Sony Launches 4K 3-CMOS Sensor Flagship Handheld XDCAM Camcorder With Enhanced Operational Efficiency For Newsgathering And Production


Sony PXW-Z300: B&H Photo

Sony launches 4K 3-CMOS sensor flagship handheld XDCAM camcorder with enhanced operational efficiency for newsgathering and production
The new model, PXW-Z300, supports digital signature technology for video authentication, advanced networking capabilities, and AI-powered subject recognition

Sony today announced the launch of the PXW-Z300, a flagship handheld XDCAM® camcorder featuring 1/2-inch 4K 3-CMOS Exmor R® sensors, the latest BIONZ XR™ image processing engine, and a dedicated AI-processing unit. This model comes equipped with a professional lens system that includes three independent manual control rings. Ideal for a wide range of applications including news, sports, corporate, events, documentary, live programming, and reality programmes, the new camcorder is planned to be available in fall 2025.

The PXW-Z300 combines exceptional image quality, a 17x optical zoom lens, and Electronic Variable ND filter, with versatile operational capabilities. In addition to high-quality 4K 60p recording, it features AI-powered subject recognition for precise autofocus performance. The camera introduces a new articulating Flexible LCD Arm for adaptable capturing styles and a Side V-Mount that allows smartphones or data transmitters to be securely attached.

The PXW-Z300 is the world’s first camcorder1 to embed digital signatures directly into video files, enabling content authentication2 to address the evolving needs of the content creation industry, including the growing demand for content authenticity.

The PXW-Z300’s network functionality has been enhanced through improved communication device integration, which supports modern production workflows that utilize 5G and cloud technologies. This enables live streaming from shooting locations and efficient file transfer over networks.

“This latest camcorder has new enhancements, including content authenticity capabilities, that will be very beneficial for those in the news and production industry, whether they’re capturing action-packed content, breaking stories, or producing educational documentaries,” said Pavel Skabrout, Product Manager, Sony Europe.

Superb imaging performance and versatile operational capabilities
The camcorder features 1/2-inch back-illuminated 4K 3-CMOS Exmor R sensors and the BIONZ XR image processing engine, enabling excellent colour separation, F123 sensitivity, and 4K 60p recording.

It incorporates a 17x optical zoom lens with F1.9 constant maximum aperture and three independent manual control rings for traditional camera operation.

By utilizing the digital extender function, individuals can achieve 1.5x zoom in 4K mode and up to 4x zoom in HD mode with minimal degradation, making the camera suitable for a wide range of capturing scenarios, including news gathering and event documentation.

Additionally, the camera is equipped with an Electronic Variable ND filter that seamlessly adjusts transmission from 1/4 to 1/128, along with optical image stabilization. This allows for smooth brightness adjustment and stable capture when moving between locations with varying light conditions, such as from bright outdoor areas to dim interior spaces.

The PXW-Z300 incorporates a dedicated AI-processing unit in addition to its image processing engine. This enables high-precision subject (human) recognition based on face, eye, skeletal structure, and posture information. The system can maintain autofocus on subjects even when they are facing away from the camera or wearing facial coverings. It also features an auto-framing function that automatically adjusts composition to keep human subjects centered in the frame.

The camera also features a 3.5-inch high-brightness LCD monitor with approximately 2.76 million dots. It provides excellent visibility even in bright conditions and is significantly brighter than its predecessor, the PXW-Z280. It incorporates the newly developed Flexible LCD Arm with three-axis movement, which allows flexibility in adjusting the monitor’s position and angle. This enables the camera to accommodate various shooting styles. Operators can adjust the viewing distance when capturing content with the camera on their shoulder, position the LCD monitor at the camera’s optical center for stable waist-level capture, or flip it forward for self-recording.

Enhanced network functions for immediate and efficient video production workflow
The camera supports new workflows utilizing 5G and cloud technologies, allowing immediate transfer of recorded material from shooting locations and live streaming through smartphone or Wi-Fi/wired LAN connections. Recorded content can be transferred via network to cloud-based media sharing services or on-premises storage in high-quality, efficient formats. For proxy material transmission at lower resolutions, the camera newly supports the HEVC codec4, enabling higher quality and compression rates. Additionally, it can transfer clips in chunk format (segmented recording) during shooting. This eliminates the need to remove media and transfer material after shooting, allowing editing to begin as material arrives.

The camera supports common video streaming protocols including RTMP/RTMPS and SRT, enabling live broadcasting from remote locations. By attaching Sony’s PDT-FP1 Portable Data Transmitter (sold separately) to the Side V-Mount and connecting it to the camera, users can simplify integration and achieve a more stable transmission of video material.

Furthermore, the PXW-Z300 utilizes cloud services such as the cloud material transfer service “C3 Portal” and Sony’s “Ci Media Cloud”, a cloud-based solution for media collaboration. This allows the camera to support more immediate and efficient video production workflows which includes integration with news file-based systems, material sharing and collaboration among project members, and live streaming with multiple cameras when combined with Sony’s M2 Live Cloud Switcher.

Support for various recording formats and looks for diverse content production
The PXW-Z300 supports various recording formats designed for a wide range of video production applications, including news footage and documentaries. It offers standard support for MXF file recording in formats adopted by the XDCAM series, such as MPEG HD422, XAVC Intra (4K/HD 4:2:2 10bit), and XAVC Long (4K 4:2:0 8bit/HD 4:2:2 10bit), as well as MP4 proxy recording in HEVC.

The camera also accommodates diverse looks. In addition to S-Cinetone, ITU709, and 709tone available in Sony’s Cinema Line series, XDCAM, and HDC series, it supports HLG Live, HLG Mild, HLG Natural, and user 3D LUTs. Users can import custom 3D LUTs (.cube files) from memory cards.

The camera is compatible with Sony’s mobile application “Monitor & Control,” which supports multi-camera shooting by allowing angle confirmation, camera settings adjustment, and remote operation from smartphones or tablet devices.

Additionally, the camcorder enables the recording of up to four channels of audio – including shotgun microphones and Sony’s UWP-series of wireless microphones – via XLR inputs and the Multi Interface shoe. Future support will provide proxy 4-channel audio recording.

World’s first camcorder to support recording of authenticity information in video
The camera supports the C2PA5 standard for recording authenticity information. It is the world’s first camcorder capable of recording video with embedded digital signatures1. By expanding authenticity initiatives from still images to video, Sony contributes to the growing need for improved content reliability demanded by news organizations in recent years.

The PXW-Z300 is scheduled to be exhibited at the Beijing International Radio, TV & Film Exhibition 2025 (BIRTV), in Beijing, China, starting Tuesday, July 22, 2025. For more information, please visit https://pro.sony/products/handheld-camcorders/pxw-z300.

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LT: Sony FE 400-800 mm f/6.3-8 G OSS – Another Well-Put-Together Lens


Sony FE 400-800mm F6.3-8 G OSS:
B&H Photo / Amazon / Adorama

Lenstip posted its full review of the Sony FE 400-800 mm f/6.3-8 G OSS, which you can read here, or you can check out the excerpt below:

Pros:

  • solid, closed, and sealed mechanical construction,
  • very good image quality in the frame centre,
  • sensible image quality on the edge of the APS-C sensor,
  • negligible longitudinal chromatic aberration,
  • moderate lateral chromatic aberration,
  • lack of problems with spherical aberration,
  • very low astigmatism,
  • properly corrected coma,
  • low vignetting on the APS-C sensor,
  • slight focus breathing,
  • nice appearance of out-of-focus areas,
  • silent and quick autofocus,
  • very efficient image stabilization,
  • good price/parameters and price/performance ratio.

Cons:

  • a tad too weak image quality on the edge of full frame,
  • a lot of problems with the performance against bright light.

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PP: Tamron 16-30mm f/2.8 Di III VXD G2 Review – A Compelling Option For Photographers And Videographers

Tamron 16-30mm f/2.8 Di III VXD G2:
B&H Photo / Amazon / Adorama

The guys from Petapixel posted their Tamron 16-30mm f/2.8 Di III VXD G2 review, and it shouldn’t come as a surprise that it is a great lens so long as you do not shoot macro. You can watch the full review above or check out the summary I created for the video below:

Summary

  • Successor and Design: It replaces the well-regarded Tamron 17-28mm f/2.8, maintaining a compact and lightweight design at 440g (very close to its predecessor’s 420g) and a 67mm filter thread, which is consistent across Tamron’s f/2.8 zoom lineup.
  • Build and Functionality: The lens is fully weather-sealed and includes a customizable button and a USBC port for firmware updates and customization through the Tamron lens app. It does not have a dedicated autofocus/manual focus switch.
  • New Motor Technology: A significant upgrade is the new voice coil motor. This replaces the slower stepping motor of the previous generation. The new motor provides “super snappy and quick” autofocusing performance, making it highly effective for fast-paced situations like street shooting and sports photography.
  • Image Quality:
    • Bokeh: While an ultra-wide lens, it can produce a shallow depth of field. Backgrounds are generally soft, though some minor imperfections like a “soap bubble” effect and onion rings can be seen in specular highlights.
    • Flare and Sun Stars: The lens demonstrates excellent flare resistance thanks to its coatings, maintaining contrast even when shooting into the sun, with no ghosting issues. Sun stars are described as “average.”
    • Sharpness:
      • 16mm: The lens is impressively sharp from the center to the corners, even at its widest aperture of f/2.8, with minimal vignetting.
      • 30mm: At f/2.8, it exhibits a “dreamy soft focus effect” with a loss of contrast. This sharpens up significantly by f/5.6. The corners at this focal length are also soft at f/2.8 and, while improved at f/5.6, don’t match the sharpness seen at 16mm.
  • Video Performance: The lens is a strong performer for video. It has excellent tracking autofocus thanks to the new linear motor and exhibits almost no perceptible focus breathing at 16mm. At 30mm, there is a very slight, non-distracting change in the field of view when focusing, making it a great video lens for its price.

Competitive Landscape:
The video provides a detailed breakdown of how the Tamron 16-30mm f/2.8 G2 stacks up against its main competitors:

  • Sony E-mount Competition:
    • Sony 16-25mm f/2.8: This is a very good, sharp lens, but it has a more limited focal range than the Tamron and is slightly more expensive.
    • Sigma 16-28mm f/2.8: This lens offers similar optical performance and is very similarly priced to the Tamron, making it a direct competitor. The Tamron offers a slight advantage with 2mm more reach at the telephoto end. [13:05]
  • Nikon Z-mount Competition:
    • Nikkor 14-24mm f/2.8: This lens is described as being in a “whole other league” and intended for a different type of photography, implying it is a higher-end, more specialized, and more expensive option. [13:19]
    • Nikkor 17-28mm f/2.8: The video notes that this lens is essentially a rebranded version of the older Tamron 17-28mm f/2.8. The reviewer recommends the new Tamron 16-30mm G2 over this Nikon lens, as the new Tamron offers more focal range, faster focusing, and better overall optical performance.

Conclusion:
The Tamron 16-30mm f/2.8 G2 is presented as a strong, affordable, and effective ultra-wide lens, especially for those already invested in Tamron’s G2 professional zoom trifecta. It offers tangible upgrades over its predecessor and holds a competitive edge in focal range and focusing technology against similarly priced rivals, making it a compelling option for both photographers and videographers.

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PT: Viltrox AF 35mm f/1.2 LAB FE Review – A True Tour De Force


Viltrox 35mm f/1.2 LAB: B&H Photo / Amazon

Phototrend published its full review of the Viltrox 35mm f/1.2 LAB FE, which you can read in full here or check out an excerpt from the review below:

The Viltrox AF 35mm f/1.2 LAB is a true tour de force . It combines a very wide aperture , very high optical quality and a very premium construction , all at a reasonable price .

Strengths

  • Very high sharpness from f/1.2 and exceptional at f/2.8
  • Controlled chromatic aberrations and distortions
  • Smooth bokeh rendering
  • Premium finishes
  • Numerous manual controls
  • Very good value for money
  • Responsive autofocus

Weaknesses

  • A little heavy and bulky
  • Imprecise aperture ring, no lock
  • Very marked vignetting at full aperture

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Yongnuo 18mm f/2.8 Coming Soon

The Yongnuo 18mm f/2.8 was spotted at a trade show recently. The translated impressions are below, and photos from the event are above.

Yongnuo’s unreleased full-frame 18mm autofocus lens is very light to use, and provides an AF/MF manual autofocus quick switch lever, custom buttons, and a USB-C interface for easy firmware upgrades. ​​​

via weibo

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LK SAMYANG Expands Prima Series with New AF 16mm F2.8 P FE and AF 85mm F1.8 P FE Lenses


SAMYANG 16mm F2.8 P FE (Coming Soon): B&H Photo / Amazon
SAMYANG 85mm F1.8 P FE (Coming Soon): B&H Photo / Amazon

LK SAMYANG Expands Prima Series with New AF 16mm F2.8 P FE and AF 85mm F1.8 P FE Lenses

Completing the Prima Trio for Hybrid Content Creators
15 July 2025 (Tuesday) – LK Samyang, a global leader in optical technology, is pleased to announce the introduction of two new lenses in the Prima Series, tailored for hybrid content creators and photography enthusiasts: the AF 16mm F2.8 P FE and the AF 85mm F1.8 P FE. The release of these lenses expands the Prima Series, which is recognized for its exceptional optical performance and portability.

Following the earlier release of the AF 35mm F1.4 P FE in 2024, these latest lenses complete the Prima Series trio, which now covers a range of focal lengths: wide (16mm), standard (35mm), and medium-telephoto (85mm), catering to a diverse creative requirements of users in the field. Read More »

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