Sony FX5: B&H Photo / Amazon / Adorama
Sony Electronics Launches the FX5, a Cinema Line Camera with a Newly Developed Image Sensor, Open Gate Recording, Internal RAW Recording, and Enhanced Operability
Sony Electronics introduces the FX5, a new full-frame camera in its Cinema Line series. A newly developed fully stacked CMOS image sensor raises sensitivity performance[1] with 15+ stops of dynamic range, three base ISO settings[2], and a Dual Gain shooting[3] mode. For the first time in the Cinema Line FX series, the FX5 supports Open Gate shooting and in-camera recording in X-OCN, Sony’s proprietary RAW format. It shoots 5K at up to 60 fps, 4K at up to 120 fps, and FHD at up to 240 fps. The result pairs the Cinema Line look[4] with production-ready operability in a compact, portable body. Also released are two optional accessories: a detachable OLED viewfinder and an XLR handle unit that records in-camera at up to 96 kHz, 32-bit float.
“The FX5 builds on Sony’s Cinema Line expertise, praised by cinematographers and video creators worldwide,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “We wanted to build on the FX3, taking it one step further with the inclusion of some VENICE 2 features, like internal RAW recording and Open Gate. Features like these have been highly requested and will allow creators more creative freedom with an easier workflow.”
Availability and Price
Claudio Miranda, ASC, cinematographer of films including “Top Gun: Maverick” and “F1® The Movie,” conducted a test shoot with the FX5:
“I felt that FX5 is a camera that combines high quality image expression and mobility in a compact body, enabling people to use it across a wide range of shooting environments.”
Gareth Edwards, director of “The Creator,” “Rogue One: A Star Wars Story,” and “Jurassic World: Rebirth,” shot with the FX5 on a project spanning Cambodia, Thailand, and Nepal.
“Guerrilla filmmaking just went to the next level as the FX5 is the run-and-gun cinema camera to beat.”
FX5 Key Features
A newly developed image sensor and the latest high-speed image processing engine
High-precision AF powered by AI and detailed settings that support intentional shooting
Excellent operability and high mobility in a compact, lightweight body
High reliability and expandability to support professional production environments
Planned Firmware Update ver. 2.0 (coming 2027)[10]
A planned update will add higher resolution high frame rate shooting up to 240 fps in X-OCN, XAVC S-I recording in 3:2 (Open Gate shooting), an optimized interface for vertical shooting, and a frame grab function.
Accessibility and environmental considerations
Optional Accessories
0.58-type OLED Viewfinder “DVF-EL1”
XLR Handle Unit “XLR-H2”
The XLR-H2 carries two XLR/TRS combo terminals and supports up to 4-channel audio input. Dual AD converters digitize microphone signals with high precision across a wide dynamic range and record in-camera at up to 96 kHz, 32-bit float. It connects directly to the body through the Multi Interface (MI) Shoe for stable digital transmission.
Timecode Adapter Cable “VMC-BNCU1”
The optional USB-C to BNC timecode adapter cable feeds timecode from external devices into the camera. It synchronizes multiple cameras and external audio devices for timecode-based workflows across multicamera shooting, broadcasting, and filmmaking.
Applications Supporting Production with the FX5
For main specifications and details, please visit the product website.
[1] Compared to “FX3”.
[2] Manual Base ISO selection is supported only in Cine EI and Flexible ISO modes. In Cine EI Quick mode, the optimal Base ISO is selected automatically according to the Exposure Index setting.
[3] Gain is limited to the equivalent of 18 dB. This function may not be available depending on shooting settings.
[4] Refers to visual expression, including the color and tone of images.
[5] Available only when recording in X-OCN.
[6] Compared to “FX3”. Based on Sony internal measurements.
[7] In Dynamic active Mode, angle of view is reduced more than in Active Mode, and Clear Image Zoom is not available. Dynamic active Mode is available up to 60 fps, and Active Mode is available up to 120 fps. The maximum gain in Dynamic active Mode is 26 dB. Depending on the codec and frame-rate settings, Dynamic active Mode may not be available. For details, see the Help Guide: https://helpguide.sony.net/ilc/2630/v1/h_zz/
[8] Cannot be used together with accessories attached via the Multi Interface (MI) Shoe, such as the handle unit.
[9] USB Power Delivery (PD) compatible external power supply and USB cable are not included.
[10] Features and specifications are subject to change without prior notice.
[11] Supported languages vary by sales region/country. Some menu items are not supported by the screen reader function.
[12] Based on Sony research. Applies to recycled plastic used in the product body.
[13] Production sites may change depending on the production period.
[14] Plant-derived nonwoven fabric may not be available depending on the production period.
[15] With a 50 mm lens at infinity, -1 m⁻¹.
[16] For further details and to download Monitor & Control, see: https://www.sony.net/ccmc/?cid=son-mandc—20260722. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.