor
759 points PDAF
real-time tracking eye focus for birds/animals/humans
26 million pixels APS-C Mode
10fps continuous shooting
5.5-speed five-axis image stabilization
9.44 million pixels EVF
2.36 million pixels flip LCD screen
new menu
dual CFE-A/SD compatible card slot
10Bit HEIF photos support
lossless compression RAW photos support
shake music mode is updated to four (2 photos/4 photos/8 photos/16 photos) (not yet determined)
16Bit RAW photos in Shaking Music support (not yet determined)
full-frame oversampling 8K/24p, 4K/24p video
Super35 oversampling 4K/30p video
1.24 times crop mode 4K/60p video
XAVC HS/S/SI encoding video color depth up to 10Bit 4:2:2
supports multiple creative modes including S-CineTone
flash sync interface, no full-size HDMI

Sony a7RV Leak 2
ISO 40-81920 (native 80-32000)
61 million pixels, equipped with Exmor R sensor
759-point PDAF
real-time tracking
eye focus (bird/animal/human)
26 million pixel APS -C mode
10fps continuous shooting
5.5-stop five-axis image stabilization
9.44 million pixel EVF
2.36 million pixel tilted LCD screen
new menu
dual CFE-A/SD compatible card slots
10Bit HEIF photos
support for lossless compression RAW photo.
the camera’s shake mode will be updated to four (2 frames / 4 frames / 8 frames / 16 frames) (not determined yet)
16Bit RAW photos in the camera will support (not determined yet)
full-frame oversampling 8K/24p, 4K/24p video
Super35 oversampling 4K/30p video
support 1.24 times crop mode 4K/60p video
XAVC HS/S/SI coded video
color depth up to 10Bit 4:2:2
support multiple The creator mode includes S-CineTone
flash sync interface
no full-size HDMI.

Scanning performance:
FF 9.504K Oversampling: 8K,4K/24p
FF 4.752K Binning: 4K/30p
FF 3.168K Binning: HD/24,30,60p
1.24x Crop 3.84K Binning: 4K/60p
1.24x Crop 1.92K Binning: HD/120p
S35 6.336K Oversampling: 4K/24,30p
S35 3.168K Binning: HD/24,30,60p

Encoding format:
XAVC HS:
8K: 24p 10Bit 4:2:0
4K: 24/60p 10Bit 4:2:2/4:2:0
XAVC S:
4K: 24/30/60p 10Bit 4:2:2 / 8Bit 4:2:0
HD: 24/30/60p 10Bit 4:2:2 / 8Bit 4:2:0
HD: 120p 8Bit 4:2:0
XAVC SI:
4K: 24/30/60p 10Bit 4:2:2
HD: 24/30/60p 10Bit 4:2:2

via weibo, creaders

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Sony Red Dot Award 2021


About Red Dot Award
The Red Dot Award is the award for an international design competition administered by Design Zentrum Nordrhein Westfalen in Germany. The award is divided into three disciplines: the Red Dot Award: Product Design, Red Dot Award: Brands & Communication Design and Red Dot Award: Design Concept. Once a year, international design experts discuss and evaluate each entry individually. Over 10,000 design professionals, companies and organizations from more than 60 countries enter the competition for this very prestigious award each year. Winning entries are honored at a grand award ceremony attended by design professionals from all over the world, and are also presented at the Red Dot Design Museums in Germany, Singapore and China. With more than 2,000 exhibits, the Red Dot Design Museum Essen (Germany) presents the world’s largest exhibition of contemporary design in the former boiler house of the UNESCO World Heritage Site Zollverein, a former coal mine complex. Innovative and well-shaped objects from around 45 nations make the quality of good design become experienceable at close range because touching and testing many of the exhibits is allowed.

Product Design
The Red Dot: Product Design is for product designs which have been launched on the market between 1 January 2019 and 1 June 2021. Entries are judged on nine criteria, including degree of innovation, functionality, formal quality, ergonomics, durability, and symbolic and emotional content.


BRAVIA XR X95J Series Red Dot: Best of the Best
In this high-end 4K LED TV, stunning visuals delivered by an all-new XR™ processor featuring cognitive intelligence are combined with Sony’s original sound system comprising slit speakers, a subwoofer and sound-positioning tweeters for a truly realistic audio experience that feels as if the sound is coming directly from the flat screen. The aluminum edge frame around the flush panel was made as thin as it can get to eliminate all distracting elements for more immersive viewing. Also, the stands were put at the two ends of the screen to avoid reflections and keep the viewer’s attention on the imagery—not the structural supports. The stands feature a triangular cross-section, and their narrow edge at the top connects with the frame in a way that helps guide the viewer’s gaze to the screen. In addition, the versatile three-way multi-position stands give users a choice of three configurations to suit various placement settings.


VLOGCAM ZV-1 / VLOGCAM ZV-1G Red Dot: Best of the Best
With the popularization of social media and video sharing websites, a growing number of young people are now uploading video content online—from snapshots of their daily lives and fresh reviews from travel destinations to product review and makeup videos—to share with the rest of the world. The ZV-1 video camera enables young creators to convey their message in high-quality video that far outstrips content shot with a smartphone. A flat body design was chosen for ease of handling—taking out of a bag, shooting both still images and video, and taking selfie shots. The slightly large ridge on the body is designed to minimize the impact of the wind on sound, and to ensure a comfortable grip when held at an unnatural angle. When used with the shooting grip, the camera can be operated with a single hand, left or right, and flipped around to instantly change the shooting direction. Featuring a large 1.0-type Exmor RS CMOS image sensor and a ZEISS® lens on a compact body, this camera can shoot high-quality video even under poor conditions.


Xperia PRO Red Dot: Best of the Best
The Xperia PRO is an innovative device for professionals who seek to engage in a new style of visual content creation supporting 5G mmWave and 5G Sub-6. It features an HDMI terminal that links with a camera, as well as a 4K OLED display that achieves professional-grade color reproduction. Visual data captured with a camera can be monitored on the Xperia PRO or streamed live via HDMI connectivity. Data can also be sent directly to a remote editor to streamline the workflow and cut costs. To ensure reliable reception and transmission of 5G mmWave signals, which tend to travel in a straight line and are prone to attenuation, the chassis has antennas placed in four directions. A low dielectric constant material covers the outer periphery to help ensure the best 5G mmWave connection. The unique structure diffuses heat during long hours of use to maintain communication efficiency. Terminals and buttons are arranged to enhance usability when connected with other equipment. This device fully incorporates Sony’s expertise in professional products, and combines imaging and communication functions to innovate creative workflows.


Wireless Speaker SRS-RA5000


Wireless Stereo Headset WF-XB700


Wireless Speaker SRS-XB23


Interchangeable-lens Camera α7C (ILCE-7C / ILCE-7CL)


Cinema Line Camera FX6


Smartphone Xperia 1 II


PlayStation®5 Standard and Digital


DualSensewireless controller (PS5 accessories)


HD camera (PS5accessories)


PULSE 3D wireless headset (PS5accessories)

PS5 cables

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Sony a1 Glass Recommendations

Best Lenses combining sharpness and speedSpeedRating
Sony 14mm F1.8 GM30fpsOutstanding
Sony 20mm F1.8 G30fpsOutstanding
Sony 24mm F1.4 GM30fpsOutstanding
Sony 35mm F1.4 GM30fpsOutstanding
Sony 50mm F1.2 GM30fpsOutstanding
Sigma 85mm F1.4 DG DN15fpsOutstanding
Sony 100mm F2.8 STF GM OSS30fpsExcellent
Sigma 105mm F2.8 DG DN Macro15fpsOutstanding
Sony 135mm F1.8 GM30fpsOutstanding
Sony 400mm F2.8 GM OSS OSS (including with TC)30fpsOutstanding
Sony 600mm F4 GM OSS OSS (including with TC)30fpsOutstanding
Sony 12-24mm F2.8 GM30fpsExcellent
Sony 16-35mm F2.8 GM30fpsExcellent
Sigma 24-70 F2.8 DG DN15fpsExcellent
Tamron 70-180mm F2.815fpsExcellent
Sony 100-400mm F4.5-5.6 GM OSS (including with TC)30fpsExcellent
Sony 200-600mm F5.6-6.3 G OSS (including with TC)30fpsExcellent

The Sony Alpha 1 is certainly a monster of a camera that is drawing in lots of new photographers to the Sony  ecosystem, but if you’re new to Sony there are a lot of lenses to pick from and you might wonder which would pair best with your new body. Thankfully SonyAlphaBlog posted a very lengthy review/comparison that should help you pick. Above is a list of some of the best lenses to take advantage of the new Sony A1, but if AF performance isn’t a priority to you then you might want to look over the full comparison to find out which lenses have the best optical performance on the new megapixel monster.

Sony A1: B&H Photo / Amazon / Moment / Adorama

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