New Meike 105mm T2.1 FF-Prime


Meike just announced a new 105mm T2.1 FF Cine lens for PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. It weighs 1.1kg / 2.42lb, has a front filter diameter of 82mm, a minimum focus distance of 1m (3.28′), and a focus throw of 330 degrees. The optical construction consists of 11 elements in 7 groups with 11 aperture blades.

The Meike 105mm T2.1 FF cine lens joins the 35mm, 50mm, and 85mm T2.1 lenses in the series and there are more to come:

  • 16mm T2.5
  • 24mm T2.1
  • 35mm T2.1
  • 50mm T2.1
  • 85mm T2.1
  • 105mm T2.1
  • 135mm T2.4

The Meike 105mm T2.1 will be $1,199 USD when it is available to preorder.

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New SIRUI 75mm T2.9 1.6x Full-Frame Anamorphic Lens


SIRUI launched the SIRUI 50mm T2.9 1.6x as its first 1.6x anamorphic lens not very long ago and now it has an IndieGoGo for a new SIRUI 75mm T2.9 1.6x anamorphic lens expanding its 1.6x Anamorphic range. SIRUI already has a range of 1.33x anamorphic lenses available including the SIRUI 75mm f/1.8,  Anamorphic 1.33x, SIRUI 50mm f/1.8 Anamorphic 1.33x, and SIRUI 24mm f/2.8 Anamorphic 1.33x. Since it seems SIRUI is making its 1.33x lineup into a 1.6x lineup it is highly likely we will see a SIRUI 24mm T2.9 Anamorphic 1.6x in the near future.

All-Round Player for close-up and long shot
The 1.6x squeeze factor gives the lens a horizontal angle of view from a 46mm lens, making it great for general usage. Objects in the distance seem to be zoomed in, forming a compression with the subject. Overall, it is a useful focal length for handling both close-up and long shots.

High Resolution Wide-Screen Images
You’ll have no problem getting super crisp wide-screen shots on this lens, with the subject being exceptionally sharp and the background soft and natural.

Let’s Dive into the Anamorphic World!
What most filmmakers want from an anamorphic lens, the subtle blue lens flares, the flattering oval bokeh as well as the creamy background, together they add a strong cinematic feeling to the video.

Consistent Cine Lens Housing
75mm lens maintains the same solid build quality. It features an 82mm filter thread, and a 1/4” threaded holder. Focus and aperture rings are geared with unified position as the 50mm FF.

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New Laowa 7.5mm T2.9 Zero-D S35 Cine


Laowa 7.5mm T2.9 Zero-D S35 Cine:
Venus Optics

Venus Optics announces the widest Super35 prime lens – Laowa 7.5mm T2.9 Zero-D S35 Cine
Anhui China, 7 March 2022 – Venus Optics, the camera lens manufacturer specialized in making unique lenses for photographers and cinematographers, has officially released Laowa 7.5mm T2.9 Zero-D S35 Cine. The lens is the widest rectilinear lens in the S35 line-up, producing an excellent “Zero-Distortion” image even with the 123° perspective. Filters can also be directly attached to the lens, making it highly user-friendly. The cine lens is now available for order and is priced at USD 699.

Presenting the widest angle of view (123°) ever offered in the Super35 line-up. It provides users with a super broad unique-to-your-eye perspective. A T2.9 large aperture is also beneficial for filmmakers to shoot under low light situations and control the depth of field. It would be suitable for shooting in a limited space or using it for epic establishing shots.

“Zero-Distortion”
The lens additionally delivers outstanding image quality with close to “Zero-Distortion.” This enables cinematographers to shoot with straight lines retained. The “Zero-D” design is advantageous when shooting architectural, aerial, and indoor footage.

Short focusing distance
The shortest focusing distance of this lens is 25 cm/ 9.84”, allowing cinematographers to be close to the subject and still focus. Creating a strong visual impact with an extreme close up and at the same time favorable in creating shallower depth-of-field that helps build a nice background bokeh effect.

Excellent Image Quality
The newly devised optical structure contains 16 elements in 10 groups, with two Extra-low Dispersion (ED) glasses and two aspherical glasses. This helps improve image sharpness and controls chromatic aberration at both in-focus and out-of-focus areas to the minimum, hence delivering impressive image quality.

The non-dome-shaped front element
The non-dome-shaped front element allows attaching a 77mm screw-in filter directly. This makes filming easier for cinematographers as a heavy matte box is not required. The easy set-up is especially essential and beneficial for cinematography like aerial.

Hassle-free transportation
The lens comes with a weather-sealed box for hassle-free transportation. This can allow users to travel with their lens without worrying about bad weather conditions or damage due to collisions. Additionally, it keeps dust, dirt, and smudges out, allowing the lens to stay in good condition for years.

Light and compact
This 7.5mm cine lens is highly compact and lightweight despite the extreme specifications. It measures 3.17” (80.7mm) long and weighs less than 1.4 lb (610g). The lens can easily fit onto any stabilizations system, including handheld gimbals.

Specifications

 

NameLaowa 7.5mm T2.9 Zero-D S35 Cine 
Focal Length 7.5mm
T-Stop RangeT2.9-22
Format CompatibilityS35
Angle of View 123°
Image Circle29mm
Lens Structure16 elements in 10 groups (2 ED glasses & 2asperical glasses)
Aperture Blades7
Min. Focusing Distance25cm/ 9.84”
Max. Magnification 0.05x
Filter ThreadΦ77mm
Dimensions ~Φ80 x 80.7mm (3.14 x 3.17”)
Weight~610g (21.51oz) excluding front and back caps
MountSony E, Canon RF, Nikon Z, Fuji X

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Sony Honda Cars Coming in 2025


Sony and Honda Sign Memorandum of Understanding for Strategic Alliance in Mobility Field
March 4, 2022, Tokyo, Japan – Sony Group Corporation (“Sony”) and Honda Motor Co., Ltd. (“Honda”) today announced that they have agreed to deepen discussion and exploration of forming a strategic alliance that aims to create a new era of mobility and mobility services. Specifically, the two companies have signed a memorandum of understanding that outlines their intent to establish a joint venture (“New Company”) through which they plan to engage in the joint development and sales of high value-added battery electric vehicles (EVs) and commercialize them in conjunction with providing mobility services.

The two companies will proceed with negotiations toward executing various definitive binding agreements, including a joint development agreement and a joint venture agreement, with a goal of establishing the New Company within 2022, subject to execution of the definitive agreements and relevant regulatory approvals.

This alliance aims to bring together Honda’s mobility development capabilities, vehicle body manufacturing technology and after-sales service management experience cultivated over many years, with Sony’s expertise in the development and application of imaging, sensing, telecommunication, network, and entertainment technologies, to realize a new generation of mobility and services that are closely aligned with users and the environment, and continue to evolve going forward.

Sales of the first EV model from the New Company are expected to start in 2025. The New Company is expected to plan, design, develop, and sell the EVs, but not own and operate manufacturing facilities, so Honda is expected to be responsible for manufacturing the first EV model at its vehicle manufacturing plant. It is expected that a mobility service platform will be developed by Sony and made available for the New Company.

Comment from Kenichiro Yoshida, Representative Corporate Executive Officer, Chairman, President and CEO, Sony Group Corporation
“Sony’s Purpose is to `fill the world with emotion through the power of creativity and technology.’ Through this alliance with Honda, which has accumulated extensive global experience and achievements in the automobile industry over many years and continues to make revolutionary advancements in this field, we intend to build on our vision to `make the mobility space an emotional one,’ and contribute to the evolution of mobility centered around safety, entertainment and adaptability.”

Comment from Toshihiro Mibe, Director, President, Representative Executive Officer and CEO, Honda Motor Co., Ltd.
“The New Company will aim to stand at the forefront of innovation, evolution, and expansion of mobility around the world, by taking a broad and ambitious approach to creating value that exceeds the expectations and imagination of customers. We will do so by leveraging Honda’s cutting-edge technology and know-how in relation to the environment and safety, while aligning the technological assets of both companies. Although Sony and Honda are companies that share many historical and cultural similarities, our areas of technological expertise are very different. Therefore, I believe this alliance which brings together the strengths of our two companies offers great possibilities for the future of mobility.”

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SAB: YONGNUO YN 50mm F1.8S DF DSM Review

Sony Alpha Blog posted its YONGNUO YN 50mm F1.8S DF DSM review and it’s is an exceptional value with lots of benefits for the price. You can read the full review here or you can check out the excerpts from the review below:

The Yongnuo 50mm F1.8S DF DSM (328 euros) is a little gem . Low price, very good ergonomics , very good AF, very good sharpness wide open on 61Mpix and excellent as of F2.8, very good background blur and color rendition , very good bokeh balls wide open , lovely rendering for portraits

The main drawbacks are : bokeh balls shape as of F2.8, build quality ok but not excellent, focus breathing important in video.

Pros

  • Very good (F1.8) toExcellent sharpness (as of F2.8) in the centre
  • Smooth background blur up
  • Very good contrast
  • Very good Bokeh balls at f1.8
  • Very good color rendition
  • Very good rendering for portrait and skins
  • Very Good AF
  • Size
  • Price
  • Very good ergonomics for photography (focus hold button and AF/MF button)
  • Low distortion
  • Low CA
  • Short min focusing distance (45cm)
  • Firmware upgrade via USB-C

Average

  • Weight
  • Vignetting at F1.4 but gone at F2.8
  • Good build quality but a bit plastic
  • Bokeh balls no more circular as of F2.8
  • Resistance to flare

Cons

  • Focus breathing

YONGNUO YN 50mm F1.8S DF DSM: B&H Photo / Amazon

Yongnuo YN35mm f/2 DF DSM: B&H Photo / Amazon
Yongnuo FE 85mm f/1.8 DF DSM: B&H Photo / Amazon

Yongnuo YN 50mm f/1.8S DA DSM: B&H Photo / Amazon

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LensTips: Tamron 17-70mm F2.8 Di III A-VC RXD


Lens posted its Tamron 17-70mm F2.8 Di III A-VC RXD review and it sounds like Tamron produced another great affordable zoom lens for E-mount. You can read the full review here or you can check out the excerpts from the review below:

“this lens managed to achieve the most important task: despite a very large and very universal focal range combined with a good, fixed f/2.8 aperture fastness, it guarantees a very good image quality across the frame, no matter what focal lenght you employ. It seems the tested Tamron performs even a tad better than you would expect, and, as such, it fully deserves a very high final assessment it got.”

Pros:

  • very good image quality in the frame centre across the whole focal range,
  • sensible image quality on the edge of the frame,
  • lack of any serious problems with longitudinal chromatic aberration,
  • slight lateral chromatic aberration in the 30-70 mm focal range,
  • good coma correction,
  • moderate astigmatism,
  • silent and very quick autofocus,
  • efficient image stabilization,
  • unique combination of focal range and aperture fastness.

Cons:

  • high vignetting, felt especially keenly on both ends of the focal range,
  • noticeable problems with spherical aberration,
  • performance against bright light should have been better.

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Tamron 17-70mm F2.8 Di III A-VC RXD: B&H Photo / Amazon

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