Gordon Laing posted his latest retro review of the Sony Cyber-shot F505, which came from an exciting period of time full of experimental point-and-shoot designs. You can watch his full-view review above or get the key points below:
Nontraditional camera design is still fresh today
Sony worked with Carel Zeiss, which gave them legitimacy
Utilized memory stick
Grab the barrel with your left hand and tilt the body with your right hand for easy framing
Very good for waist-level shooting
The twisting mechanism feels great
The lens contains a sensor and controls
The body contains the main controls, screen, and the memory card
Most cameras had 3x optical zooms, while the Sony had 5x, which was equivalent to 38-190mm
It would have been nice if the lens started a little wider
The zoom is motorized, and it moves smoothly and allows for fine adjustments
You can zoom optically while shooting video
The aperture is f/2.8-3.4, with f/2.8 covering half the range and f/3.4 the rest
There was no magnified focus assist, but there was an indicator icon
There is a pop-up flash on the camera and a tripod mount on the optical access
The rear screen is 2″ and the only way to compose with a transflective hybrid panel that can use ambient light or a backlight
The transflective technology works well if you angle it right
The transflective screen saved power
There are two JPEG compression options and three resolution options, but no uncompressed option
2.1MP 1/2 CCD sensor that captures a max resolution of 1600×1200 with a typical file size of 500k in best quality
Video at 320×240 or 160×120 at 15fps for 5, 10, 15 seconds a clip or a min in the low-resolution mode